Showing posts with label SamRaimi. Show all posts
Showing posts with label SamRaimi. Show all posts

Sam Raimi's Drag Me To Hell, Worth Yet Another Revisit?

So, I've now covered all three of Sam Raimi's Evil Dead films, but I'd sort of feel like I was leaving things incomplete if I didn't follow those up with Drag Me To Hell (what'd you think I was gonna say Diablo Cody's Evil Dead remake?). Especially since there's a compelling reason to post about Drag here anyway. Besides it being almost, if not just, as good as the films in the Evil Dead trilogy but without the reverential status, so I feel like it's a bit neglected and deserving of another look... Did you know there's a UK import blu-ray with more, better extras?

Update 6/2/18: Shout Factory's new Collector's Edition is out, but how much of an upgrade is it?  And is there another replacement disc issue going on with it (spoilers: yes).  Let's dig in and find out!

Update 11/10/24: And now it's back in 4k on UHD, again from Scream Factory.  Drag's a real favorite of mine, so they didn't have any trouble talking me into quintuple-dipping for this one.  Let's see how it looks.
Drag Me To Hell is Sam Raimi's return to horror, as well as a return to smaller films he has more creative control of, after having worked on a bunch of more traditional Hollywood films, particularly the Spider-Man trilogy. Fans had been calling for him to return to his roots for ages, and by all accounts Raimi was having the same feelings. And while he didn't quite come up with the Evil Dead 4 fans kept asking for, he gave us something very much in the same spirit. In fact, some will argue that it could be considered a direct sequel, operating in the same world and mythos (and one demonically possessed character, about midway through the film, is straight-up doing the entire Evil Dead schtick), just not in name and not focusing on Bruce Campbell's character this time around. There's something a little more traditional in Drag's concept though, centering things around a literal old gypsy's curse; but once it gets going it gets as crazy and enthusiastically insane as the ED films, and that's the heart of what we were all asking for anyway, isn't it?
Now, Drag Me To Hell's another one that came out in that period when blu-rays were a thing, but I was still buying DVDs. So I've got the original, wide release Universal DVD, which came in a nice slipcover, and provided both the theatrical PG-13 cut of the film, and the unrated director's cut. Because it was such a major, broadly released title, and then perhaps undervalued by fans afterwards, it's one of those discs that can be picked up very cheap pretty much anyplace. So I figured it was a nice opportunity for an inexpensive upgrade to blu. And when I was looking into it, I discovered that the Lions Gate version released concurrently in the UK back in 2009 had more extras. And the US Drag was a good little release, but it had always been light on special features. And best of all, the UK discs had plummeted in price just like the US ones, so - score!
But then in 2018, a new contender entered the scene, looking to usurp both previous editions.  Scream Factory has put out a 2-disc Collector's Edition, with new HD masters of the theatrical and unrated cuts taken from the 2k digital intermediates, plus all new extras.  Unfortunately, when it first hit streets, there was a little problem with one of the discs.  The "unrated" cut still had shots from the R-rated theatrical cut in them rather than the alternate unrated shots.  Thankfully, though, Shout has implemented a replacement program.  And copies available in stores like Best Buy already include the corrected disc.  So just look for the little "V2" at the end of the code on disc 2, like in the shot above.  If you have that, you're good to go.  And yes, it's only disc 2 that ever had a problem and should have a "V2" on it.

Or you can just forget all that and cop the new 2024 edition, also from Scream Factory!  This one's a 3-discer, with both cuts restored in 4k from the original digital intermediary film negative... which is to say the film was shot, digitized from the original negative and finished (CGI effects, color timing, etc), then transferred back to a new negative for prints and discs to be struck from.  The new scans of both cuts are on UHD and new 1080p BDs.  Oh, and there's a whole new feature length documentary.
1) 2009 Universal DVD; 2) 2009 Universal US BD; 3) 2009 Universal UK BD;
4) 2018 Scream Factory BD; 5) 2024 Scream Factory BD;
6) 2024 Scream Factory UHD.





In the interests of being ultra-thorough, I started out including comparison shots of both cuts, but with more and more editions being added to this page, I've streamlined to one cut each.  Trust me, they really are identical every time.  They're different encodes (as opposed to using branching or something), but they're very close to the same file size, always using the same transfer and practically speaking, there's no visible distinction. Of course, between differing editions, like the DVD and original blu, it's another matter. Sure, it's the same root master, framed at 2.40:1 (the DVD is technically 2.41:1 and slightly pinched, though it reveals slivers more on each side as a consequence), with the same color timing, etc. But standard def compression really didn't do this movie any favors, and the HD version is really beautiful.
UK blu-ray left; US DVD right.
Just look at it up close. What's in the shop window? A bunch of smeary, indiscernible objects? Everything is so much more clear and defined on the blu, you can tell what everything is, even items further in the background. And just looking at the flat side of the truck, grain is very evident, but on the DVD it's soft with smudged edges. It's an impressive difference. And speaking of impressive differences, how awesome are Scream Factory's new 2k scans?  Well actually, I think most viewers would be hard-pressed to spot the difference even in a direct comparison like this.  They are technically different, of course.  The 2018 versions seem to boast some slightly stronger colors and a slightly smoother image.  But it's not a difference you'll ever notice just watching it on your television.  They look the frikken' same.  Yes, zooming in on close-ups, I can tell the new discs differ slightly from the old ones, but it's a very minimal step forward.

And their 2024 4k scans?  Well, they're still precisely 2.40:1 for a start, but ever so slightly more zoomed out, including those extra slivers from the DVD without the pinching.  That alone puts the latest version in the lead as the best available edition.  But look, they had to use the DI as opposed to going back to the original negative, so these new scans were never going to be super revelatory.  Film grain isn't really improved, nor is fine detail.  Comparing the BDs, there's no gains at all, though jumping to the actual UHD disc, it at least gives us smoother, less pixelated images when you zoom way in.  The newer colors are a bit darker (yes, even on the 2024 BD) and less saturated - note the red flowers to the left of Alison Lohman in the first set of shots), but it's tough to declare one better than the other in that regard.  It's just a bit different.
All versions featured 5.1 audio, but you can hear the extra punch in the blu-rays' DTS-HD track. All versions also have optional subtitles in English, but only the US Universal releases include Spanish and French dubs and subs, if those are a concern to you.  Curiously, Scream Factory has also added a DTS-HD Stereo mix into the equation for both their 2018 and 2024 editions.  Bonus?

Now what's the deal with the two cuts, anyway? I mean, why would anyone care to watch the edited PG-13 version when they've got the uncensored director's cut on the same disc? Well, it is a little bit of overkill, but there's a reason they've bothered to preserve the theatrical cut as well. The cut version isn't just missing shots (although there are a few moments that really lose their impact precisely due to removed shots), it's also got some alternative bits that are unique to that version. Some of it's pretty inconsequential, like a demon's CGI blood being colored black instead of red, which I guess bothers the MPAA more. But one scene in particular, where our lead character decides to sacrifice her cat to appease the angry spirits haunting her, are 100% reshot, and not even in a similar way.
Top: a shot only in the theatrical cut; bottom: a shot only in the uncut version.
In the PG-13 cut, we see her looking around for her cat, finding it, and then cutting away to the exterior of the house as we hear sounds letting us know the gruesome deed was done. So, in the unrated version, it's the same but instead of cutting away, we see a shot of her killing it... right? No. Actually, it's totally different, and there is no bit of her looking around for and finding her cat in the laundry basket. Instead, it's a very dramatically shot moment where she comes towards the camera from shadowed silhouette to scream and repeatedly stab it. Two totally different scenes conveying the same plot point.

Still, like I said, it's pretty much overkill. It's definitely better that they include both cuts rather than letting those alternate moments fade away into anecdotal film history. But the cat scene is the only hugely different scene. The rest is all short insert shots or slightly altered CGI. I think fans would have gotten a lot more out of just including the alternate cat scene in a little 5-minute featurette that also went over and showed the extra changes. Because it's really not worth sitting through the entire film a second time just to go, "oh, I see, that close up where the staple actually goes into her forehead has been removed, but everything else is exactly the same." But if it was a quick deleted scene, we could just quickly watch it and have the same take-away. Plus, a little deleted scenes feature would make the special features less barren and make this feel a little more like the special edition we all want.
The Universal DVD only had one extra, but at least it was a good one. It was a roughly 30-minute featurette called Production Diaries, which is a series of short segments looking at different behind-the-scenes moments during the filmmaking. It's all hosted by Justin Long (who played the boyfriend in the film), and because it zeroes in on moments and details, it's a lot more interesting than your standard, promotional featurette where each actor describes their character and says how wonderful everybody else was to work with. It's fun and engaging. The only problem is how lonely it looks sitting all by itself on the special features page of the DVD menu. Great, but that's it? There's not even a trailer, although it autoplays a bunch of unrelated trailers at the start of the disc. Blah.

Universal's blu-ray is a mirror of the DVD, except it has BD-Live... so it loads up "fresh" ads (when I tried it in 2015, it brought up the Seth Rogen feature Neighbors and an ad for Universal's horror classics from the 40s).  That's hardly an advantage. A genuine plus, I suppose, if you're one of the very select few people with a use for it, is that it's enhanced for D-Box. That's that thing where if you own a special chair wired to your entertainment system, it will vibrate at select times during the film. Not even the UK blu has that.
Now, Lions Gate didn't exactly turn this into the fully loaded special edition we'd expect for a big Sam Raimi horror bonanza; but they at least managed to double what Universal had. The UK blu does also have the Production Diaries, so it's 100% profit, no trade-off. But it's also added another 30+ minutes worth of interviews. They talk to Raimi, Long and star Alison Lohman in three separate sit-downs. These are clearly promotional, but the woman doing the interviews is obviously a genuine fan, so she asks questions we really want to hear the answers to, like "where's our Bruce Campbell cameo?" (which gets an honest answer) rather than just prompting them to fawn all over each other. They're also delightfully uncut, showing us moments like when they take a break and Sam Raimi steps out of frame so a crewman can walk by, leaving us with a steady shot of an empty chair. So again, it's still no great collection of feature length documentaries and audio commentaries with the entire cast and crew; but they're good, fun pieces worth watching.  Zavvi also reissued the UK blu as a steelbook, if you're a fan of those.
And then we come to the reason why anybody might've really wanted to double-dip for the 2018 Scream edition: brand new special features.  Well, first of all, I'm happy to report, they've carried over everything from the previous editions, including those extra interviews from the UK disc.  Sweet.  But they've also added three new on-camera interviews, one with Alison Lohman, one with Lorna Raver (she played the gypsy and really enjoyed herself) and one with composer Christopher Young.  Plus they added a new stills gallery.  Honestly, that's a little underwhelming.  Is it worth upgrading for just three 15 minute-ish interviews?  Well, I will say that all three new interviews are really good and fun.  And I'm glad they went back to get the second Lohman interview, because she doesn't just repeat the one we already have. And I should mention that the Scream edition features reversible artwork and a slipcover. But at the end of the day, it's an expensive release for three little interviews.
The 2024 is version is more satisfying in that regard.  First, yes, it has all the previous extras, including the UK and 2018 interviews.  But they've made one new, very significant addition: a full, two hour 'making of' documentary by the fine folks at Ballyhoo.  They interview a bunch more of the cast and crew, and edit together a very professional, fully satisfying experience.  Honestly, while the legacy extra still hold some exclusive value (i.e. this doc didn't go back and re-interview Lohman, so her 2018 talk is still great to have).  My one gripe, and it's a minor one, is that they do a long section on the score, and their interview with Young repeats a bunch of stuff, practically verbatim, from Shout's 2018 one.  It would've been nice if they trimmed that out and just left the new material.  We've already got him explaining the devil fiddling with his tail thing, the early affinity he felt for Raimi, etc; we don't need to hear it all twice in the same sitting.  But otherwise, this doc is terrific and fairly comprehensive and could really stand-alone as the only companion piece the film needs.  I wrapped up my earlier coverage asking for "more interviews with the likes of Dileep Rao, Bob Murowski and a segment with KNB," and guys, we got it.  If all you watched was Drag and this, you'd be a satisfied fan.  Oh, and this latest set also includes a nice slipcover - I'm very pleased to see them return to the original, superior poster art.
So, hey.  The first and easiest conclusion to draw is that, with the fullest collection of extras and all transfers being essentially equal, the latest Scream Factory set is the best release on the market.  Still, if you already own the film on blu, any blu, it's one of the slimmer upgrades, at least in terms of the film itself.  But the film's such a blast, every horror fan should own it in some fashion; and really, the only worthwhile extra I could imagine any future release adding is a commentary track with the Raimis, which I'm sure is a practically impossible dream as long as he's busy playing with Marvel/ Disney.  Oh, and maybe a sit down with Reggie Lee.  But yeah, I'm quite happy to have re-bought this film for a fifth time, which is something you won't hear me say often.  I wouldn't have recommended the previous double-dips, but this one I do.  This 2024 set finally totals up enough special features to give us Drag Me To Hell as the special edition it's always deserved to be.

The Definitive Army of Darkness

Oh boy, here we go. It's about to get real now. I have recently landed the 5-disc Definitive Collection of Sam Raimi's Army of Darkness from Madman, the Australian DVD company. The set has 2 blu-rays and 3 DVDs, and no, it isn't the case where two of the DVDs are identical to two of blus, except for one being in standard def and one in high def. They're all different. What's more, Army of Darkness is infamous for being possibly the most frequently re-issued film on DVD and blu of all time; and I've got a bunch of other versions on hand. There are a ton of different cuts of the film, sets of extras, and quality of transfers. I've also got info on other releases, including an alternate Ultimate Edition from Germany. Now, the fact that each set has at least a little bit that the other doesn't tells me neither is quite fully definitive; but they've both got more Army of Darkness than even a serious fan will ever need.
Update 5/23/15 - 10/14/15: Hail to the king, baby! Scream Factory has just released the ultimate, most definitive Army of Darkness set yet! It's a 3 blu-ray set with 4 cuts of the film, an all new 4k scan and all new extras, as well as all the legacy stuff! It's been added to end of the comparisons below, so read on or just scroll all the way down to the new content.

Update 10/5/22: There's a new definitive king in town, but it's still from Scream Factory. This time they've taken the film to a whole new format: 4k Ultra HD, with their brand new, 4-disc Collector's Edition. To find it, just scroll wayyy down.
Notice some print damage (on her forehead) in this shot from the US blu-ray.
Army of Darkness, of course, is the third - and as of this writing, final - in the Evil Dead series of films, originally meant to be titled The Medieval Dead, and in some markets, unfortunately known as Captain Supermarket. The delightfully ludicrous ending of Evil Dead 2 seemed impossible to follow up, with our protagonist (Bruce Campbell, of course) having opened a portal to send the demons back to their time, centuries ago, but accidentally getting sucked in with them. So we begin with our character taken from a contemporary "cabin in the woods" horror film trapped in the 1300s with knights and kings, still battling the evil dead. Like Evil Dead 2 shifted the tone from the original Evil Dead to be more humorous and crazy, this one shifts the tone even further, to be a bizarre, darkly comic fantasy adventure. And it's one Hell of a good time.

Because it was a bigger, and less of a scary, film, the studio seemed to envision a broader audience for this film, selling it not just to Evil Dead fans, or horror fans in general, but to the mainstream market. And so they chose not to market it as Evil Dead 3, and meddled an awful lot in the creative process, resulting in a very short film with an alternate ending and all kinds of changes. Consequently, we have that version, a very different director's cut, and various alternate cuts with missing or additional scenes that were sold in different parts of the world. And it's also been incredibly popular in the home video market. So we've wound up with a whole ton of releases of this film. Anchor Bay in particular seemed to go completely hog wild releasing and re-releasing this and other Evil Dead films over and over. Some editions were completely redundant and unnecessary, but others had real, compelling reasons for fans to up- or side- grade. Which are which?

Well, let's compare twelve different versions of this film and start finding answers.
Anchor Bay's 1999 DVD, the director's cut. 1.64:1.
Anchor Bay's 1999 DVD, the theatrical cut. 1.66:1
Anchor Bay's 1999 DVD, full-screen version of the theatrical cut. 1.33:1.
These first three shots are all from Anchor Bay's original, limited edition 2-disc set from 1999. Now, this is not the first time the film had been released. Universal released a disc first in 1998. But it didn't have the director's cut, it didn't have any extras. This Anchor Bay set had plenty, and has kept a place in my collection right up to my getting the Definitive Collection. The transfer's not so hot, and curiously in an anamorphic 1.66 ratio (Sam Raimi may've had a hand in that decision, since he's a bit notorious with making creative decisions in the Evil Dead trilogy's early releases). It also has a full-screen version of the theatrical cut, which is pretty unique to this edition, and is at least interesting for being somewhat open matte and therefore showing us more picture in the top and bottom. But it's also pan & scan. Notice how it gives us the full right side of the picture, which even the widescreen director's cut transfer fails to do (it being tragically zoomed in on all four sides), but cutting more of the left side off.

This edition also has some great extras, including a commentary by Raimi, Campbell and Ivan Raimi (who joins the proceedings near the end). These guys always do great commentaries, and this is no exception. It's always fun, informative and insightful. And their commentary also carries over to four deleted scenes, which you can watch with the commentary or not. The scenes aren't featured in either cut of the film, and are quite worthwhile. There's also storyboards, the trailer, the original ending (which is already there on the director's cut, but here so you can watch it separately as well), and some bios. Oh, and perhaps most importantly (for reasons we'll come to later), a very good and fairly substantial 18 minute featurette called The Men Behind the Army, which is narrated by Bruce Campbell and focuses on the work of KNB Effects for the film. And while this film was technically "limited" to individually numbered copies, they made 30,000 of them (mine's #16229), so this version is still not too hard to find today.
Anchor Bay UK's 2003 DVD, 1.64:1
So, like I said, Anchor Bay took a lot of stabs at subsequently releasing this film, like the Boomstick Edition and the Bootleg Edition. Specifically, between 1999 and 2003, they put out four, not counting the original 2-disc set above. That's more than one new edition every year. And the differences were really minor, like one was released just because they added THX sound. Another was a single disc release, and then the Boomstick edition was just them going back to 2 discs again. So some had just the director's cut and some had both; but they all presented them in the same 1.66:1 transfers (technically, the director's cut is more like 1.64). And they all basically had the same extras... but only the original 2-disc set above has that Men Behind the Army feature. For whatever reason, that was an exclusive.

But if you read the caption, you already know the screenshot we're looking at here isn't from any of those four Anchor Bay releases, it's from an Anchor Bay UK's release. Specifically, it's the disc from their 4-disc Evil Dead Trilogy boxed set, brazenly labeled "The Definitive Evil Dead Collection." Their treatment of the film isn't any better: it's still the zoomed in, 1.64:1 transfer of the director's cut. It's got the same commentary and deleted scenes, and no Men Behind the Army (even though a previous, 2002 Anchor Bay UK release did include it). But it's a pretty compelling set because it has a bunch of exclusive extras that are only available in this set only to this day. Almost all of them pertain to the previous Evil Dead films, though, so I'll save those details for another post. But one exclusive doc, called The Living Love the Dead, does cover all three films, so a lot of talk is dedicated to part 3. It's pretty poor, though, and doesn't include anybody involved with the making of the film.
MGM's 2003 Hong Kong DVD, 1.79:1.
Yay! Now we're talking. Anchor Bay stopped putting out DVDs of Army (they were getting a lot of flack for it, plus the rights reverted), and it started coming out from other studios. And this official MGM Studios release in Hong Kong was the one to own! First of all, as you can see, it looks better than any of Anchor Bay's versions. And this isn't the theatrical cut, this is the director's cut. They've got that version without that ugly zoomed in effect. And it's got the most accurate aspect ratio to date. The box claims 1.85:1, but it's more like 1.79. That still trumps all the 1,66's, though, and the picture is so much cleaner and less compressed. Oh, and it's even a little bit more complete than the previous director's cuts, including a shot of Embeth Davidtz's dress being torn that Raimi decided to cut out from his cut for Anchor Bay (though it's in the theatrical cut). To be fair, I can see why he would want to cut it, and it's really not that important... but besides just being generally better for being more complete, the shot is valuable because it makes the subsequent wide shot, where her dress is visibly torn, make sense. In the past editions, the top of her dress just disappears from one shot to the next.

The MGM disc also has the commentary, the deleted scenes, the trailer, photo gallery and the alternate ending. In this case, that ending is the theatrical cut's supermarket ending, because this disc features the director's cut with the original ending. It's a first class DVD from MGM, that just didn't make it to the US because they didn't have the rights to put it out here.
Universal's 2009 DVD, 1.85:1.
Universal's 2009 blu-ray, 1.85:1.
So now we jump ahead six years. Army of Darkness releases were finally dead, even though the US never got anything like Hong Kong's MGM disc. But in 2009 we'd entered the blu-ray age, so it was time to bring Evil Dead 3 back. And who had it now? Universal. So they released the Screwhead Edition from a new HD transfer. I was a late adapter to blus, so I picked up their DVD edition back then. So now I've wound up with the DVD and blu versions of the Screwhead edition to compare, even though they were simultaneous separate releases, not a combo pack. So we get to look at both. And unsurprisingly, they're identical, except for one being in standard definition and one being HD. But even the DVD looks better than MGM's. And it's finally fully matted to the 1.85 OAR. Just one problem, though; Universal has only released the short, theatrical version. So, naturally horror fans have felt a little unfulfilled with this release, despite it still being the only blu-ray edition released in the USA.
Madman's 2013 DVD, director's cut, 1:64.1.
It has new extras, though, which made me a little happy. Only a little, because there really isn't much. The main thing is a new featurette called Creating the Deadites. This focuses on KNB's work for the film, very much in the same vein as The Men Behind the Army. In fact, a lot of the same anecdotes are told and footage is shown. They're different, though, and they do have some good, unique content, so fans will want to have both. But one is sort of like a remake of the other. And since it was recorded to fit the longer director's cut, the commentary is not on this version, and neither are the deleted scenes. Really, all the Screwhead edition has is the Deadites feature, the trailer, and the original (director's cut) ending, plus some bonus BD Live trailers and a silly "U-Control" thing which makes production photos pop up throughout the movie, if you have the blu-ray version.
Madman's 2013 blu, director's cut, 1.78:1.
Madman's 2013 blu, theatrical cut, 1.85:1.
Madman's 2013 DVD, theatrical cut, 1.66:1.
Madman's 2013 DVD, TV cut, 1.33:1.
And so we've come to the Definitive Collection, and it's pretty sweet. There's some odd stuff going on here, though. Two of the discs are the director's cut on blu and the director's cut on DVD. So you'd think they'd be the same transfer, just one in SD and one in HD, right? Nope. Totally different transfers, with the director's cut DVD going back to the old, zoomed in transfer of the old Anchor Bay discs. Weird, but I guess it's preferable to duplicate content... Basically, if you want the old 1.66:1 transfer of the theatrical cut, that's here, on the DVD. And if you want the 1.85 one from the Universal discs, that's here too, on the blu-ray. That's why this is a Definitive set, folks; you're getting all the options.
Madman's 2013 director's cut blu left; MGM's DVD right.
The director's cut blu-ray version - the one the majority of us are probably most concerned with - is 1.78:1, like the MGM DVD. And like the MGM DVD, it has the dress tearing scene intact. Now, cynically yet nervously, you may ask, is the new blu really just the MGM disc slapped onto a blu? Happily, no, this is a legit upgrade with an all new transfer of the director's cut. The image is cleaner, the colors are better, and it doesn't have all the SD pixelation it would have if they just took the DVD as their source, and that the MGM does have. This is the best the director's cut has ever looked.

Now, does it look as good as the theatrical version looked on the Screwhead blu? That's debatable, I suppose. The Screwhead edition seems sharper and has more vivid colors, but it also seems to have been tinkered with more in post, using maybe some edge enhancement and unsharpen mask. I'd say the Director's Cut is objectively better. I suspect the theatrical will please many fans, however, while leaving purists preferring the less doctored director's cut. But hey, this set's got the theatrical cut on blu, too; and it's exactly the same as the Screwhead disc. Like, literally, it's the same disc with a new label on it. So you don't have to choose.

This set also introduces the TV cut into the mix. It's full-screen and basically matches Anchor Bay's old full-screen framing, but with the brighter colors of the more modern transfers. It's got a little ghost framing going on, though; I guess it came from a PAL source. But it's a TV version, you kinda expect it to look crappy. Anyway, the TV cut is what it sounds like, with lots of language and stuff edited for television, and it's missing some things. But what makes it interesting and worth including, besides maybe the novelty of overdubbed lines being made clean, is the fact that it also includes some deleted scenes and footage not in the other cuts. And the scenes are in much higher quality here than they have been on past discs, when they were just deleted scenes, which had all kinds of marks, fading and print damage on them.
And extras? It's definitive, baby - it's got everything! Yes, the commentary is on the director's cut, and yes the deleted scenes are here with the optional commentary, too. Yes, Creating the Deadites is on here AND the elusive Men Behind the Army. The trailer, galleries, and even the silly U-Control feature from the Screwhead blu is on here. Oh, and there's more. There's a short, clip-heavy 'making of' documentary, and a series of interviews with Raimi, Campbell and producer Rob Tapert. The 'making of' only features clips from the film and clips of these interviews, though, so if you don't want to watch the same content twice in a row, I'd say just watch the interviews. There's more in the interviews that aren't in the 'making of,' too.

Also, the original ending is on here as a separate extra (even though it's also in the two director's cuts, of course), and there are additional trailers. Oh, and it's not listed on the back with all the other extras, but there's also a "Behind the Scenes" featurette made of footage shot during the making of the film. It's short but interesting and noteworthy, because it looked like that was one thing the German Ultimate Edition had that the Australian one here was missing. But, no, it's on here, too; they just forgot to list it.
Yeah, the German set. I don't have it, but I've read up on it, so I can explain the differences fairly well. The German set is from Koch Media and actually six discs. The two sets have mostly all the same stuff (yes, their director's cut also has the dress ripping shot), but there are discrepancies. Most notably, the German set has a whole additional cut of the film, known as the International cut, which is kind of a mix of the director's and theatrical cuts, but with some little details that make it unique as well. For me, I had to ask myself, how many times am I going to watch just slightly different versions of the same film? Another cut at this point is just overkill. But obviously some collectors won't feel that way at all and will want that sixth disc; and I totally understand 'em. The German set also has a very brief animated "tribute" extra, which apparently comes from the internet. And they have a nice (German only) booklet.

But it's not all Advantage Germany. The con to their set is that they're missing the Men Behind the Army feature. And their DVD transfers are identical to their blu-ray counterparts (besides the SD/HD difference, of course), so you lose out on the 1.66 and 1.64 transfers. I'm not sure how keen fans will be for those, especially in old standard def transfers. But if Raimi prefers the 1:66, that could be a good reason to hang onto those, plus it's definitely Raimi's choice to have the dress tearing scene out of the movie, so the director's cut DVD indulges that as well. So, technically, the Australian set has more versions (5) than the German set (4). The German set consists of 2 blus and 4 DVDs. So they have the same two editions on blu, and both their TV cuts are DVD only, as is Germany's unique International cut.

The story continues, though as Scream Factory has entered the race and kind of killed the debate over the most definitive of the foreign sets. Scream Factory's 2015 set is only 3-discs, but all three are blu-rays, giving us the three major cuts - Director's Cut, Theatrical and International - in HD, as well as another low-fi print of the TV cut. It's got fresh, new scans, all new extras and the old ones. It's still not 100% perfect, as we'll see; but it's easily the preferred option out of everything.
Scream Factory's 2015 blu, director's cut, 1.78:1.
Scream Factory's 2015 blu, international cut, 1.78:1.
Scream Factory's 2015 blu, theatrical cut, 1.78:1.
Scream Factory's 2015 blu, TV cut, 1.33:1.
Mmm, that's an all new 4k scan from the inter-positive on the international cut. And it mostly is on the theatrical cut, too. Scream seems to have used their 4k of the international cut for all of the footage that's identical in the theatrical cut (which is most of it, after all) and just used Universal's weaker transfer for the missing bits. That's why the two shots above look identical. And the director's cut looks similar to the previous director's cut blu-rays (which was quite good... in fact the best up until this new scan). The back of the case says that the director's cut is matted to 1.85:1; but actually it's at 1.78:1 just like the others. Well, except for the 1.33 TV cut, of course, which looks pretty much like it did on the Madman set except even softer.

Scream's director's cut is also a little lower in contrast than Madman's, which brings up the occasional hint of detail in the shadows that was crushed out of the older scan.
Scream's 4k scan left, Universal's theatrical print middle, and Madman's director's cut right.
Getting in close, you can see how this new scan looks even clearer and more defined than the best HD transfers before it. It has the stronger, warmer colors of the previous theatrical cut, though a bit more natural. And it's free of the edge effects and compression junk, giving it the best of both previously available worlds.
Scream Factory's 2015 blu, international cut, 1.78:1.
Scream Factory's 2015 blu, theatrical cut, 1.78:1.
Madman's 2013 blu, theatrical cut, 1.85:1.
Still, like I said, Scream's Theatrical cut does still use some footage from Universal's older master. So here we can see that difference in quality, even though this theatrical version does look better than the older theatrical blu-rays. But it's still splotchier, more contrast-y, over saturated and just less natural looking overall than the fresh scan of the international cut. It's also a bit over-cropped, zoomed in to miss a little info on all four sides compared to the new 4k. The 1.85:1 version has similar vertical cropping, without any on the sides. And the colors look a bit more natural, at least (Bruce's face is downright yellow on the older theatrical). ...By the way, considering this shot is in both the theatrical and international cuts, I'm not sure why they didn't use the 4k scan for this shot, too. But, whatever.

All three cuts have excellent, DTS-HD 5.1 and 2.0 stereo options (the TV cut just has 2.0), and they each (again, minus the TV version) have optional English subtitles.

And extras? Scream has added a brand new, feature-length (97+ minutes) documentary on the making of the film, interviewing pretty much all of the principle players. This far, far, far outshines any of the previous featurettes on any of the past editions. With that said, all those past featurettes are on here, too. Yes, The Men Behind the Army is included here. So is the Creating the Deadites one, the vintage 'making of,' the extended interviews, the deleted scenes with optional commentary, the alternate endings isolated, the audio commentary for the director's cut (that's an important one), plus the multiple trailers and galleries. Basically everything. And remember that short "behind the scenes" footage feature from a couple of the past releases? Well, Scream's blown that out to a 50+ minute collection of KNB's behind-the-scenes footage, which includes all of that plus infinitely more. So that's another pretty sizable addition.
shot #1 (left) missing from theatrical cut; shots #2-3 missing from international cut.
A few more important details: The director's cut on the Scream set is the more complete one with the dress tearing scene intact. That's great. Not so great, however, is that the theatrical and international cuts are missing a couple brief shots. I can't take credit for this discovery; it's been pointed out on the blu-ray.com forums... but I can confirm that it is present on my retail copy. When Ash is being chased through the woods and comes upon the windmill, the shot where he jumps over a small stone wall is missing from the theatrical cut. And when he's fighting the mini-Ashes inside the windmill, two shots are missing from the international cut. To be honest, I did notice something was off with this scene, but since the mini-Ashes scene is so notorious for being poorly edited in the international cut, I just chalked the choppiness up to that. But apparently, the international cut's scene wasn't that poorly edited, and those two shots should be there. Well, Scream has said they'll address this soon, so we'll see.
Update 12/15/15: We've seen! Scream started a replacement program in November. If you bought the set, you can fill out this form on their website, send them proof of purchase in a separate email (yes, even if you're an international customer), and they'll mail you the corrected versions in a cardboard mailer and paper disc envelopes - good show, guys! All of the missing shots mentioned above have been restored. The triple screenshot above was taken from the replacement discs, so that's 100% confirmed. And you can tell the difference between the two discs by looking at the product number on the edge of the disc itself. The new versions have added "-V2" at the end, as shown in the picture above.

It's also worth mentioning that Scream's set has reversible cover art, however I actually kept the front one this time, as I actually like their new art - it doesn't have that cheap, independent comic book vibe like some in the past. It also has a slipcover and if you order it directly from Scream Factory, comes with a poster of the same image. And if you ordered it in October like I did, you also get a free set of horror movie drink coasters.

That had been the end of the story, but seven years later, Scream Factory have come back to this classic to take another stab at it, bringing it to the UHD era with a new 4k scan of the original camera negative.  And according to the packaging, it's been approved by Sam, DoP Bill Pope and editor Bob Murowski.  This one's a 4-disc set (1 UHD and 3 BDs), and includes all the alternate cuts and special features as the 2015 edition.  In fact, discs 3 & 4 are essentially unchanged except for the labels, because they're still using the previous transfers for the alternate cuts.  Only the theatrical cut has been updated, which is a little disappointing.  But at least they've used the scan for the 1080p blu as well as the UHD.  So let's take a look at those.
Scream Factory's 2022 blu, theatrical cut, 1.85:1.
Scream Factory's 2022 UHD, theatrical cut, 1.85:1.
Scream Factory's 2022 blu, theatrical cut, 1.85:1.
Scream Factory's 2022 UHD, theatrical cut, 1.85:1.
Interestingly, Scream seem to have changed their minds about the AR.  This time the theatrical cut's in 1.85:1, when it was 1.78:1 on the 2015 release.  It's crazy how much Sam & co. keeps changing it for this film.  But anyway, this new wider framing does reveal more on the sides, and even a sliver extra vertically.  But then again, that's basically just what Madman's 1.85 framing did.  Anyway, the colors now are at once more vibrant and life-like than ever.  For example, the bright highlights in the second set of shots look overexposed on the 2015 release compared even to the 2022 BD.  Fine detail is improved, though I have to say, even on the UHD, grain looks a little soft, especially in the first set of shots.  But there are certainly no compression issues or pixelation, and this it easily an attractive improvement over everything that came before it.

The audio options, subtitles and special features are all excellent but unchanged from the 2015 edition.  This one's released in a standard amaray case with a slipcover (and surprisingly non-reversible art) or a steelbook.  Pre-ordering direct from Shout also included a rolled 18"x24" poster and an enamel pin set.
Honestly, there's still room for yet another edition to come along and claim the "Definitive" crown... Especially if they could get some of the other cuts - at least the director's cut, even if it has to be a composite cut if the film elements for that version are unavailable - out on UHD.  But for now, Scream Factory's 2022 4-disc set is the absolute best on the market.