The Lost Highway Blu-ray Lynch Warned Us About Vs The One He Always Wanted

Well, having just revisited 1997's Lost Highway, I'm happy to report that it holds up just as strongly as ever.  You know, I was a little concerned with this being the bridge between David Lynch's more traditionally told narrative films (like Elephant Man and Blue Velvet), to his current style of mysterious films that ask to be deciphered (i.e. Mulholland Dr. or the current season of Twin Peaks).  I thought, looking back at this, it might come off as a bit simplistic, or a clumsy first attempt at what he's since perfected; and what was once impactful might now feel a little limp.  But no, it's still strong stuff.

Update 8/7/17 - 6/24/20: I didn't rush out to pick up this edition, since David Lynch himself came out publicly against it, but it doesn't seem like his desired restoration is behind any immediate corners, so what the heck.  Let's look at Kino's 2019 blu-ray edition of Lost Highway, still the only US option available in HD.

Update 10/13/22: But I did rush out to get this one, Criterion's new 4k BD/ UHD combo pack is the one we've all been waiting for.
That said, Lost Highway is a little simpler.  I can still see someone coming into Lynch's films cold being totally baffled by this film, but I'd say it's far easier to interpret than Inland Empire.  It's no less of a powerful work because of it, though.  The back of the Australian DVD (more on that in a minute) case describes it merely as, "the story of a killer who suffers acute schizophrenia."  For my money, that might be a little too specific a diagnosis; but that gives you the general idea.  We see a murder mystery start to unfold and then repeat, altered, with different people in each other's places.  And I'll just leave it at that, because I wouldn't want to spoil anything.
Despite being a little arch, as Lynch tends to be, with as much influence generated from old noir films as authentic human experience, the drama still lands, and the creepy imagery even more so.  I mean, that scene when Bill Pullman meets Robert Blake at the party may still go down as one of the most chilling horror scenes of all time.  Badalamenti's music plays backseat a bit this time, upstaged by some licensed songs and Lynch's always brilliant sound design, but it all adds up to a very consistent atmosphere.  And the cast is littered with greats.  Besides Pullman and Blake there's Patricia Arquette, Robert Loggia, Balthazar Getty, Jack Nance, Gary Busey, Richard Pryor(!) and Marilyn Manson.
Strangely, for the longest time, this film wasn't even available on a basic DVD here in America.  That's why I originally imported that aforementioned Australian DVD from Shock.  It was released in 2001 in anamorphic widescreen and with a couple interesting extras to boot.  Finally, Focus Features/ Universal issued it here on DVD... in 2008.  Barebones.  Jeez, guys, would it kill ya?  But there had been a number of additional DVDs and yes, blu-rays overseas.  The one I've got for us today is the 2011 German blu from Concorde.  Then eventually, this film did make it to blu here in the US, again barebones, although that wasn't originally the plan.  it wasn't the restoration Lynch and his fans hoped for, but Kino's blu isn't the same transfer as the Concorde blu either.  Finally, now in 2022, we do have the new 4k scan and transfer Lynched was waiting for, from Criterion.  And the benefit of us having waiting these three extra years is that we've got it on UHD now to boot.
1) 2001 Shock DVD; 2) 2008 Universal DVD; 3) 2011 Concorde BD;
4) 2019 Kino BD; 5) 2022 Criterion BD; 6) 2022 Criterion UHD.

All six discs are anamorphic, widescreen at just wider than 2.35:1, and thankfully free from interlacing or other image problems.  The colors look a little bleached on the Australian DVD, and are substantially darker on the older two US releases.  None of the pre-2022 discs bear any stamp of having been approved by Lynch or DP Peter Deming to say which is the most "officially" accurate... In fact, we know from his comments on this article that Deming was specifically kept out of the process by Kino.  So we had been left to choose based on our own personal preferences.  Perhaps the film truly was meant to be so dark and vivid, but the older US releases crush blacks and lose some visual information for the sake of that bold choice.  On the other hand, the imports look a little overly bright for the gloomy mystery Lynch is building.  There's a note on DVDCompare's page that the Shock DVD is "[s]aid to feature a less than adequate transfer," but I'd take it over the Universal.  The HD blus are naturally sharper and clearer than either of them, though, and both have nicely realized grain.  I was expecting smudgier, flawed masters showing their age, but am pleasantly surprised with how both blus look.

And now of course we have Criterion's edition, which freshly scanned the original A/B camera negative in 4k, and was indeed supervised by Lynch.  And when I first took a glimpse at it, I thought, oh boy, some fans are not going to like this.  We're back to the paler, cooler colors timing, much closer to the Au and DE discs than the US discs, which seem to be generally more popular.  But now we know where Lynch falls on the issue, so that's pretty much that.  The scan is cleaner, even just comparing the two 1080p blus, with more accurate representation of tiny detail and grain (there's more digital noise on the guard's face, for example), but of course you really get the benefit with the UHD's full resolution.  And, as always, the UHD is a little darker because of its Dolby Vision HDR, but the result is the colors do look a little more organic and less washed than its BD companion.

Australia's Shock DVD features the original stereo and no subs, while the US features a 5.1 remix and subtitles in English, French and Spanish.  Concorde's blu gives us the 5.1 in DTS-HD, plus a German dub, but unfortunately only has optional German subtitles.  While Kino came with both the original stereo and 5.1 mixes in DTS-HD, and optional English subtitles to boot.  Criterion's new disc has the same options (5.1 and stereo with English subs), but they've also been remastered with Lynch's supervision.
So now let's talk extras.  There's never a whole lot to speak of, but there are some, and they're interesting.  Oh, except not in the US.  Our Universal DVD is completely barebones, they don't even throw in the trailer.  And Kino announced a Tim Lucas commentary, an interview with Lynch and the trailer, but had to scrap them.  The Australian DVD doesn't have the trailer either, but it has almost 45 minutes of interviews and behind-the-scenes footage.  Pretty sweet, but Lynch fans might find it all a little familiar.  It's just footage excised from the documentary Pretty As a Picture: The Art of David Lynch.  That doc was filmed as Lynch was making Lost Highway, so while it isn't about Lost Highway per se; an awful lot of it centers around that shoot.  And Shock basically just cut out all the footage from it that pertains to Lost Highway and stuck it on their DVD as if they had five original featurettes.  But it's all taken 100% from there.  So, if you already have the film (Image released it on DVD way back in 1999), you're not seeing anything new.  Nice to have over Universal & Kino's abject nothingness, but still a little disappointing.
Concorde's interview.
Concorde doesn't have the Pretty As a Picture stuff, but it does have a few things, yes, including the trailer finally.  It also has a couple German-language bonus trailers, but more interestingly, it also has some vintage Lost Highway promo-material.  We get a five minute interview with David Lynch, seemingly shot on location (and I'm guessing this is the one Kino was going to include, too, since they obviously weren't working with him to record a new one), plus about ten minutes of behind-the-scenes footage, giving us a little glimpse of the film's creation.  Hearing little snippets of Lynch directing the actors could possibly help the die-hard analysts interpret a few scenes.  That's it, though; there's just those two things and the trailers.  Really not very much, under twenty minutes all together, but worth seeing for sure.
1) 1999 Image DVD; 2) 2022 Criterion BD.
And Criterion?  Well, it doesn't have quite as much as one would hope, but they've still won the day.  First and foremost, they've included the complete Pretty As a Picture documentary.  As you can see above, it's the same transfer as the old 1999 DVD from Image, except upconverting it to HD makes the interlacing much less destructive, which is nice.  And I was worried that Criterion would lose the 15 minutes worth of outtakes from that documentary that Image had on their disc, making us have to hold onto our old DVDs, but no.  They're here, too; so feel free to finally chuck your old DVDs.  Apart from that, they include about 25 minutes of vintage promo interviews, including some of what was on the Concorde (we did lose some of that B-roll footage, though, if you're a die-hard completist).  And the only new feature is a 45-minute audio-only reading of a chapter from Lynch's 2018 book, Next Door To Dark.  That's it.  Oh well.  It does include a nice 30-page booklet that mostly consists with another interview with Lynch about this film, packaged in a digipack inside a slipbox.
So here it is, the long-awaited definitive edition of Lost Highway, and it is pretty sweet.  I don't mind the Kino diversion, because we would've been double-dipping a Criterion BD only release for the UHD anyway.  It may not be quite as exciting as we imagined - some fans will surely gripe about the colors, and the extras are still light - but it's still pretty damn sweet.


  1. Absolutely ludicrous we don't have an official bluray STILL.

  2. why do some movies seem to get lost along the way and never properly released on dvd/blu ray? Was the original master destroyed? Lost? Legal shit?

  3. Tim Lucas actually released the commentary as an audiofile free of charge

  4. Everyone agrees the Kino version remains the best

  5. it's a fairly odd sensation, looking forward to your update covering the October criterion release, like it is a part of the package or something.

    1. Ha ha - cheers! I'm looking forward to doing it, especially since it feels like the release we should've gotten in 2019. Although that wouldn't have been a UHD, so maybe it's just as well things went down the way they did.

  6. I grabbed the Kino disc on clearance in the month leading up to the Criterion release. It's not perfect; dark (crushed in some places), but I think the "Chiaroscuro" look works to the benefit of the tone. It makes Mystery Man look ghostly pale and gives me even more of a shiver when he disappears back into the crowd at the party.

    To be honest, I didn't know the high contrast wasn't intended by Lynch until I saw the Criterion.