A Pair of Warner Archives #1: The Accidental Tourist

The Accidental Tourist tells the story of a man (William Hurt) who writes books for travelers who hate to travel.  His son is killed, he breaks his leg falling down the basement stairs and his wife (Kathleen Turner) leaves him because he's not able to give her the kind of support she needs.  If that sounds super depressing, it is, but things quickly turn around when Hurt finds a pet sitter for his super cute corgi, Geena Davis (who won her Academy Award here), who turns out to be a bit of a low-key manic pixie love interest.  And it's the expert push and pull between these rather extreme Hollywood cutesy comic and darkly realist halves that turn TAT into a enveloping, endlessly rewatchable yin and yang.  Credit for this has to be equally shared by the original novelist Anne Tyler, and the delicate adaptation by director/ screenwriter Lawrence Kasdan.  And that's only elevated tourist by the fantastic cast, which also includes Bill Pullman, Ed Begley Jr. and M.A.S.H.'s David Ogden Stiers, as well as one of John Williams' (Star Wars, Superman) most touching scores.
Warner Bros released TAC as a pretty nice, widescreen special edition DVD in 2004.  It came in an annoying snap case, but apart from that, it was perfectly fine to carry us through the whole SD era.  They released virtually the same disc in all the other regions, too.  When it went out of print, Warner Archives reissued it as a DVD-R in 2014.  But eff that noise.  By then, the world needed a proper blu-ray release with an updated HD transfer; and in 2017 they came through.
2004 WB DVD top; 2017 WA BD bottom.
So the first thing you're probably noticing is the color correction, which thankfully dabs away the red hue that goopily bled into the old DVD.  The blu's colors are warmer, much more attractive and authentic.  The next fix Warner Archives gave us is the aspect ratio, from 2.33:1 to 2.40:1.  Now, if you're looking at the edges of the screenshots above, you're probably thinking to yourself that the framing actually looks to be almost exactly the same.  That's because the DVD was horizontally squished, making everyone a little taller and skinnier, which the BD corrects.  Beyond that, there's the naturally crisper nature of the HD image, which sharpens the photography and clears away all the compression noise.  Grain is subtle and natural where it was just blotchy before.  It may not be the complete overhaul we've seen on some past releases - like, for example, this one - where the previous DVDs were deeply troubled, but it's a very pleasing all-around upgrade.

The original DVD featured the original stereo mix, as well as a French dub, with optional English, French and Spanish subtitles.  The blu does away with the foreign language choices, but boosts the audio to DTS-HD and keeps the English subs.
Warner Archives don't specialize in coming up with lots of special features, but in this case that's okay, because WB already did that job in 2004.  We start out with a pleasant introduction to the film by Kasdan, which leads into a brief but rewarding 'making of' doc that mixes new interviews with vintage EPK clips.  And there's a surprisingly whopping amount of deleted scenes that run well over half an hour.  And most impressive of all is a partial audio commentary by Geena Davis.  A major film star is a rare get for a commentary track, and she's quite enthusiastic.  She only covers about 30-40 minutes of the film, but that's not a criticism at all.  After suffering through enough commentaries full of long pauses and sweaty moderators asking actors about their entire life story in a desperate bid to fill the entire movie's running time, I much prefer one that lets her say everything she has to say, and then send us all home without feeling like we've lost an hour of our lives in the Bermuda Triangle.  Anyway, the trailer's the only other extra, but it's already more than enough.  This is a very rewarding package, and a fuller one than we tend to find in the Archives.
The Accidental Tourist is a staple title none of our collections should be without.  And Warner Archives have given this particularly deserving catalog title the kind of quality edition we're glad to have on our shelves.  I wish I could say this about many of my other favorites, but at least I can about this one.

The One and Only True Texas Chainsaw Massacre

Well, gee, somehow I've done all the original Texas Chainsaw Massacre films, even "Part 5," but not the original original.  Those other films are cool (The Beginning, 3D and 2017's Leatherface?  Not so much), but Tobe Hooper and Kim Henkel's 1974 The Texas Chainsaw Massacre is a legit horror classic; a great film that holds up perfectly to this day.  So we're going to correct this egregious oversight.  From Pioneer's non-anamorphic DVD to Turbine's UHD, this is THE Texas Chain Saw Massacre.
Every time I rewatch this one, I'm surprised how strong every element of this film is.  The performances, the production design, the music, the writing, the editing and direction are all so damn good.  This isn't just effective because it got in early and managed to shock audiences before they were desensitized; this is an excellently crafted films made by virtual amateurs that all the major studios consistently fail to match, decade after decade.  A genuine masterpiece.
Texas Chainsaw is, I suppose, the next step after Psycho: a disturbing film that takes loose, tabloid-esque inspiration from true crime horror and turns it into twisted psychological theater.  Both films capture mental illnesses in a more raw, realistic film than any of their peers and mix it up with an over-the-top exploitative thrill ride.  And both famously pushed the envelope of what was acceptable to put on screen; the difference is that decades later, Hitchcock's shock pieces now feel quaint, whereas most horror even today is afraid to go as far as Hooper went.  But they wind up closer together than further apart, since both are more than capable of standing up as compelling art pieces once you get past their initial shock value.  They're great twisted tales.
The Texas Chainsaw Massacre debuted on DVD back in 1998, with a barebones, non-anamorphic DVD from Pioneer.  They re-released it in 2003 with new artwork, but it was the same disc, which is the first one we'll be looking at here.  Then Dark Sky got the rights, remastered the film and proper, 2-disc special edition in 2006.  We've got that one, too.  They put that same transfer on blu in 2008, but they replaced that with an even more loaded 40th Anniversary edition blu with a 4k remaster in 2014, which we've also got on hand.  And in the US, that's still the definitive edition.  They've re-issued it multiple times, in limited steelbooks, Best Buy and FYE exclusives, and even a special 5-disc set that comes in a box shaped like the truck from the film's finale, but it's all basically that same 40th edition.  In Germany, however, Turbine took it one step farther, giving us the 4k master in actual 4k with a BD/ UHD combo-pack in 2016.  That 3-disc set was later repackaged as a steelbook release in 2019, which is the final version we'll be looking at here.  So let's dive in.
1) 2003 Pioneer DVD; 2) 2006 Dark Sky DVD; 3) 2014 Dark Sky BD;
4) 2019 Turbine BD; 5) 2019 Turbine UHD.
Pioneer's DVD insert describes their initial release as a "letterboxed high-definition SuperScan... painstakingly restored from the original 16mm ECO negatives."  Unfortunately, compressed into non-anamorphic 520x300 resolution, it's hard to appreciate that.  It's soft and riddled with compression noise, which is only worsened by the fact that it's interlaced.  It's also missing some picture along the left, because they've framed it at an unusual 1.72:1, which Dark Sky restores to 1.78:1.  They also make an interesting point about the film's colors and levels saying that the look they're presenting was "redesigned to reflect Hooper's original vision of higher contrast images and color. The hot sun now casts an amber hue upon the dry Texas landscape."  So, looking at the different color timings above, this makes me guess that the Dark Sky DVD might be the most authentic scan of the elements, but the warmer tones and yellower skies of the other editions might be Hooper's preference?

At any rate, this film was shot on 16mm, which means detail is inherently low, and so there's some question how useful higher-def presentations are.  Well, one look at the DVD makes it obvious that the original DVD isn't high enough.  But the gains going from the Dark Sky DVD to the BDs and eventually to the UHD are more subtle.  Every iteration after the first has more detail and life to the image.  But even looking at the Dark Sky DVD, it's clearly softer, with the film grain just semi-visible as smoothed over blotches.  Despite being just 16, the new 4k scan really is a beautiful upgrade.  If you're still holding onto a DVD thinking this film doesn't need an upgrade, think again.  But how about the UHD?  It has no HDR and uses the same 4k master, so the only real distinction is in the still higher resolution disc.  And there the difference really is hard to spot on first glance.
2014 Dark Sky BD left; 2019 Turbine UHD right.
It is there, though.   Well, first of all, they also matte their UHD (but not their blu-ray) to a slightly tighter 1.85:1.  But moving beyond that, if you get in real close, you can see areas on the blus where individual specks of grain are unresolved, and we get tiny macroblocks.  Even the UHD does if you really scour, but much less and more grain is more clearly defined.  But are you ever going to see this in motion?  I'm going to say probably not, especially if you don't have a huge TV.  But you might get a less direct sense of watching something more authentically filmic.  To put it in real terms, yes, the UHD is the best edition and objectively superior to the blu.  But if you've got a blu, I'd say it's a very slim upgrade, and just in terms of PQ, should be a low priority upgrade.

As far as audio, the original DVDs used the original audio elements "to create a digitally remastered stereo surround soundtrack."  They had no subtitle options.  Dark Sky, then and went and recovered the original mono track... but, it turned out, with a few sound effects missing.  They also included the newer stereo mix as well as their own 5.1 mix.  And yes, they created optional English and Spanish subtitles.  For their 40th blu, then, they kept all three sound mixes and also made a newer 7.1 mix, in lossless DTS-HD and LPCM, and kept the subtitles.  Because the mono track was flawed, though, they replaced it with a downmix of their 7.1 track, which made things less authentic, not more.  In the Turbine set, we get mono, stereo and 7.1 in DTS-HD, plus newer Dolby Atmos and Auro-3D 13.1 mixes.  It's a bit of overkill, but as you'll soon see, that's the name of the game with this set.  They also have four versions of the German track, plus optional English and German subs.
The extras for this film just keep getting to the point of being overwhelming, but happily, not too redundant. The original DVDs basically bring us the extras package from the Elite laserdisc: a great audio commentary by Hooper, Gunnar Hansen and cinematographer Daniel Pearl, a brief featurette on the sets and props, deleted/ alternate scenes, a brief gag reel, and a bunch of trailers, TV spots and stills galleries.  Then Dark Sky kept all of that but added a bunch more including a second audio commentary by stars Marilyn Burns, Paul A. Partain, Allen Danziger and infamous production designer Robert A. Burns, which is more of a light-hearted chatty affair.  They also include a brief featurette where Hansen revisits the house they filmed in and two feature length documentaries.  The first, The Shocking Truth, made by Blue Underground, is still the definitive, over-all TCM doc.  Then the second, Flesh Wounds, made by Red Shirt's Michael Felsher, seems deliberately designed to compliment the other pre-existing special features, and present only new, additional info about TCM rather than retelling all the stories and anecdotes from the other docs and commentaries.  That helps a lot.  Dark Sky's DVD set also includes additional outtakes from The Shocking Truth, some additional bonus trailers, and came in a cool steelbook.

For their 40th Anniversary blu-ray, Dark Sky kept everything and also cooked up a few more nice treats.  There's two additional audio commentaries, including a new Hooper one, where the director of Shocking Truth quizzes him for for the few remaining niggling answers he's been left wondering over the years, and an interesting crew commentary by Pearl, editor J. Larry Carroll and sound recordist Ted Nicolaou.  During their new 4k scan, they uncovered some more deleted scenes and outtakes, different from the ones already released on the DVDs, though most are without sound.  And they conducted new, on-camera interviews with actress Teri McMinn, who up 'till now had never participated in TCM interviews and such, "grandpa" actor John Dugan, J. Carroll and production manager Ron Bozman.  Felsher did these as well, and they again seemed specifically designed to fill in the gaps of the existing Chainsaw coverage, which I really appreciate.  Plus they add some vintage radio spots.  Also, if you bought the limited edition "Black Maria" version, the one in truck packaging, you got an additional bonus disc that consists of an hour long discussion between Hooper and William Friedkin.
Teri McMinn happily rejoins the family.
And Turbine?  Happily, they also retain all the legacy extras we've covered so far, except for that exclusive Hooper/ Friedkin talk.  And they add some more, too.  There's an isolated music and effects track, in DTS-HD 7.1, and a brief featurette that compares key scenes from the original film to the 2003 remake, which is more valuable if you don't already own the remake.  Even better, they include the Horror's Hallowed Grounds TCM episode, which blows the old house tour featurette away (although that's still on here, too).  And best of all, they include the original TCM documentary: 1988's Texas Chainsaw Massacre: A Family Portrait, which specifically interviews all the cast members who played members of the killer family.  And is most valuable because that includes Jim Siedow, who passed away before he could be included in most of the other TCM special features.

Now, I read on DVDCompare that on the Turbine release, "'A Family Portrait' is in a mix of German and English audio, with German subtitles for the English portions," which is correct, so I hung onto my 2000 MTI Home Video DVD.  But, while that quote did turn out to be true, it's misleading by omission since Turbine also includes a second audio track of the complete, original English audio.  That German/ English mix thing is just a second, alternate language option for German audiences we English natives don't need to bother with.  Oh and yes, both are the extended "Revisited" version.  I don't think there's any way to get the original version, which was originally actually ten minutes longer and included an interview with Chief Gorehound #1 Chas Balun, outside of the original VHS release.  So yeah, there's no reason to hang onto the separate DVD, unless... the picture quality's any better on the blu?
1) 2000 MTI DVD; 2) 2019 Turbine BD.
Nope, it's just the same.  The film was shot on video tape, so there's no real room to grow.  MTI released this as a standalone on blu (or BD-R, strictly speaking) in 2016 and caught a lot of flack for the PQ, but it's not like there was a negative to go back to or anything.  Anyway, the discs aren't 100% identical.  They're both fullscreen, of course, but the DVD is 1.32:1 while the blu is slightly wider at 1.36:1.  That's partially because Turbine cropped the bar of random video noise along the bottom edge, and but it's also a teensy bit squished, which the blu corrects.  Both versions are interlaced and soft to the point of downright blurriness, which again I'm sure goes right back to the original tapes, but the colors are slightly, like 1%, more robust and attractive.  So not only is the quality of the stand-alone not any preferable, it's actually a smidgen better on Turbine's release.  And there are no extras apart from a couple trailers; so go ahead and chuck those DVDs, kids.

When you look at the massive list of extras that've piled up over the decades, it can look overwhelming and you'll probably be tempted to skim through a lot, if not skip things completely.  But it's all surprisingly watchable as a massive whole.  Sure, you'll hear a few of the most famous anecdotes two or three times.  But in general, it all works well together.  The only little one I'd recommend maybe jumping over is the house tour, since the Hallowed Grounds and two documentaries also revisit the same house.  Some talk to different people - Flesh Wounds talks to the head of the TCM fan club and Hallowed Grounds talks to one of the owners who's embraced the fanbase coming to visit the home - so they all feel fresh and original.  But one of the docs even uses footage from the Gunnar house tour featurette, so that's really the one you can save yourself a few minutes by passing over.
So yes, Turbine has really created the ultimate edition, whether you prefer the standard or steelbook edition.  It's the best presentation of the film and the best extras package.  So if you want to go all in, you know which one to get.  But, with that said, Dark Sky's 40th Anniversary blu-ray may well be enough for most fans, especially if you've already sprung for the truck edition with that exclusive bonus disc.  If you have any previous edition, it's definitely time to upgrade.  But if you've got a 40th, and you're not just made of money, you may be good to just hold.  Both are packed and look as terrific as this movie deserves.

Dennis Potter's Defective Secret Friends... Saved by Indicator/ Powerhouse!

A lot of Dennis Potter's work has been issued on DVD, especially if you're prepared to import from the UK (or just happen to live there, of course). But a lot isn't. And some of it is, but only on rare, long out of print, obscure releases, MODs and the odd foreign disc. And I do mean odd. What we have here is one of Potter's lesser known later works, Secret Friends, available on DVD from the Spanish company Cameo. And it would appear that their entire run is defective.

1991's Secret Friends is the film Dennis Potter not only wrote, but directed, loosely based on his novel, Ticket To Ride. Dennis Potter was, deservedly, a critical darling in the UK for a very long time, but had just experienced his biggest failure, Blackeyes, which was his directorial debut for the BBC. This was to be his follow-up (not that the stories are connected at all), but after Blackeyes had been so thoroughly rejected by audiences and critics, the BBC went cold on the project, and Potter wound up making this as a small theatrical film instead. It didn't do very well and is consequently pretty obscure - Potter never directed again - but it's actually not a bad little film.

Update 7/2/15 - 2/22/20: I didn't see this one coming, but I'm sure glad it came. Indicator/ Powerhouse has given us the first, fully functional release of Secret Friends. What's more, it's a sweet, restored edition.  Oh, and P.s.: I also added the DVD edition to the Christmas Horror Story page.
It feels a bit like The Singing Detective on a train. Almost all of Potter's recurring themes check in here: a story fragmented in time, 1930s music, miserable childhoods and very dark themes unafraid to thoroughly explore sex and death. Alan Bates, who previously starred in Potter's excellent adaptation of Thomas Hardy's Mayor of Casterbridge, is our lead here, an artist who's having some sort of severe identity crisis in a dining car, sitting across from two very unhelpful fellow passengers. We journey through his memories and fantasies, from a painfully strict religious upbringing, to rendezvous with his wife at a hotel where she pretends to be a prostitute. It's a sort of murder mystery explored through one man's interior mind. It can feel a bit redundant if you're familiar with Potter's past works, but parts of it, at least, are still quite effective. It's lesser Potter certainly, maybe a bit lazy; but as his fans know, even bad Potter is a strangely riveting viewing experience, if only because his subjects are so personal and directly attacked.
I spotted this disc online years ago when I was searching for any more of Potter's work I hadn't yet seen, because I'd just devoured all of the available releases in the US and UK. I immediately ordered a brand new, shrink-wrapped copy and it didn't want to play. I put it in one player, and it wouldn't load. In another, it started to play, but then froze... after a while it would play a bit, but then freeze again, getting increasingly unplayable as the film progressed. So I returned it for another brand new copy, and it behaved the same way. I saw one user reviewed it on Amazon expressing the same issues with his copy. So I guess there's just something wrong with all of them?

BUT I did manage to get it to play all the way through. And thankfully, I was smart enough to be recording during that one time, because it's never been able to play to the end again. So I have a DVD-R of it, but unfortunately the picture is a little softer and duller than the actual on-disc image of the official copy. The real disc absolutely will not boot up or be ripped on PC, though (I've tried many times with many programs, on more than one computer), so I've had to take my screenshots from my home-made DVD-R. So bear in mind, while these screenshots essentially tell the story of the framing and image on Cameo's disc, the actual DVD looks a little better. ...If you can get it to play at all, that is.
2009 Spanish Cameo DVD top; 2020 UK Indicator BD bottom.
The back of the DVD case says that it's 1.85:1 and 16x9 anamorphic. Fortunately, the 16x9 bit is true, but the image is actually slightly pillar-boxed at 1.67:1. Indicator's new blu retains that same ratio, but includes more picture information on the right, and a little along the top.  That's because, as you can plainly see in direct comparison, the DVD is stretched horizontally, which the BD corrects. Their booklet doesn't tell us much about the transfer, just that "FilmFour's HD remaster was the source of this Indicator edition."  So safe to say this isn't a spanking new 4k scan, or they would've told us here and in the marketing.  But it's certainly a massive improvement to what we had before... I mean, even putting aside the it-doesn't-play thing.  Colors are cooler and a lot more natural, and detail is enhanced beyond the minimum you'd just get from putting the same transfer on an HD disc.  Grain actually looks pretty thorough and natural, rather like a modern 2k scan, in fact. Information that was crushed in the DVD's blacks are brought back to life.
Cameo's DVD has the original English stereo track with forced Spanish subtitles. The subs appear player generated, though, so you might be able to remove them depending on your player.  Indicator also has the stereo track, which we're told was also remastered by FilmFour, in lossless LPCM with optional English subtitles.

There are no extras except for a four bonus trailers for other Cameo releases, including Factory Girl and Il Divo.  But Indicator's blu's extras, while brief, are very satisfying.  We start out with an on-camera interview with actor Ian McNiece, which is only about five minutes long, but still shares some interesting behind-the-scenes memories and opinions.  Other labels may've been tempted to pad it out with clips from the film, opening and closing credits and leaving every non-sequitor he utters in the edit, but here, it's just a clean and engaging little interview.  The only other video extra we get, then, is by Graham Fuller, editor of Potter On Potter, who gives both a critical review of the film and explains a lot of the film's themes and history.  Anyone who walked out of this movie feeling baffled by the film's idiosyncratic storytelling structure will certainly appreciate this.  There's also the a stills gallery and the trailer, plus a very good 36-page booklet, with an essay by film historian Jeff Billington, two vintage interviews with Potter, a couple of vintage critical reactions from 1992.  The blu also offers a reversible cover with the same artwork but minus the rating and logos.
I would've been quite happy with Cameo's DVD if only it had worked. But in 2020, it was time for an HD upgrade anyway, even if there hadn't been anything wrong with the old edition. And Indicator/ Powerhouse gave it everything it deserves: an HD remaster, lossless audio, and compelling new special features.  It's even region free.  And color me optimistic, but with this release coming close on the heels of their Track 29 blu, I hope this is a portent of many more Potter releases to come from Indicator.

Animation On Blu: The Simpsons

You know, I've yet to cover any animation on this site, and I've been growing increasingly curious about the benefits of animation, as opposed to more detailed photography in HD.  So I thought let's tackle it with something that would provide a lot of good and varied test cases: The Simpsons!  If you think about it, they first came out in the relatively early days of DVD - 2001 - and their latest came out just two months ago.  There have been DVDs and blu-rays, reissues, and even a movie, giving us plenty to study.  Not to suggest that even a thorough study of The Simpsons on disc would give us complete and total answers to all the questions about animation on disc.  There are so many factors to consider, like how the art is created, be it simple line drawings or finely detailed paintings with natural elements to capture, cel layers, whether the imagery is being captured on film, digital or tape, and in the case of digital, what resolution, etc.  But I think it will be enlightening, and I can already tell you I found some things that surprised me going back through all these discs.
Good Night Simpsons short from 2001 Fox season 1 DVD.
I can't imagine anybody needs me to introduce them to The Simpsons, so I'll just share a few quick thoughts.  It seems to be a nearly universally held opinion that The Simpsons is no longer good like it used to be, and from what I've seen of recent, on-air episodes, it's hard to disagree.  But it's important to note that while the show is now up to season 31, and already renewed for 32, the home video arm is only up to season 19... or 20, depending how you look at it (more on that later).  And though I'd certainly concede that even those seasons are well past the series' prime years, just watching the latest DVD set, I've found there's still enough well written episodes and really funny jokes to make all of the existing season releases worth your time.  Moving forward... we'll see (or maybe we won't, considering Fox's rocky relationship with DVD and blu).  But for now, I'd actually say season 1, where they're still finding their tone, to be the weakest of all of them.
2001 Fox season 1 DVD.
And I don't just mean that season 1 looks like crap on DVD, although there's that, too.  season 1 will rub fans the wrong way, anyway, since their favorite characters are pretty off model from the way they're drawn now.  But let's stick to the actual issues with the DVDs themselves.  The most obvious flaw is the interlacing that's so evident in the first shot.  Interlacing is going to be a big and complicated issue here.  Interlacing tends to go hand in hand with broadcast, pre-HD TV, and I'm not even going to pretend to guess at how the show may've been telecined during any given stage of its animation.  But there are some facts we can establish more or less for sure about it.  First of all, as the second shot shows us, it's not every frame.  That's pretty standard for interlacing, to be every fourth, fifth or sixth frame.  And there can be a number of causes, which may or may not be related to how the show itself.  But one thing that can be clearly demonstrated is that it can be, and has been, worse.
2001 Fox season 1 DVD top; 2003 Fox Simpsons Christmas DVD bottom.
This same episode ("Simpsons Roasting on an Open Fire") appears on both the 2001 Simpsons season 1 DVD and the 2003 Simpsons Christmas DVD.  In fact, let's get this out of the way now: all the episodes from non-season set DVDs appear in the currently available season sets.  The Simpsons Christmas, The Simpsons Christmas 2, Bart Wars, The Simpsons Gone Wild, Kiss and Tell: The Story of Their Love and Treehouse of Horrors all just repackage episodes from the season sets, minus the extras and, as you can see above, inferior transfers.  There are also others that only made it to the UK and other regions, like The Simpsons: Risky Business, Film Festival, Backstage Pass, etc., which are all the same.  So, in general, I'd recommend avoiding all of them.  But the point here is that the interlacing is worse on the Christmas DVD.  Even frames that aren't interlaced on season 1 are here.  And we'll come back to the interlacing topic, but it's not the only issue.
2001 Fox season 1 DVD.
Put aside the lazy way they draw crowds in these early 1.31:1 episodes.  Just look at all the artifacts, noise and haloing around lines.  The presentation of these episodes just makes them look literally, physically dirty compared to later releases.  But it's not just season 1.  Let's jump ahead a little.
2004 Fox season 5 DVD.
We're already up to season 5 in 2004 since they were moving at a faster clip in those days, and the interlacing is still there.  Colors are bolder, lines are cleaner, and it looks more representative of the proper show.  There's still noise and haloing (look under Skinner's nose or bottom lip), and it helps a lot that the art is more consistent, which is of course a show thing not a DVD thing.  Are the DVD transfers improving, or is it the just the show quality itself?  Or more to the point, one wonders how many of the remaining flaws are an inescapable factor of SD presentation, or even the way the show itself was made, and how much could be improved with by a remaster.  After all, these are still fairly old DVDs.  Let's skip ahead some more.
2006 Fox season 8 DVD top; 2003 Fox Treehouse of Horrors DVD bottom.
In 2006, on season 8, there's still lots of ugly noise along the lines, and of course, the interlacing is the same as ever.  Comparing it to Fox's 2003 Treehouse of Horrors DVD, we see the same situation with the Christmas DVD and season 1: both have interlacing, but the non-season DVD sets have worse interlacing, with consistently more troubled frames.  This may be down to a frame-rate error that the season discs are free of.  On both discs, the episode above ("Treehouse of Horror VII") is 22:49 long.  But both sets of frames compared above are roughly 30 seconds apart - The first shot arrives at 15:00 on the season disc and 15:35 on the ToH disc, and the second shot arrives at 15:35 and 16:06, respectively.  That sounds like I made an error, right?  Nope, I've double, triple, quadruple-checked.  Neither version starts or ends with unique corporate logos or anything like that, they both roughly the exact same length, and yet they somehow get so out of sync with each other.  Something's wrong, and I bet that accounts for the extra interlacing.
2008 Fox season 11 DVD.
Essentially, it's the same story all the way up until 2008, when the interlacing just stops.  Problem gone, we no longer get anymore interlaced frames.  Again, as a non-insider, it's tough to say conclusively whether this is a change in how the shows or the DVDs are made.  But I do know a few things.  The series went HD in season 20, and they switched from traditional to digital coloring in season 14.  This is season 11, so it's not connected to any of that.  My guess is it's the DVDs.  Another clue I'm basing that decision is that it's here with in the season 11 set that they make another correction, tweaking the aspect ratio from 1.31:1 to 1.33:1.  It just seems like someone finally came in to straighten the home video transfers out.  At any rate, with the season 11 release, the interlacing (and 1.31 AR) is gone and never comes back.  There's still the same noise and gunk, but nevertheless, it's a real improvement.  Huzzah.

In the meantime, the movie came out.
2007 Fox movie DVD top; 2007 Fox movie BD bottom.
The movie plays about as well as a solid episode.  Not one of their best, but in the upper 50% at least.  And in 2007, it gave us our first chance to see The Simpsons on blu.  Of course, the animation is more fluid and the colors more gradiated in this gloriously 2.40:1 film.  2007's very early for blu-rays, but it still proudly answers the question: can blu really make a difference with animation?  Oh yes, look how the finer points come to life without all that nasty SD compression, it's a huge difference.  Of course, we also benefit from the Dolby Digital 5.1 audio getting boosted to lossless DTS-HD.

And speaking of blus, the next important stage in The Simpsons saga on disc is when they started issuing the series itself on blu, starting with, strangely, season 20 in 2010.
2010 Fox season 20 BD.
Yeah, to celebrate the show itself going to HD, they released season 20 on blu-ray.  They were only up to season 12 at the time, in terms of putting the seasons out sequentially on DVD, but they jumped ahead for this special, 2-disc release.  I'll get into extras later on, but it's important to point out that, up 'till now, every season set was a rewarding special edition, with commentaries, deleted scenes and more.  This doesn't have any of that, which I suppose is how they manage to squeeze it all onto 2 discs.

Anyway, The Simpsons went HD mid-season 20, which is why the first disc is all fullscreen (1.33:1), and the second disc is in its new, wide (1.78:1) format.  You can see their new approach to the art with that "Blue Umbrella Insurance" sign behind Homer, how it's straight in a clean font.  All that stuff would've been crookedly hand-written, if not just illegible squiggles, in any previous season.  But that's the show itself.  Let's focus on the blu-rays.
2010 Fox season 20 BD.
A couple things struck me. First, all that haloing and noise is 100% gone, even in the first disc of SD episodes.  Putting them on blu really seems to make even the pre-HD episodes noticeably cleaner and more attractive.  And of course, just in case you were worried it'd come back, there's still no interlacing.  With that said, though, if you look at the lines closely, they're a little fuzzy and tend to disappear... it looks like they applied DNR of some sort?  I don't know why, but it's not good.  Skip ahead to the HD episodes, though, and it's gone.  Now each line can be viewed straight down to their jagged little pixels.  I'll take it.

After season 20, things got great for a while.  Starting with season 13, all of the seasons were being issued on blu-ray.  Of course, DVD alternatives also existed, but it was pretty sweet finally being able to collect The Simpsons on blu.
2013 Fox season 16 DVD top; 2013 Fox season 16 BD bottom.
So now that the show's dual-format (at least for a while), let's do a direct DVD/ Blu-ray comparison.  After all, that's what we like to do here.  And it goes directly to one of the key questions I had when embarking on this post: is there much benefit to getting this show on BD as opposed to DVD?  I thought perhaps with the simplistic line drawing and un-shaded colors, it might not make a compelling difference, but no.  I see now that it does.  And that's even considering the fact that these pre-season 20 episodes are a standard definition source - it's still an improvement.  The most noticeable thing is how much bolder the lines are.  They're real black lines, not soft gray lines.  And it still gets a little muddy around the edges, but you can see these BD shots are much cleaner and gunk-free than their DVD counter-parts.  And again, the blu-rays also have the benefit of lossless DTS-HD audio.

The most surprising difference, though?  Despite both being framed at 1.33:1, the DVD reveals slightly more picture along the sides.  That might sound like a pro-DVD thing, but I'm fairly sure it's because the DVD is slightly squeezed, making it ever so taller and skinnier, and the BD is actually in the more precise shape.  At any rate, the cleaner image is the more important improvement, the alternate framing was just the most unexpected.
2017 Fox season 18 DVD top; 2019 Fox season 19 BD bottom.
Unfortunately, bad news struck again in 2015, after season 17.  Citing the shift to their Simpsons website, which would stream all the episodes (albeit, often in the wrong aspect ratios), Fox stopped putting out the DVDs and blus.  Eventually, after a four-year hiatus, fan backlash pushed Fox to recapitulate and start releasing DVD seasons again... but just DVDs.  No more blu-ray option.  So far we've had seasons 18 and 19, with a long two year gap between those.  At least they're up to the standards of the previous DVD seasons, picture quality-wise (they fall short in another regard, which we'll come to later).  They're still interlacing free, 1.33:1 and at least as clear as seasons 11-17.  But they don't look as good as the season 13-17 blu-rays.  They're a welcome surprise after Fox told us all to kick rocks and sign up for their stupid website, but the glory days seem to be behind us.
2003 Fox Treehouse of Horrors DVD.
Now let's talk extras.  I said before, the stand-apart, non-season DVDs were barebones.  That's not strictly 100% true.  Each one typically features a very brief, 3-4 exclusive clip show.  For example, the Kang & Kodos "Galactic Green Dudes" shown above from the Treehouse of Horrors disc.  Gone Wild features one with Krusty, Christmas featured one with Mr. Burns, Festival has a Troy McClure, Risky Business has Chief Wiggum clips, and so on.  It's just a brief collection of lines and moments clipped from the episodes, all of which are already available in the seasons, though.  Kiss & Tell is a little different... that one has a seven minute "animation showcase" with storyboards and animatics for one of the episodes.  So they're mildly amusing little bonuses, but nothing to go out of your way to collect all those weak discs for.  Oh, and yes, those are interlaced, too.
James L. Brooks interview from the 2002 Fox season 2 DVD.
And the season 20 set is barebones, too.  It just has a commercial for their 20th Anniversary special that had, as I recall, already aired before the box was released (hey Fox, the whole special would've been an ideal feature).  But the movie and the original season sets are great, filled with famous audio commentaries featuring a revolving door and consistently packed house with nearly all the writers, directors, producers and cast providing funny and insightful commentaries.  Many of the celebrity guest stars have even appeared.  Unfortunately, the only original Tracey Ullman Show short to be released to date remains the single one included as an extra for season 1.  Still, most of the seasons have also featured a slew of deleted scenes, which you could choose to watch restored into their original place in the episodes, or at the end, with additional commentary.  There are animatics, featurettes, storyboards, and a wild assortment of easter eggs hidden in their clever animated menus. 

I say "most," because unfortunately, the last two seasons have pared down the extras, removing the deleted scenes and almost everything else apart from the commentaries and the series introductions by Matt Groening.  The deleted scenes especially are a major loss.  And with the blu-ray option removed, I guess we're really living in a "lucky to get anything at all" world, with every release feeling like the last we can ever hope to see.  And there hasn't been any release yet that I wasn't happy to get, but it's super frustrating that we're now moving backwards, devolving since season 17.  Will they reissue season 20 with commentaries?  If so, will it be DVD only again, making it another ugly compromise?  Will they skip to season 21?  I've already given up the hope I once held of them going back and remastering the early seasons.  Maybe it's all done.  They did just release a big boxed set repackaging the first 20 seasons (DVD only, of course); that could be their way of wrapping up.  If so, at least we know we've already got all their best seasons.