Update 11/24/19 - 1/19/20: Look, until I win the MegaMillions Jackpot, I can't include every single edition of every single film I cover here. But I've been particularly feeling like I sold this post too short. Suspiria is just too important a film; I don't feel right about just jumping over to the UHD from the DVD. So I've got my hands on Synapse's 2018 blu. It's really worth looking at because the UHD isn't just the same transfer slapped onto a higher res disc; they gave it all new color correction for the latest release.
Seeing Suspiria for the first time in, I'm now realizing, not just 4k but HD at all, since I've previously only seen this on VHS and DVD, does do something to revive my estimation of the film. I mean, don't get me wrong, I've always liked and appreciated it - I can remember painting an image from this movie for my high school art class. It's just that, to there's a lot of questionable aspects you have to hand wave in order to get to the good stuff: the way these seemingly college-aged women sometimes behave like middle school children, the clunky phony bat, poor Stefania Casini rolling around in what we're supposed to imagine is barbwire for far too long to take seriously... you can say that's always a problem with I-horror, with their consistent over-dubbing and lapses in logic, but Suspiria's flaws can be especially hard to ignore. But with bigger, higher resolution televisions and booming soundtracks, this film's powerful artistic qualities are also harder to miss. The wild set pieces and the thunderous score really grabbed me in a way that they haven't since I first discovered this film back in the 1980s. Since then, I've always intellectually known that Suspiria is an impressive and important work, and famous images have stuck with me; but this 4k reminder really made me feel it in my bones again.
Anchor Bay 2001 DVD top; Synapse 2018 BD mid; Synapse 2019 UHD bottom. |
Synapse 2018 BD left; Synapse 2019 UHD right. |
Suspiria's also been pretty lucky in the audio department. I can recall Mr. Lustig giving some prickly responses to fans asking for both English and Italian tracks to I-Horror titles back in the day, but they respected Suspiria enough to give us both on that DVD. It had a fancy DTS-ES 6.1 track, plus an alternate 5.1 mix, of the English mastered in THX, as well as Italian and French stereo tracks, with optional English subtitles. I essentially grew up on the English track, so I watched this in Italian the most recent time, and I might actually like it slightly better. Harper only dubs her own voice on the English, but everyone does a pretty good job on the Italian track, and I feel like it downplays the goofiness of the school girls at least a tiny bit. And Udo Kier's dubber sounds nothing like him in either version.
Well, anyway, so that's the DVD. Synapse's BD only gives us one option per language: they restored the film's original English 4.0 mix (which was cutting edge for its time), and gave us a 5.1 remix for the Italian, both in DTS-HD. But their UHD goes back to giving us two English options again. That 4.0's been ported over to their UHD (plus the same Italian 5.1), but now they've also created a newer Dolby Atmos mix just for this edition, for you non-purists who want to push your tech to its edges. Then both the BD and UHD provide the choice of English sub or "dubtitles," for whichever audio language we select.
One interesting detail about the dual audio tracks is that there's a key scene early in the film, where a girl runs past Jessica Harper shouting a clue, but the thunderstorm makes it impossible to hear what she's saying; and Harper doesn't figure it out until near the conclusion. In the Italian version it's a little easier to make out. What's more, in the English subtitles, it reads "[Shouting, indistinct]" on AB's DVD and "[Dialogue indistinct]" on Synapse's UHD. But Synapse's Italian subtitles 100% spell out the mysterious phrase precisely. So if you're watching the film for the first time as the Italian version via Synapse, you might be puzzled to realize that bit was actually intended to be a mystery.
And rack up another point for Synapse because they let us choose to watch this film with either the English or Italian opening and closing credits (AB just gave us the English).
And of course plenty of more points pour in when you look at all the new special features Synapse has cooked up for us. First of all, they created two scholarly audio commentaries, one by Troy Howarth and one by Derek Botelho and David Del Valle. Both are packed with background information, with Howarth delivering a little more dry history and Botelho and Del Valle providing more entertaining anecdotes. In fact, Synapse really leans into the scholarly, also including two lengthy featurettes where critics delve into its influences, cinematic techniques, etc. And why, yes, these do redundantly feature similar people repeating the same anecdotes and factoids using virtually the same verbiage. I wish more special editions had someone oversee all the extras so they could cut out all the repetitious bits and just leave the unique material in each feature. Anyway, we then get a fun interview with Barbara Magnolfi, who played one of Harper's fellow students, and a brief look at the film's locations, both of which are more original. You'll also find a plethora of trailers, TV spots, radio spots, and yet another set of alternate opening credits. Plus it comes with reversible artwork in an attractive slip cover. It's an impressive collection of features, yet it feels like it's missing something important.
Anchor Bay didn't have any of the above stuff (except for the trailers, TV and radio spots). But it had something crucial: their 25th Anniversary documentary. It's about an hour long, but what's crucial about it is that it interviews all the major players: Dario Argento, Daria Nicolodi, Jessica Harper, Udo Kier, Stefania Casini, director of photography Luciano Tovoli and Goblin members Claudio Simonetti, Fabio Pignatelli, Massimo Morante and Agostino Marangolo. All these critics and experts are nice, and can provide some critical information, but there's nothing like hearing from the actual artists involved. And that's the one thing missing from Synapse's edition(s). Cult Films at least interviewed Argento, but most of their special commentaries and interviews just consisted of a different bunch of critics. This doc is the most important and compelling Suspiria extra by a long stretch.
Oh, and I guess I should also point out that Anchor Bay's DVD also included a Goblin music video, the soundtrack CD, a 32-page booklet, a couple lobby card reproductions, an Udo Kier easter egg (an outtake from the documentary), and a stills gallery.
I've seen some people expressing annoyance at being asked to double-dip by Synapse so quickly, and I don't blame them. I wish they would've at least hinted that a UHD would be coming right on the heels of their BDs. But what's done is done, and where we're at now is that there's a definitive ultimate edition out now on UHD. It has everything you could need and want except for some decent interviews with the creators. Really, you've got to go back and get one of those older discs for that 25th Anniversary documentary (the Blue Underground reissue and the Australian releases from Umbrella have it, too) to properly complete your set. But you can find some of those used pretty cheap now, and many of us already have one in our collections already, so it's not too painful to compile the ultimate Suspiria experience. And yeah, it sure is an experience.
Worth nothing the UK discs are from Cult Films, not Cult Epics.
ReplyDeleteOh, whoops - good call!
DeleteFinally, someone else who agrees this is overrated!
ReplyDeleteHey, thanks for going back and adding the blu into the review. I haven't switched up to UHD yet, so it's nice to get an explicit peek at the differences here. Meanwhile, I did upgrade to the first Synapse release, and am delighted to have screen comparisons, since I got rid of my old DVD in the process.
ReplyDelete