(Not) Demons III: The Ogre & Black Demons

We've already covered the one film that's been semi-/ quasi-released as Demons 3: Michele Soavi's The Church.  In fact, I've covered all the films that have been as the subsequent sequels, too: The Sect a.k.a. Demons 4, Mask of Satan a.k.a. Demons 5 and The Black Cat a.k.a. Demons 6.  But there are two other movies that have also gone out under the banner of Demons 3, and they're fun ones!  (Honestly, there are no un-fun Demons flicks.)  So I'd feel downright remiss if DVDExotica didn't tackle 'em.
So I guess it sorta makes sense why The Ogre would be dubbed the next Demons sequel, at least compared to any other random I horror title.  For one thing, it's another Lamberto Bava flick.  And in 1988, it's not the film he made immediately after Demons 2, but it's pretty close on its heels.  Also, the leading lady had a bit part in Demons 2, Simon Boswell is back doing the score and, y'know, it has some kind of monster in it.  What more do you need?
What this really is, though, is the third of four made-for-TV horror films, collectively known as the Brivido Giallo series.  It really does not play like a Demons film, instead focusing on a relaxed, slow moving, almost fairy tale-like vibe.  In brief, an American author of horror novels used to dream about an ogre in her basement, and as an adult, she moves into a castle which has that very same basement.  Is her imagination overriding her sensibility, or is there really an ogre creeping around the premises?  That's the question.  And while we don't get any action and barely any violence, the film does have a real castle, a neat underwater Inferno-style sequence, a bad-ass ogre that hatches out of a cocoon like a gooey spider (a scene they repeat over and over) and a catchy soundtrack.  But unlike a Demons film, it's pretty shamelessly boring, almost designed to make its audience fall asleep on the couch.  Then you kinda half remember a few key scenes, and you're not sure what you legitimately recall and what you dreamt, just like the main character.
2003 Shriek Show DVD top; 2026 Cauldron Films BD bottom.
Shriek Show originally released this on DVD in 2003, and it wasn't too bad for its time: anamorphic widescreen, slightly windowboxed to 1.79:1.  The only real drawback was that it was interlaced.  But a lot of time has passed, and even in progressive, that kind of transfer doesn't pass muster.  But it's all we had until finally, in 2025, Cauldron Films released a 5-disc (including a soundtrack CD) boxed set of all the Brivido Giallo films.  And just this summer, they broke that set up into two much more affordable 2-disc sets.  These are 1080p BD-only releases, but all four films have been crafted from fresh 4k scans of the original 35mm film negatives.  Here, the film's been pillar-boxed to 1.67:1, but as you can see, unveils considerably more picture than the previous Shriek Show framing.  Of course the picture is no longer interlaced, with colors and detail (we can finally read the "SAN CARLO" chip bag logo in the first set of shots, for instance) much more natural and photo realistic than the comparatively washed out, pixelated DVD.  Grain is a little soft and inconsistent - it would've benefited from a genuine UHD release.  But it's a massive upgrade and exceeds expectations most would have for such an off-beat title as this.

Shriek Show just provides us with the basic English mono (though at least this film was shot in English) in 2.0.  But Cauldron not only bumps that track up to lossless DTS-HD, they also offer us the Italian track, also in DTS-HD, with optional subtitles for both tracks.  These guys know how to do Italian horror right.
Back to giving them credit, Shriek Show did scare up a pretty good interview with Bava for this release.  They also included the trailer and four bonus trailers.  Cauldron carries over Shriek Show's interview and trailer, then adds a bunch of stuff, including their own, new interview with Bava (which does cover different ground).  There's also a decent expert commentary by Rachael Nisbet, an interview with production designer Massimo Antonello Geleng, and another one with his assistant Roberto Ricci (who I don't think worked on The Ogre; he certainly doesn't mention it, but does have a little I horror history to share).
Even broken into 2-disc sets, I still couldn't upgrade just The Ogre, so let's quickly look at the other BG film in this set, Dinner With a Vampire.  I don't have a DVD for this one because, frankly, it's a Bava title I've always steered clear of.  It's a comedy, and a pretty doofy one at that.  Still, it has its qualities.  George Hilton plays the count, an ancient vampire who longs for death.  So he holds open auditions and selects a singer, a dancer, an actor and a stand-up comedian (don't ask why; this film never explains it) to come to his castle and kill him.  But if they don't figure out how to do it by midnight, he'll kill them!  So, this film is well shot, Hilton has some charm as the count, the special effects aren't bad (Sergio Stivaletti!), and they have another cool castle... not as cool as the one in The Ogre, but still a good location.
2026 Cauldron Films BD bottom.
Dinner is also pillarboxed to 1.67:1 and looks just as good as its companion.  Once again, it's based on a new 4k scan of the original camera negative, and the encode might even be a bit stronger with more consistent grain.  Colors are attractive without feeling unnaturally saturated.  These Cauldron films look so good, I think they're genuinely raising my appreciation of the BV films.  And once again, they're giving us both the Italian and English mono audio in DTS-HD with separate sets of subtitles for each track.  They may be a smaller label, but they're doing first rate work to rival Arrow or whichever boutique is your favorite.
And that includes in the extras department, where they start us off with an admittedly somewhat irritating commentary from some familiar experts: Eugenio Ercolani, Nathaniel Thompson, and Troy Howarth, who have frustratingly little to say about the movie at hand.  The track spends about half of its running time just naming and discussing other vampire movies.  More rewarding are three new interviews with Bava, Geleng and Simon Boswell (who talks about all four Brivido Giallo films, so even if you only care about The Ogre, check this one out).  Then there's an audio interview with Hilton, conducted many years ago because he's no longer with us.  Unfortunately, he doesn't mention Dinner With a Vampire at all, but his life story is pretty interesting.  Finally, they include the trailer.  According to Cauldron's site, only the editions in the boxed set have reversible cover art, but the individual copy I ordered from Amazon has it, so I guess they changed their minds.  Still, buying the 2025 limited edition (to 2500 copies) set was the only way to get the slipbox, four exclusive posters and the aforementioned soundtrack compilation CD.
Fun Fact:
The Ogre was also released in some territories as Ghosthouse 2.  Of course, it has no connection to that film either, except in the very tenuous sense that Ghosthouse was directed by Umberto Lenzi, and so was the other Demons 3: 1991's Black Demons.

Anyway, "Demons" might be in the title, but "zombies" would be a much more accurate description (slow moving, voodoo powered).  And while this movie isn't as gonzo as Nightmare City, it's still a highly entertaining zombie flick, which leans more towards gruesome atmosphere than running amuck.  It's called Black Demons because they're literally black people - Brazilian slaves back from the dead and taking revenge on the landowners when a couple of bungling college students awaken them in their former plantation.  I'm not saying the racial politics are handled with grace and eloquence, but it's basically a story of historically wronged people finally getting their gruesome justice.  It's main crime is just being slow with some cheesy actors.  But the zombies look good, the locations are authentic, and the kills are gory.  I don't understand why this film doesn't have a better rep; I enjoy it every time.
2003 Shriek Show DVD.
Unsurprisingly, this is a similar situation to Shriek Show's Ogre DVD: anamorphic widescreen (1.67:1, despite the back of the case saying 1.85:1), but interlaced.  It's a bit washed, soft and pixelated with maybe a little bit of edge enhancement, but apart from the interlacing, not terrible for DVD.  Having just seen how much better The Ogre could look, however, I'm practically dying for a new HD edition.  And as with their Ogre DVD, Shriek Show's Black Demons disc just your basic 2.0 English track with no subtitle option.
By way of special features, Shriek Show gives us a nine minute interview with Umberto Lenzi, a brief follow-up with Lenzi and his wife/ co-writer Olga Pehar, the trailer and bonus trailer for four Zombi films.  More would be great, but these interviews definitely enhance the viewing experience.

So hopefully they will be ported over when somebody finally upgrades this to HD.  Not that there's ever been any indication, but it's blowing my mind that such an effective Italian zombie horror from one of the more celebrated directors keeps getting overlooked.  If anybody takes anything away from this post, I hope it's a home video label realizing they need to put this film on disc.  Then we could finally have all the Demons films done right.  But hey, we just finally got The Ogre, so I'll remain optimistic.

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