Bubba Ho-Tep's Much Needed 4k Restoration

Okay, and we're back with the first in my second set of "Pair" posts, this time for Scream Factory releases.  This pair was always going to happen in one form or another, because they've always needled me as the two biggest "holes" in my Scream Factory coverage on DVDExotica.  Until today, Don Coscarelli's Bubba Ho-Tep held the crown as the most glaring omission to me for several reasons.  Because it's Coscarelli's most essential film that I haven't already tackled, because it's such a fun, favorite film that I just personally want to recommend on the site, and because the whole situation of the UK import DVD having its exclusive extras is precisely the kind of thing this site is here to document.  Plus, despite the current blu-ray being only a couple years old (it came out right at the end of 2016), I have some very 2019 thoughts about it that I think it's time to bring up.  So let's go!

Update 2/12/19 - 2/7/23: I originally concluded this entry saying, "a new 4k scan would be super welcome and probably a major improvement."  Well, today's the day.  A 2-disc UHD/ BD combo-pack with a 4k restoration and even some more special features.

2002's Bubba Ho-Tep is, like its title sounds, a delightfully nutty film and a welcome highlight in a pretty drab period for horror films.  Boy, did we need this film when it came to us.  First of all, I think you could be quickly forgiven if, at the time, you believed like all the "masters of horror," that by the 2000s, all his great works were behind him.  Instead of any more masterpieces, we'd be lucky to shake out another direct to video flick or two that wasn't heart breakingly awful, right?  In the same way that we hope Argento's next film will at least be closer to The Card Player than Dracula, or Landis's will be more like Innocent Blood than Susan's Plan... we already know not to keep hoping for another Suspiria or American Werewolf In London.  But then, boom!  He dropped it on us: another genuinely great film rivaled in his catalog only by the original Phantasm.

It's an adaptation of an outrageous short story by Joe R. Lansdale, where Bruce Campbell plays an aging Elvis Presley, still living in secret in a quiet, Southern retirement home.  Nobody else cares enough to raise any questions, but their mortality rate seems a little high; and Elvis deduces that people are dying because an ancient Egyptian mummy is hiding nearby and leeching off their life force.  Who's the only man who will believe Elvis and help him battle the mummy?  JFK, of course, who also happens to still be alive, tucked away in the same retirement home, played by Ossie Davis.  It's obviously a boldly original story (despite one scene rather shamelessly lifted in whole from The Singing Detective), filled with novelty and humor.  It's pretty brave to settle on a hero who's too lazy to get his ass out of bad for the first half of the picture.  But what's especially impressive is how much sincerity and genuine character they manage to fill such a superficially goofy plot with.  There's actually more relatable humanity and touching drama in this than, say, Nicole Kidman's recent The Destroyer, which in some strange ways, shoots for the same sort of targets.  It's there in Lansdale's story, preserved through Coscarelli's subtle care, and thanks in no small part to the impressive cast.  Campbell is perfect for his role, it's through the grace of the gods that they managed to rope Davis into this, and then they have a wealth of supporting players like Roc's Ella Joyce, TV legend Larry Pennell and of course Reggie Bannister.

So Bubba Ho-Tep debuted on DVD as a pretty nice Collector's Edition from MGM in 2004.  This same disc was later reissued in 2007 as a Limited Edition - the only difference being a new three-dimensional slipcover designed to look like Elvis's cape.  Oh, and they dropped the booklet.  Meanwhile, in the UK, they introduced a more substantive upgrade.  2005 saw Anchor Bay UK debuting a special edition of their own, which came with its own nice little slipbox.  But more importantly, it was a 2-disc set with all of the special features from the US, plus several, new exclusives (detailed further below).  In 2010, it was time for HD, and Anchor Bay released their version on blu-ray with everything.  Everything, that is, until 2016, when Scream Factory came out with the US blu-ray, which included all of the MGM features, and more, new stuff they cooked up.  But... not all the Anchor Bay ones, most of which remain exclusive to the UK (and Germany, as the blu-ray EMS put out there in 2010 has everything the AB disc had, too).

1) 2004 US MGM DVD; 2) 2005 UK AB DVD; 3) 2016 US SF BD;
4) 2022 US SF BD; 5) 2022 US SF UHD.

So, ah, okay.  The 2016 blu the most impressive HD transfer I've ever seen.  Not only would it appear that Scream Factory didn't make a new master to update the previous, 2010 blu-rays, but it looks like they're using the same master as the original DVDs.  Now, don't misunderstand; I'm not calling "upconvert." You can see the slight increase in clarity when you flick between the DVD and BD screenshots; we're not getting SD compression slapped onto an HD disc.  We're just getting the same old master, slightly less compressed.  The framing also shifts slightly, starting out at 1.84:1 on the original DVD.  Then, Anchor Bay slightly squeezes the image to 1.86, and finally Scream Factory goes back to 1.84, but with a micro-sliver of extra pixels around the rim, that the old DVDs sacrificed to over-scan fade-out.  So, yes, it's a slight but legit upgrade over the DVD.  But this film was shot on 35mm; grain is barely visible when it is at all, and fine detail is soft and hazy.  Essentially, what I'm saying is, this film was dying for a new scan. To be fair, this film was made in the murky period of 2002, when major directors were shooting films in standard def and working under all kinds of sub-par, frontier-pushing digital conditions.  Again, this film was shot in 35, but I don't know how the CGI effects were rendered... But what we've got is a late 2016 blu-ray using an early 2000s master, and it looks the part.  I wouldn't even say the upgrade to HD was worth double-dipping for unless you'd already replaced almost every other DVD in your collection.

But all that's behind us now.  Scream has come back around and given us a fresh 4k scan of the original negative.  What's more it's on a proper 4k UHD disc with Dolby Vision HDR and color correction supervised by Coscarelli himself.  And it obviously looks better.  Although at first glance, it may not look as much better as you'd expect.  The grain is so fine, when you look at the 1080p blu (which also features the new transfer), it almost seems, if not DNR'd, then not not properly captured.  But it's there on the UHD.  Well, in a few shots (like the first set above), it's still a little soft, and often detail is light overall; but I guess that's down to how the film was shot, not how it's presented on home video.  And to be clear, this is unquestionably an improvement.  The shadows (of which there are a lot in this film) in particular really come to life, where things just got murky and even blocky on the 2016 blu.  We've also finally gotten the AR to a precise 1.85:1, correcting a very slight pinch, and the new color timing is more vivid, especially in HDR.

Audio-wise, things are swell, too.  The MGM DVD just gave us a nice 5.1 mix, plus optional English, French and Spanish subs.  AB dropped the foreign subs (keeping the English), but also gave us a Dolby stereo mix in addition to the 5.1.  And Scream Factory?  Well, they finally did get something from Anchor Bay.  Their 2016 release hung onto both the 5.1 and 2.0 mixes, both now in lossless DTS-HD (although, to be fair, both of Anchor Bay's audio tracks were lossless on the 2010 BD), plus the English subs.  And their 2022 set has all the same options.

But now's where it really gets complicated: the extras.  MGM started us off really nicely.  In fact, to be honest, it's a very satisfying edition right off the bat, and if nobody added anything more to the mix, I'd still be pretty satisfied.  We begin with a really fun and information-packed commentary by Coscarelli and Campbell.  This is the most essential feature, and it's on every release.  So whatever happens moving forward, we're pretty safe.  There's also a second commentary with Campbell doing the whole thing in character as Elvis, which I would recommend skipping entirely - the novelty wears off after you've read the listing on the back of the case.

After that, we also get a pretty solid, 25 minute 'making of' featurette, followed by three additional featurettes focusing on Bruce's costumes, creating the mummy, and the score, which play like extensions of the main doc.  Then there are three deleted scenes, with optional commentary and about seven minutes of Lansdale reading from his original story.  Finally, there are a bunch of additional odds and ends, including a music video, photo gallery, the trailer, a TV spot and some bonus trailers.  The original 2004 disc came in a slipcover and included a nice booklet of behind-the-scenes photos and notes by Bruce Campbell himself.  Again, the 2007 reissue scrapped the booklet and replaced the slipcover with the fancier one.

The UK-only deleted scene.

Crossing oceans to the UK, Anchor Bay gives us pretty much all of that stuff, even the booklet - though their slipbox is different than the US slipcover, and they do drop the TV spot - plus new exclusive content.  They basically add six new things.  One thing you'll notice the US disc might seem a little light on is on-camera interviews, although there's certainly plenty of that in the 'making of' doc.  But AB makes sure to give us new, exclusive on camera interviews with both Campbell and Coscarelli.  They also include a 20-minute Q&A with Coscarelli from a UK screening of Bubba Ho-Tep.  Anchor Bay also has a special intro/ video message from Bruce, a short but fun assembly of behind-the-scenes footage, and perhaps most interestingly of all, a fourth deleted scene not included on the US disc.  And where some of the previous deleted scenes were more like outtakes, this is a solid minute twelve of Ossie and Bruce cut out of the film.

Then, in 2016, Scream Factory kept all the MGM stuff (including that slippery TV spot) but loses most of the Anchor Bay stuff.  However, they cooked up some pretty impressive new features that would make even somebody with one of the 2010 blu-rays seriously consider adding this edition to their collection.  First off is an all new audio commentary by Joe Landsdale.  He's pretty enthusiastic, and an important voice we didn't hear so much of in the previous editions.  Then they add three brand new on-camera interviews: one with Coscarelli, one with Campbell and one with effects artist Robert Kurtzman.  You could say the first two basically just work to replace the Coscarelli and Campbell interviews they didn't get from AB, with the added bonus that these are in HD, but the Kurtzman one feels nice and fresher.  And, what's more, they add 35 minutes of additional, vintage Campbell interviews.  This includes his special message and his on-camera interview from the UK disc, plus even more.  Yes, some of these do get redundant, but one thing's for sure; you'll get your Bruce Campbell fix here alright.  You'll also get reversible cover art and a frankly rather ugly slipcover.

And now in 2022, Scream Factory retains everything from their 2016 release, plus adds three new features.  The least compelling of these is 3 minutes of soundbites from the film's Egyptian Theater premiere.  More substantive is an over 30-minute Q&A with Coscarelli and Campbell from the Toronto Film Festival.  But best of all is easily a new location tour by a couple called The Grimm-Life Collective, especially since we've already heard everything Coscarelli and Campbell repeatedly already.  Unfortunately, however, the Anchor Bay UK exclusives remain exclusive to that edition.  There's really no swag either, like a booklet or even reversible cover art, except for its stylish slipcover.

So, the new Scream Factory edition is undoubtedly the best edition going.  It's got all the new extras from 2016 and 2022, some of the UK ones (to be clear, the ones it's missing are 1) the screening Q&A, 2) the Coscarelli interview, 3) the behind-the-scenes footage and 4) the deleted scene) and a thankfully revamped HD presentation, even if it's not quite as massive a transformation as I set myself up to expect.  I do wish they could've scooped up that last, dangling deleted scene, but otherwise, I couldn't ask for anything more.

Stuart Gordon's Longer, German Lovecraft Adaptation

This post has been a long time coming.  In 2006, when Masters Of Horror first hit DVD, I was excited to pick out my favorite episodes as individual special edition DVDs.  When they were later upgraded to blu-ray, I held off.  They ditched most of the special features, and people were complaining that they were 1080i instead of 1080p.  And there were foreign releases with similar issues.  Were they interlaced, in the wrong frame-rate, or was this just the inherent to their broadcast television roots?  I wasn't sure.  My DVDs weren't interlaced, reviews for the BDs were all pretty mediocre (I was a little put off that only season 1 made it to the US), and I was never all that impressed with most of the series anyway, so I just decided to steer clear of the whole quagmire.  That is until I discovered that some of the episodes, including my absolute favorite, were longer overseas!

As you can see, my fave is Stuart Gordon's Dreams In the Witch House.  It's a Lovecraft adaptation, co-written by his usual Lovecraft collaborator Dennis Paoli.  And it's really pretty great, even better than some of their features, though it probably helps that I've been able to see it in its fuller, uncut form.  I reckon I'd rank this between From Beyond and Dagon, definitely above Castle Freak.  It helps that they have mostly all practical KNB Effects.  Dagon's Ezra Godden returns as a Miskatonic student who moves into a cheap boarding house, only to discover that the very specific, weird convergence of angles he's researching because he believes they represent a connecting point between dimensions actually exist in the corner of his room.  And it's this very angle that's allowed a witch to live there for hundreds of years, preying on the local children.  This is a deranged, gruesome little story that adeptly captures Lovecraft special blend of sci-fi and fantasy horror.

So yes, this is a happy reunion: Gordon, Paoli, Lovecraft and Godden.  Even Richard Band is back to provide a suitably orchestrated soundtrack.  Apparently, Jeffrey Combs was set to co-star in this, too, but had to drop out two days before shooting.  It's a shame in the sense that it would've been an even bigger reunion, but the actor they replaced him with is great, more age appropriate, and probably better for the film, overall.  Also back, essentially, is the rat with a human face creature, that Paoli had originally written into The Evil Clergyman segment of Pulse Pounders, which at the time had been thought to be lost to history.

And in Germany, it's longer.  I'm not sure if this was strictly slimmed down for Showtime's air times, but scenes of sex and gore have both been abbreviated, so it might've been outright censorship.  Either way, it's better longer.  Some trims are almost arbitrary, but there's some great dialogue restored in this version, too.  It's not drastically different, but it's superior.  The nightmarish sex scene is even madder now and the ending is even bloodier.  Even the closing credits are more stylish, laid out over a series of images from the film, as opposed to the US cut, which just runs them over plain black.

2006 US Anchor Bay DVD top; 2018 DE Splendid BD bottom.

I'm happy to report, too, that the 1080i does not mean the blu-ray is interlaced.  We remain interlacing free.  We do have PAL speed-up, though, which is why the running times of both cuts are so similar despite one version having all the footage restored.  So take off a point for the speedup, but it's not really noticeable outside of a direct comparison, as opposed to the boost to HD, which is distinctly sharper than the DVD.  Both discs are between 1.77 and 1.78:1, but the DVD has a slight stretch vertically, that the BD fixes, therefore adding a pinch more information along the tops and bottoms.  It's not the greatest PQ either way - the BD is macroblocky and absolutely missing film grain - you'd never know this series was shot on 35mm looking at these discs.  But it's still a genuine step up from SD to HD.

So we've got a better cut of the film now, with better picture.  How else can the blu be preferable?  How about sound?  Yes, the 5.1 audio has been upped to lossless DTS-HD on the blu, now, too.  They've also added a DTS-HD German dub and German subtitles, too.  It does lose the optional English subtitles, though.

A big part of this discussion has to be about extras.  Anchor Bay's DVD had a lot of great stuff.  There's a fun and informative commentary by Gordon and Godden, though to start to run low on stuff to say in the end.  There's also an interview with Gordon which is okay, but repeats most of the stuff from the commentary, so it's fairly skippable.  Unmissable, however, is a new retrospective documentary on Gordon's work, featuring interviews with his most famous collaborators, even if they weren't involved with this episode: Brian Yuzna, Jeffrey Combs, Ken Foree, Barbara Crampton and more.  There are also interviews with co-star Chelah Horsdal and Howard Berger, a short collection of behind-the-scenes footage, a look back at the few CGI visual effects, outtakes, a stills gallery, a storyboard gallery and trailers for a bunch of Masters Of Horror episodes including this one.  It also came in a slipcover and included an insert and even a Stuart Gordon trading card.

Unfortunately, the blu-rays drop almost all of the original special edition DVD extras.  They just keep the commentaries.  But the German blu-ray has something the US blu-rays and even the original DVDs never had: a ton of behind-the-scenes footage.  There are glimpses of this in the DVD extras, but there's almost an hour's worth of footage here.  We see rehearsals and filming, more or less uncut, and well mic'd, so we can actually here Gordon giving direction, the animal controllers calling to the live rat, etc.  It also has reversible artwork so you can hide the tacky ratings logo.  So we lost a lot, but at least we gained something.  And of course, if you just keep your DVD, you've simply increased your collection of extras with this new stuff.

A scene only in the extended cut of Incident.

So let's talk quickly about the other episodes on here.  Don Coscarelli's Incident On and Off a Mountain Road is another fun reunion, where he's reunited with writer Joe R. Lansdale, who of course wrote the delightful Bubba Ho-Tep.  And Angus Scrimm may be a bit shoe-horned in (his character's not in the original story), but he's still the best thing about his episode.  It's also a creepy, nasty story with a strong premise, though the leads are pretty milquetoast and they really botched the ending.  The good news is, this is another episode that's longer on the Splendid blu than it was in America - score!  And it still has the great commentary with Coscarelli and Lansdale in conversation, and more exclusive behind-the-scenes footage.

The other two episodes are Tobe Hooper's Dance Of the Dead, which I'd classify as an interesting failure, adapting a rather extreme story by Richard Matheson, and Dario Argento's Jenifer, starring Steven Weber, which was a decent but unexceptional episode.  Again, we get commentaries and behind-the-scenes footage, plus these also have some interviews with Argento, Weber, and the Mathesons Jr and Sr.  Both of these episodes are the same length as their US counterparts, apart from the PAL thing.  Anyway, I'm here for Dreams, but I'll take these as fun bonuses, sure.

I can't leave you, though, without explaining that not every Splendid version is the preferred longer version.  No, unfortunately things have to be more complicated.  Norio Tsuruta's episode, Dream Cruise, is actually feature length at 87 minutes on DVD, but 57 (the length it originally was on Showtime) on blu.  Also a couple of Splendid's episodes are cut shorter (John Carpenter's Pro-Life and Dario Argento's Pelts), though they're uncut in the Nameless box set.  The Nameless box set is a now very hard to find German collection of the full series that was mostly a straight-forward reissue of the Splendid discs in fancy packaging, except that it fixed those cut episodes.  It still has the short version of Dream Cruise, though.  All the Splendid discs are available separately, but the Nameless versions are only in the full set.  This complication can make it daunting, and frustrating, to collect the whole series.  But if you're just interested in a couple of the stand-out episodes like me, anyway, it's easy to pick and choose the ideal editions so long as you're informed.

For the particular episodes on this disc at least, the Splendid is highly recommended.  I'd still hang onto the DVD for all those first class extras, but this longer cut makes a German version essential.  The HD boost, lossless audio and new extras sweeten the deal.  And if you haven't revisited it in a while, seriously, go back and watch Dreams In the Witch House again.  It really is something special.

We Interrupt Fellini Week, Again, for: The New Phantasm Collection!

Phantasm is one of the truly great horror movies of the 1970s.  It now has four sequels, all of which have stayed under the creative control of writer/ director Don Coscarelli.  And as I doubt many of you guys need me to tell you, there are presently two dueling Phantasm boxed sets: one from Well Go USA and the other from Arrow in the UK, with different presentations and special features.  Well, we're going to compare those now, along with the individual single layer Well Go blu-rays, the famous Anchor Bay Phantasm sphere DVD set, the US Anchor Bay DVDs, the Scream Factory blu, a German workprint DVD set of Phantasm 2, the Phantasm 5 DVD and even the original, non-anamorphic MGM DVD.  The funeral is about to begin, sir!

Update 5/4/17 - 12/19/19: Okay, sorry Fellini fans.  I guess I'm not the master scheduler I thought I was.  Fellini Week will be back right after this, but I figured I couldn't leave phans waiting when there's a brand new Phantasm special edition set out there.  Yeah, it's only been two years since the massive Well Go and Arrow blu-ray sets, making it a harsh double-dip, but Well Go is back with a new and improved 'Phantasm Sphere Collection.'  We'll break down everything that entails below, but the highlights include the first sphere replica released in the United States, Phantasm 2 freshly restored in 4k, new special features, and most exciting of all, long lost gore footage restored to the second film for the first time ever!

2007 Anchor Bay DVD

Phantasm is a fantastic (in all senses of the word), imaginative meditation on youth and death.  It's crazy to see the natural continuation from Kenny & Co. to this, despite Phantasm still being completely wild and unique.  Everything about it just clicks, from the likeable characters to the innovative imagery - how many horror flicks of any decade have matched the spheres?  The Tall Man is one of the great villains, the visuals and story are wildly ambitious while still maintaining a strong atmosphere, especially given its low budget, and few films will have viewers so completely mystified as to what they might see next.  Even in 2017, if you've never seen Phantasm before, you won't be able to predict what's around each corner.  It's even got one of those great, catchy themes, right alongside Halloween and The Exorcist.  It's a true masterpiece of the genre.

2000 MGM DVD on top; 2017 Well Go (50) blu-ray below.

So let's talk changes.  The new blu-rays (from both Well Go and Arrow) are based on brand new 4k scans of the original negatives, as tweaked by J.J. Abrams and his company, Bad Robot.  Awesome!  But, fans should go in aware that they've also taken a few creative liberties.  The infamous yellow bucket has been painted out (we'll come back to that a little later), some of the framing has been adjusted, and some of the special effects have been replaced, as you can see above.  Happily, I can report that the new spheres and other effects do not look like tacky CGI animations painted on the screen and most would probably say they're genuine improvements.  It would've been ideal if at least one of the sets had also included a traditional 4k of the original negatives without the alterations, but this is "Han shot second" scenario.  I would definitely cop one if it ever came out; it does detract a little from the charm of a scrappy indie film when you add high-tech cheats decades later.  But I definitely can't say I'm displeased with what we've got.

2000 MGM DVD

So what Phantasm discs do we have for the comparison today?  I've been preparing for this one, so I don't think you'll be disappointed.  We have the original 2000 DVD debut from MGM, a pretty packed special edition that unfortunately just wasn't anamorphic.  Then we've got the 2005 Anchor Bay UK DVD, from the great epic sphere collection, where the original four films are packed together in a very cool looking sphere.  And yeah, they were all anamorphic.  Next we have the 2007 US DVD, when they finally brought it over to the US.  Now we move into High Definition, starting with the original 2016 solo release from Well Go USA, which was issued on a single layer disc with fewer extras.  Then we have the full dual-layer 2017 Well Go blu, from their boxed set, followed by Arrow's 2017 blu from the UK set.  And finally we have Well Go's latest 2019 blu from their sphere set.

Top to bottom: MGM, AB UK, AB US, WG 25, WG 50, Arrow, WG sphere.

So let's see, where to even start?  Well, again, the MGM disc is non-anamorphic, whereas all the others are.  And it's interesting to see all the shifts in color timing.  You would think the Anchor Bay US and UK discs would be identical, but nope.  Oh, and if you look carefully, you'll see the first set of shots is the infamous Yellow Bucket scene.  Anchor Bay fans have probably wondered what the fuss has been about all these years, because as you can see, their neat 1.85:1 framings nicely crop it out.  That's probably how it's always supposed to be seen and why the bucket was allowed to be there in the first place.  But MGM's 1.75:1 leaves it quite visible, as do the blu-rays, which all leave the mattes open to 1.78:1.  The blus also correct the colors nicely (and practically identically).  Note in the first set of shots, the supposedly white walls are purplish on the oldest blus, and slightly blu on the US Anchor Bay disc.  On all the blus, they're noticeably whiter.

But as you can see, they stripped away the yellow... but still left the bucket in?  That's odd; I assumed they were going to digitally paint it out, by copying a few floor pixels over it.  Instead they created a ghost bucket.  I guess that's still an improvement, especially as the blus' lowered framing would've made the bucket even more prominent than ever before.  But if you're going to go in and mess about with the footage anyway, why not finish the job?

left to right: MGM, AB UK, AB US, WG 25, WG 50, Arrow, WG sphere.

Well, they all look a little light on grain, particularly for a low budget film from 1979.  Look at the blacks in the shot above; they're completely solid, with no grain.  I suspect Bad Robot may've done a little noise reduction, leaving the films a bit soft.  Still, it's not devoid of grain; this is no Dark Star situation, and there's no reasonable argument you could make where the blus don't handily trump even the best DVD.  As for Arrow vs. Well Go, there's really very little to distinguish between the blus, but the Arrow does seem to have slightly darker darks.

Both 2017 blus feature the original mono and fresh 5.1 audio tracks in DTS-HD (except Arrow's mono is equally uncompressed LPCM), with optional English subtitles.  Well go also includes a DTS-HD stereo mix.  Their 2019 blu is the same except it also adds a new 7.0 Atmos track... which perhaps hints that a UHD release is not too far off in this film's future?

As for special features, well, there sure is a lot to get through!  MGM started us off with a significantly packed special edition, including many of the extras still being released today.  In fact, strictly speaking, many of those first appeared on Image's 1996 laserdisc.  But here's what the MGM disc hit us with: audio commentary by Don Coscarelli, plus stars A. Michael Baldwin, Reggie Bannister and Bill Thornbury, an introduction to the film by Angus Scrimm, nine deleted scenes, a nearly half hour 1979 television interview with Coscarelli and Scrimm, Fangoria convention footage with Scrimm speaking, a funny Phantasm-themed Fangoria commercial starring Scrimm, a 20-minute behind-the-scenes featurette with Coscarelli and Bannister giving an audio commentary on vintage B-roll footage, audio tracks of the Phantasm disco theme and Thornbury performing "Sittin' Here At Midnight," a kooky Australian TV promo where they basically do a comedy sketch with Angus Scrimm as the tall man, and a bunch of trailers, TV spots and stills galleries.  It also has a nice 8-page booklet with a note to the collector by Coscarelli himself.

Now, it's worth noting that the Anchor Bay DVDs didn't just have discrepancies in their transfers, but also in their special features; they don't all match up.  Most of the meaty stuff, like the commentary, deleted scenes, the collection of Phantasmorgia outtakes (collectively titled Phantasm: Actors Having a Ball on the US DVD) and behind-the-scenes featurettes are on both, but for instance only the UK DVD had the Scrimm introduction.  Both releases have a new (at the time) documentary called Phantasmagoria, but the US version has a much shorter edit (only about 35 minutes) that removes the coverage of the sequels ...which makes sense, as it was sold by itself, as opposed to the UK disc which was in the sphere with all the sequels.

And the blu-rays have even come up with more, new stuff.  The early, individual release from Well Go only had a few features, but for their boxed set, they added a lot.  Now, Well Go has a new, second audio commentary (in addition to, not instead of, the original) by Coscarelli, co-producer Paul Pepperman and visual consultant Roberto Quezada, additional Coscarelli home movies (with no sound) and a television segment called Graveyard Carz about the Phantasm's classic Barracuda.  Arrow adds a "Los Angeles Premiere Experience," which is mostly an audio "commentary" of a live theater audience's reactions, though it does have a little video introduction as well.  More crucially, they add a brand new, almost half-hour documentary, featuring all new with interviews Coscarelli, Baldwin, Bannister, Kathy Lester and David Hartman, who directed the new Phantasm.

So each 2017 blu-ray boxed set carries over the old features and still manages to have some noteworthy exclusive extras (which continues all the way through the sequels and particularly the bonus discs).  And both sets also include a new Q&A with the cast and crew from the 2016 premiere of the new remaster.  But only Arrow carried over some of the more obscure older extras, like that funny Australian promo and the easter egg interview clips from the sphere set.  That means, yes, Arrow's set does include even more than in the specs then they've been listing online, mostly hidden away as easter eggs; so don't forget to play around with your remote.  Meanwhile, Well Go's 2019 blu does add a couple new things that haven't been on any other release, Arrow or otherwise.  Primarily, there's a new audio commentary, which is rather unusual.  It's a bit of a dramatic audio production, where the cast and crew reunite at the bar from the film, where they reminisce and sing songs.  It's... certainly interesting.  There's also a brief featurette presents all the fullframe outtakes of the Tall Man on his horse-drawn hearse.  A small thing, but hey I'll take it!

And by the way, don't get too hung up trying to keep track of which feature is missing from which set now; I'm coming back for a special features 'round up at the end of this post.

2009 Universal DVD

Moving on, Phantasm 2 is a bigger film than the original Phantasm, but far less imaginative.  Most of the wild imagery is just the same stuff repeated, with a bigger effects budget.  The story slightly expands, and adds some new characters and a bit more of an emphasis on action; but it almost feels like 50% remake.  Reggie Bannister and Angus Scrimm are back, but Bill Thornbury's character is out and A. Michael Baldwin's been replaced by James Le Gros.  Phantasm's entered the mainstream 80s horror scene, and it's certainly an entertaining thrill ride.  But the spheres having a new trick doesn't have the same impact as seeing the spheres for the first time, and the world's blandest psychic romance kinda drags things down.  Where Phantasm constantly surprised you, this one constantly delivers what you expect.

2004 Marketing Film DVD

So what do we have to look at for Phantasm 2?  Don't worry, you won't be disappointed.  First, we have an interesting 2004 2-disc set from Germany's Marketing Film, which has some unique extras and most tantalizing of all, the complete workprint (though, spoilers: it looks awful).  I believe that was Phantasm 2's debut on DVD, at least outside of Germany.  Then we have the film as part of the 2005 Anchor Bay UK sphere set.  Next, there's the 2009 barebones US release from Universal Studios, which was its debut State-side, at which point we move onto the HD versions, starting with Scream Factory's 2013 special edition blu.  Then, of course, we have Well Go's 2017 boxed set blu... which IS the Scream Factory disc (explained below), followed by the blu-ray from Arrow's 2017 boxed set.  And finally we have the very exciting 4k remaster blu from Well Go's new sphere collection.

Top to bottom: MF, MF workprint, AB UK, Uni, SF, WG, Arrow, WG sphere.

If Scream Factory's and Well Go's screenshots look identical, they should.  They are literally the same disc.  They have a different label on them, but the contents are 100%, including opening with the same Scream Factory logos and everything.  But let's go through these bad boys.  Film Market's DVD is slightly open at 1.72:1 and has a very soft, video-tape like transfer.  But it's anamorphic and respectable enough for an old, cheap DVD.  The workprint of course looks like trash, and it's also interlaced with a giant time-code running over it, but it's interesting to see that it's somewhat open-matte (and somewhat horizontally cropped); and of course it's full of shots that aren't in the final film.  Anchor Bay comes around, though, and gives it a more professional look.  Clearer, cleaner and framed at a more rational 1.85:1, though their color-timing is a bit off.  Universal seems to be using the same core transfer, but has nice, bolder colors with just barely noticeably shifted framing.

Blu-wise, again, they're all basically the same, at least up until 2019.  Well Go and Scream Factory are, as I've kept saying, literally the same, and Arrow is using the same 1.85:1 transfer, too.  Well, technically they're all 1.84:1.  Still, it's a different disc this time at least, and fans have been hoping it would be a better encode and eh...  If you do super close-ups, yeah, they're different.  But I can't really pick one out as superior.  If you zoom in super close, one patch of sky might be a little blockier, and another patch a little less, but neither disc appears consistently stronger, and it's so minute.  For all intents and purposes, you can call all the blus equal, and not that much better than some of their DVD counterparts.  They are better, don't get me wrong, but it's an underwhelming upgrade to HD.  This would've been a great opportunity for a new scan, but oh well.  It's fine. I guess we just had to wait a little while longer!

Because Well Go has restored the film in 4k from the OCN!  The aspect ratio is now exactly 1.85:1, though it's actually framed a little bit tighter all around.  The colors have been re-timed, looking less saturated.  If you look at the fire on James' butane torch, it really looks like fire this time.  But the big deal is the quality of the scan.  Film grain is captured clearly and looks perfectly natural, finally.  Perhaps more satisfying still is the level of information restored in previously crushed blacks.  Look at James' welder's mask - you can see all kinds of detail on the shadowy side, that was swallowed up on the previous blus.

And, of course, Well Go's 2019 blu is uncut for the first time ever!  What this means, practically, is just one scene has had its gore restored: when the priest gets balled.  Now that this restoration brings it to mind, I feel like I remember reading about this in Fangoria back in the day... the MPAA found the scene too harsh and ordered them to cut frames in order to secure an R rating.  So, in all previously releases (except the workprint), as the sphere does its thing on the priest, the film cuts away to the other characters looking on in terror.  But now we hold on the mayhem, as blood spurts out everywhere, which also gives the scene a more satisfying conclusion when he finally falls with a final thud to the floor.  But because shots have been replaced with other shots, the running time is essentially unaffected.  So why is the running time on this new 2019 blu also about 15 or so seconds longer?  Because they've added a string of vintage Universal Studios logos to the end of the film [see: left].  But the substantive change is the priest attack.

Audio-wise, we get DTS-HD 2.0 and 5.1 discs on both 2017 discs (except, again, Arrow's 2.0 is LPCM), and both have optional English subtitles.  Well Go keeps the previous audio tracks but also adds a new 4.0 mix, in DTS-HD as well, which they don't mention on the packaging and sounds a little flatter to be honest.

As for special features, things are a little simpler than with the first film, but there's still tons to sift through.  The Universal DVD disappoints with nothing but the trailer, but the Marketing Film already had a bunch of stuff.  Marketing's 2-disc set basically compiles a bunch of pre-existing footage, most notably including a 2-hour Behind Phantasm II, which is 90 minutes of raw, behind-the-scenes footage by the crew, followed by isolated scenes from the workprint.  They then include the same 10-minute featurette of Scrimm at a 1989 Fangoria convention that most of the other Phantasm 1 discs include.  On the second disc, they also have over an hour of Phantasmania convention footage, and another half-hour of Fangoria convention footage with Bruce Campbell, Angus Scrimm, and then Baldwin and Bannister talk about Phantasm 3.

Then Anchor Bay came through with a lot of goodies like an audio commentary with Coscarelli, Scrimm and Bannister, that 1989 Angus Scrimm Fangoria convention appearance, an interview with Greg Nicotero, plus a stills gallery, TV spots and a trailer.  If you're interested in special features not included on the blus, you'll want to hold onto, or track down, that Marketing Film DVD.  And if you want to be super completist, each disc in the Anchor Bay UK sphere set includes an exclusive easter egg, which includes a brief, amusing video clip from their documentary interviews.

Before Well Go and Arrow got to it, Scream Factory released this one on DVD and blu, and they came up with a bunch of new extras: a new, 47 minute 'making of' doc called The Ball Is Back, deleted and additional scenes, two nine minute collections of behind the scenes footage (portions of what was on the Marketing Film disc) and an old, 18-minute short educational film where Angus Scrimm plays Abraham Lincoln(!).  Now, remember, the 2017 Well Go disc IS the Scream Factory disc; so it has 100% all of these features, no more, no less.  But Arrow has everything from those discs plus another Realising Phantasm 2 doc, this time about 20 minutes, featuring interviews with Coscarelli, Bannister, Baldwin, Hartman, Mark Shostrom and Dean Gates.  Now Well Go's 2019 blu is obviously not the Scream Factory blu, but they haven't added or taken away anything in terms of special features.  I know fans were worried Well Go might not license the Scream stuff, but don't worry, it's all here.

2007 Anchor Bay DVD

Phantasm 3: Lord Of the Dead is silly.  It's like Coscarelli wanted to take in the influence of goofy preteen movies of the 90s with cartoon-like characters and campier humor.  But it still finds time to squeeze in the Phantasm, too; and hey, A. Michael Baldwin is back in the lead, and Bill Thornbury returns, too!  But if you're not a phan, you may nto be prepared to take the bad with the good this time around.  There's a strong analogy between Phantasm 3 and its series and Hellraiser 3 and its series.  You have to be a big enough fan to stick around for the second unnecessary sequel, but detached enough to enjoy the fun they're trying to have while tossing the earnestness of the previous works out the window.  There's certainly enough special effects and supernatural fun to be had if you can push all of your expectations and involvement with the previous installments out of your head.  And it does regain one strength from the original: you won't be predicting what's around every corner.

Phantasm 3 hasn't been released quite as many times as its predecessors, but we have four editions for you tonight.  We start with Anchor Bay UK's 2005 sphere edition, and then bounce right over to their 2007 US DVD.  For blu-rays, we of course have the 2017 Well Go boxed set disc and Arrow's 2017 boxed disc, plus Well Go's 2019 blu, which in this case seems to be exactly the same disc that was in their 2017 set.  Not so much diversity between these releases.

Top to bottom: AB UK, AB US, WG, Arrow, WG sphere.

Like I said, not a lot of diversity.  The framing between the Anchor Bay DVDs is shifted, even though, again, you'd think they'd be the same.  The US DVD seems to have squeezed the image and uncovered a little more to the left to turn 1.78 to 1.85:1.  It's also way too red.  The older discs have a really soft, poorly compressed feel to them that the blu-rays happily improve upon.  And again, all three blu-rays are quite similar to each other, apparently using the same transfers.  Arrow's blu even opens with the Well Go logo.  Encoding-wise, I slightly prefer Arrow's disc; some spots of grain seemed to be compressed away on Well Go's.  But this is something I couldn't even see without comparing zoomed-in screenshots.  For all practical purposes, they're the same.

Again, we get DTS-HD 2.0 and 5.1 discs on all three discs (except, as always, Arrow's 2.0 is LPCM), and all three have optional English subtitles.

We've still got some good special features, but the collection's definitely shrinking for these 90s entries.  Anchor Bay gave us an audio commentary by Baldwin and Scrimm for their UK set, along with a few trailers and galleries.  Then, for the US, they expanded that a bit by adding a 9-minute behind the scenes featurette and a very brief deleted scene.  Well Go carries all of that over, and adds some new material by Red Shirt Pictures, including an all new audio commentary by Coscarelli and editor Norman Buckley, a 48 minute 'making of' doc, a fun featurette about a car stunt from the film, a radio spot and a stills gallery.  Arrow, on the other hand, has none of Well Go's new extras, but instead has the next chapter of their Realising Phantasm 3 docs, running 23 mins featuring Baldwin, Hartman, Shostrom and Gates, a new separate on-camera interview with Shostrom and Gates and they've added all new optional audio commentary for the old, 9-minute behind the scenes by Shostrom and Gates.

2007 Anchor Bay DVD

The good news is that Phantasm found its tone again with Phantasm 4: Oblivion.  The bad news is the budget is so low, it feels like the whole thing takes place on one stretch of abandoned road in the desert.  But the original cast is back again, and this one gets a ton of mileage out of wealth of deleted scenes from the first film.  This is less like a stand-alone film than watching home movies with your old Phantasm family.  And just give up on trying to make sense of the sci-fi if you ever had been; we're awash in supernatural technobabble at this point.  It certainly has its charm, and it's still several steps ahead of a lot of its generic, late 90s horror peers; but I can't imagine watching this film without already being familiar with the series and getting much out of it.

Can't complain about the lack of film grain restored to this shot!

So, the we have roughly the same four Phantasm 4 discs as we had Phantasm 3 discs.  Anchor Bay UK's 2005 sphere edition, and their 2007 US DVD, followed by the 2017 Well Go boxed set blu, Arrow's 2017 boxed blu and Well Go's 2019 blu.  But like with the last one (and part 5), the 2019 discs seem to be exact copies of the 2017 ones.  There was actually an older 2000 US DVD from MGM (barebones, with fullscreen and widescreen versions), but I don't have that one.  Yup, sorry, this whole comparison page is no good.  Sorry for wasting your time!  😜

Top to bottom: AB UK, AB US, WG, Arrow, WG sphere.

Okay, I'm officially expecting it when the Anchor Bay UK and US discs don't match and have slightly different framing and distinctly different color timing.  So, ha!  Saw it coming.  Anyway, the DVDs were fine, but the blus are a real nice upgrade.  it's interesting to see how the grain is allowed to exist here, as opposed to the first film.  Like compare the night sky above to that shot of Baldwin in bed back in part 1; the blacks there were completely smooth.  Nothing wrong with that in theory; in fact, Coscarelli probably wished the blacks could've been so smooth back in 1978; but like I said, it gives the film a softness that you don't get here.

And I'm just going to copy this next sentence directly from Phantasm 3 up above because it's exactly the same deal: we get DTS-HD 2.0 and 5.1 discs on all three discs (except, as always, Arrow's 2.0 is LPCM), and all three have optional English subtitles.

Of course there's some fun stuff for Phantasm 4, but again not like the first films.  The MGM disc I don't have just had the trailer, but of course Anchor Bay came up with a commentary (this time by Coscarelli, Bannister and Scrimm) for their set, but that's basically it.  For the US disc, they added a nine-minute behind-the-scenes featurette, the trailer and some bonus trailers.  That's still pretty light.  So again, in addition to carrying all of that stuff over, Well Go and Red Shirt teamed up to create a some more goodies including a 48-minute 'making of' doc, a half-hour collection of behind-the-scenes footage, a stills gallery and a narrated gallery of artwork by assistant cameraman Justin Zaharczuk, who created a Phantasm graphic novel.  Again, Arrow doesn't have Well Go's new stuff, but they have the old stuff and the latest chapter in their Realising Phantasm 4 series, talking to Coscarelli, Baldwin, Shostrom, Gates and Hartman.  It's pretty good, but I have to say Well Go really came out ahead in the features on this film.

2016 Well Go DVD

Phantasm 5: Ravager is actually not directed by Don Coscarelli!  It's written and directed by David Hartman, though Don still has co-writing and production credit.  How is it?  Well, I'd say how well you responded to Phantasm 4 will determine how much you like 5.  It's very similar in tone and budget.  It's another Phantasm homecoming with all your favorite cast members, and there's plenty of spheres.  This one's a little more ambitious than part 4, but on the other hand, it's also weighed down by tacky CGI.  This started out as being a possible web-series starring Reggie, so the story shifts focus to him more, and it has more of an episodic quality to it.  But at the end of the day, it holds together and makes about as much sense as any of these movies, maybe even a little bit more.  We may've slipped into watching digital fan films at this point, but hey, it's an impressive one that the original cast all agreed to be in.

Being the new kid on the block, there aren't any old editions to drag into the fray, but I still have multiple editions of Phantasm 5 to compare with you today.  We've got the 2016 Well Go DVD edition, the 2016 Well Go single layer solo blu-ray release, the 2017 Well Go dual layer boxed set release, the 2017 Arrow blu-ray and Well Go's 2019 blu-ray.  So we've still got five versions.  And actually, there's something interesting about that DVD copy...

Top to bottom: WG DVD, WG blu 25, WG blu 50, Arrow, WG sphere.

Holy cow!  An interlaced DVD of a brand new, shot on digital, non-import film in 2016?  How does that even happen?  Did the Sony email hackers switch their sites over to Well Go USA?  Wow, somebody did not give a fuck. Besides that, though, we're talking about the same, new shot-on-digital film across the board, so the framing and everything is exactly the same on all the releases.  ...Or is it?  Actually, the older Well Go blu is a bit brighter than the later two discs, and the Arrow blu is actually zoomed slightly further out, with an extra sliver of information around the sides.  The latest 2019 Well Go blu is the same as the 2017 Well Go blu (the dual-layered one, thankfully) and therefore does not have Arrow's extra sliver.

And once again, we get DTS-HD 2.0 and 5.1 discs on all three discs (except for Arrow's 2.0 in LPCM), and all three have optional English subtitles.

Were you worried that because Phantasm 5 is a new film there wouldn't be many extras?  Well, allow me to reassure you.  We no longer have any older, Anchor Bay stuff to fall back on, but the gang put together a really nice package of stuff for Well Go and Arrow (although it should be pointed out, again, that the early individual Well Go releases had fewer special features than the boxed set). First, what do they have in common? Audio commentary by Coscarelli and Hartman, deleted scenes with optional commentary, outtakes and Phantasm: and You, a silly featurette about gives a little backstory to the series before you start part 5. Well Go then adds the following exclusives: on-camera interviews with Baldwin, Lester and Stephen Jutras, the "Red Credit Sequence" (basically the closing credits footage without the actual credits running over them), a 5 minute making of, and a very brief, jokey "Moment with the Director" featurette with Hartman and his daughter.  There's also a 50-minute 'making of' doc, that only appears on the Arrow blu as an abridged 10-minute feature.

As for Arrow's exclusives?  Well, they did another Los Angeles Premiere track, but more interestingly, they also included the fifth part of their Realising Phantasm 5 series, running over 35 minutes interviewing Michael Baldwin, Bannister, Kathy Lester, Daniel Schweiger and David Hartman.  They also have a rotating series of director introductions, so every time you choose to play the film, you get a random introduction out of five total.  And they have over half an hour of footage from the Texas premiere Q&A panel.

So wow, holy cow, that sure was a lot of discs.  I'm totally exhausted.  Thank goodness there aren't any mo-oh my god!  Bonus discs, books, and exotic packaging!  Real goddam spheres!  Come on everybody, there's still so much more to cover!

The Anchor Bay Phantasm sphere is still an awesome site to behold, and quite possibly the coolest DVD case of all time.  It's a two piece sphere that actually houses the DVDs inside it.  It has attachable blades and a clear plastic stand.  It comes in a cool box, pictured above, and includes an 8-page booklet, which covers each of the films and even describes the unfilmed Phantasm 1999.  This bonus disc includes the aforementioned Phantasmagoria documentary, the Greg Nicotero interview for Part 2, Phantasmagorical Mystery Tour a fun visit to some original shooting locations by Reggie Bannister, Phantasm: Genesis a featurette on stunts in the film series, Phandom, a little featurette about the fans and footage of Angus Scrimm's 1993 appearance at Fangoria's Weekend of Horrors Convention.

Well Go's 2017 6-disc boxed set comes with a big-ass 2-sided poster, a thick box, a full-color 120-page book, written by Ben Wan, with lots of interviews and an introduction by Coscarelli himself.  All five cases (the bonus disc is in the Ravager case) include reversible cover art, with original, uniform artwork on one side, and the original posters on the other.  Their bonus disc has Phantasmogoria, plus it includes several more recordings of convention appearances, Phantasmagorical Mystery Tour, Phantasm: Genesis and Phandom.

Arrow's 6-disc box, meanwhile, has a lift-able lid which unveils its own smaller (but scaled to the ones in the film) sphere, that the discs don't actually fit inside.  They lay underneath in their own cardboard sleeves, which themselves sit on top of its own full-color 152-page book with writing by Kim Newman and Bill Ackerman, and archive writings by Marc Shapiro and Angus Scrimm himself, with a diary of the Phantasm 4 shoot he wrote for Fangoria.  Arrow's bonus disc has most of the same featurettes as the Well Go set, but instead of those convention appearances, it has some new, original featurettes: Tall Tales, previously unreleased interview footage of Scrimm talking about playing the tall man character and Dear Angus, a tribute to Scrimm by Kristen Deem.  Arrow also has to be given credit for remastering some of the old special features that Well Go just left as-is, interlaced etc.  For instance, here's a screenshot comparison of Phantasmogoria from both sets' bonus discs:

2017 Well Go bonus disc on top; Arrow bonus disc underneath.

Did Well Go take advantage of their 2019 reissue to update their Phatasmogoria, you ask?  Sadly no, it's the same as on their 2017 bonus disc.  But they did take advantage to improve their bonus disc in another way.  First of all, yes, everything from their 2017 bonus disc is on here as well, but they've also added a new, feature-length documentary on the making of Phantasm 5.  It absolutely repeats a lot of the stuff you've already seen and heard in the other Ravager extras (all that "if you like it, I'll be driving you home" stuff that's been repeated several times already), but it does add some new bits, plus it edits the whole story into a pleasingly, definitive singual experience.  Instead of bouncing around all the short little featurettes and bits and bobs, you can watch one, more complete and engaging doc.  The 2019 disc also throws in a few amusingly creative promos and a little easter egg of Bill and Michael singing on set:

It also, of course, adds the replica sphere.  They've had spheres in the UK twice now, with Anchor Bay's DVD set and then Arrow's blu-rays.  But this is the first we've had in America, and it looks great.  It has attachable blades and a clear plastic stand (like the Anchor Bay one) if you want to display it.  It's also a really attractive box.  But one disappointing aspect is that The Phantasm Sphere Collection drops the poster, and more importantly the substantial book, from the 2017 set.

So who wins?  Well, it used to be a very close call that basically came down to personal preference.  The transfers and everything are practically identical, and both 2017 sets have so many special features, it'll be a real endeavor to go through them all.  Well Go beats Arrow for Phantasm 4 specifically.  But overall, Arrow preserves more of that great vintage material and their own, new material.  I prefer their exclusive bonus disc content to Well Go's.  Both sets have enough quality exclusives to lure the die-hard phans, but almost all of us would be perfectly and equivalently served with either.

But now there's a new Collection in town, and frankly, getting a new and improved Phantasm 2, uncut in HD for the very first time, makes Well Go's 2019 set the clear winner.  And the additional extras only help tip the scales that tiny bit more.

And now, The Super Helpful Phantasm DVD/ BD Special Features Chart:

(All bolded features are exclusive to that set particular set.)
 

Phantasm - MGM Audio commentary with Coscarelli, Baldwin, Scrimm and Thornbury Introduction by Angus Scrimm 1979 TV interview 1989 Angus Scrimm Fangoria Appearance Deleted scenes Behind the scenes featurette Australian TV promo Phantasm disco theme "Sittin' Here At Midnight" Fangoria TV commercial Still galleries Theatrical trailer, radio and TV spots Phantasm - Anchor Bay US Audio commentary with Coscarelli, Baldwin, Scrimm and Thornbury Phantasmagoria (35 min cut) Behind the Scenes featurette Deleted scenes Phantasm: Actors Having a Ball 1979 TV interview Fangoria TV Commercial 1989 Angus Scrimm Fangoria Appearance Theatrical trailer, radio and TV spots Phantasm 2 - Universal Theatrical trailer Phantasm 3 - Anchor Bay Audio commentary with Baldwin and Scrimm Phantasm 3: Behind the scenes Deleted scene Theatrical trailer Phantasm 4 - MGM Theatrical trailer Phantasm 1-5 - Well Go set (blue = also Phantasm 2 Scream Factory, red = only in the 2019 Sphere Collection) Phantasm 1 audio commentary with Coscarelli, Baldwin, Scrimm and Thornbury Phantasm 1 audio commentary with Coscarelli, Pepperman, and Quezada Phantasm 1 audio commentary with Coscarelli and co. at the Cantina Phantasm 2 audio commentary with Coscarelli, Angus Scrimm and Bannister Phantasm 3 audio commentary with Baldwin and Scrimm Phantasm 3 audio commentary with Coscarelli and Buckley Phantasm 4 audio commentary with Coscarelli, Scrimm and Bannister Phantasm 5 audio commentary with Coscarelli and David Hartman Introduction by Angus Scrimm Phantasm: Actors Having a Ball Behind the scenes featurette Additional home movies Graveyard Carz* (*also technically on the Well Go solo blu) Hearse outtakes 1979 TV Interview 1989 Angus Scrimm Fangoria Appearance Fangoria Commercial Deleted scenes The Ball is Back Phantasm 2 deleted and workprint scenes Behind the Scenes: Makeup & Effects Behind the Scenes: On the Set Greg Nicotero interview Abraham Lincoln short The Making of Phantasm 3 Bob Ivy's Stunt featurette Behind the Scenes compilation Phantasm 3 Behind-the-scenes Phantasm 3 deleted scene The Making of Phantasm 4 Behind the Scenes compilation Phantasm 4: Behind-the-scenes Phantasm artwork narrated gallery Phantasm 5 'making of'/ Behind-the-scenes (full 50 mins) A. Michael Baldwin interview Kat Lester interview Stephen Jutras interview Red Credit Sequence A Moment with the Director Phantasm 5 Behind-the-scenes (5 mins)* (*also technically on the Well Go solo blu) Phantasm 5 deleted scenes with optional audio commentary Phuntasm: Bloopers and Outtakes Phantasm and You Phantasm 2008 Flashback Weekend Chicago Convention Panel Discussion Phantasm 2014 Flashback Weekend Chicago Convention Cast Panel Phantasm Flashback Weekend concert performance by Kat Lester 2016 Fantastic Fest Premiere and Q&A Full-length Ravager doc Phantasmagoria full documentary Phantasmagorical Mystery Tour Phantasm Genesis Phandom Promos Mike & Bill singing on set Still Galleries Trailers, TV spots and radio spots

Phantasm 1-4 - Anchor Bay UK sphere set Phantasm 1 audio commentary with Coscarelli, Baldwin, Scrimm and Thornbury Phantasm 2 audio commentary with Coscarelli, Angus Scrimm and Bannister Phantasm 3 audio commentary with Baldwin and Scrimm Phantasm 4 audio commentary with Coscarelli, Scrimm and Bannister Introduction by Angus Scrimm Behind the scenes featurette Deleted scenes 1989 Angus Scrimm Fangoria Appearance Phantasmagoria full documentary Greg Nicotero interview Phantasm: Genesis Reggie's Phantastic Tour Phandom Scrimm and Coscarelli at Fangoria Weekend of Horrors in 1993 Lavender Tales All Grown Up! Dwarves vs. Jawas Sittin' Here At Midnight (video clip, not the MGM audio) Still galleries Trailers and TV spots Phantasm 2 - Marketing Film Behind Phantasm 2 documentary 1989 Angus Scrimm Fangoria Appearance Fangoria Convention footage Phantasmania Convention footage Still galleries Theatrical trailer and TV spots Phantasm 4 - Anchor Bay Audio commentary with Coscarelli, Scrimm and Bannister Phantasm 4: Behind the scenes Promotional trailer Phantasm 5 - Well Go individual release Audio commentary with Coscarelli and David Hartman Behind the scenes featurette (5 mins) Deleted scenes Phuntasm: Bloopers and Outtakes Trailer Phantasm 1-5 - Arrow set Phantasm 1 audio commentary with Coscarelli, Baldwin, Scrimm and Thornbury Phantasm 1 Los Angeles Premiere Experience audience audio track Phantasm 2 audio commentary with Coscarelli, Angus Scrimm and Bannister Phantasm 3 audio commentary with Baldwin and Scrimm Phantasm 4 audio commentary with Coscarelli, Scrimm and Bannister Phantasm 5 audio commentary with Coscarelli and David Hartman Phantasm 5 Los Angeles Premiere Experience audience audio track Introduction by Angus Scrimm Realising Phantasm 2016 Fantastic Fest Premiere and Q&A 1979 TV Interview Behind the scenes featurette Phantasm: Actors Having a Ball Deleted scenes Australian TV promo Realising Phantasm 2 The Ball is Back Greg Nicotero interview Phantasm 2 deleted and workprint scenes Behind the Scenes: Makeup & Effects Behind the Scenes: On the Set Angus Scrimm Fangoria Convention Appearance Angus Scrimm Fangoria TV Spot Realising Phantasm 3 Interview with Shostrom and Gates Behind-the-scenes footage w/ optional audio commentary Phantasm 3 deleted scene Realising Phantasm 4 Phantasm 4 Behind-the-scenes Phantasm 5 director Introductions Realising Phantasm 5 Phantasm 5 Los Angeles Premiere Experience video clip 2016 Austin Premiere Q&A panel Phantasm 5 'making of'/ Behind-the-scenes featurette (10 mins) Phantasm effects featurette Phantasm 5 deleted scenes with optional audio commentary Phuntasm: Bloopers and Outtakes Phantasm and You Phantasmagoria Phantasmagorical Mystery Tour Tall Tales Dear Angus Phantasm: Genesis Phandom Still Galleries Trailers, TV spots and radio spots