The Biggest Big Lebowski

The Big Lebowski is one of those films where, if I didn't write this entry sooner or later, it would've eventually just appeared on this site on its own anyway.  It's Joel and Ethan Coen's biggest cult film.  And it's a personal favorite because it feels like their spin on Fletch, capturing most of sardonic detective story's best elements, but injecting it with enough of their own sensibilities so it can stand firmly on its own.

I mean, just off the top of my head, you've got two anti-noir coded drifter (remember, we find Fletch living as a beach bum at the start of the original, and he's constantly dodging his ex-wife's alimony lawyer, etc) sports-obsessed non-detectives getting roped up into a classic detective story, that turns out to be a fake set-up by the person that hired them.  Their identity is confused with a millionaires, making them pawns in a con.  Even the crazy bowling dance dream is reminiscent of the "Zip-A-Dee-Doo-Dah" number from Fletch Lives, which also centers around a fake kidnapping and our hero being framed.  I could keep going, throwing down one beat after another that repeats between them: breaking into a lavish mansion, getting interrogated by aggressive police, having their car repeatedly busted up, a wealthy femme fatale painter who clarifies the mystery, a man being comically chased by a dog...  Honestly, a big draw of this movie for me is that, when it came out in 1998, The Big Lebowski delivered the Fletch 3 I'd been waiting decades for.

I don't think it's coincidence (though admittedly some of the recurring plot points are common detective story tropes); I think it's a direct inspiration.  Of course, here they throw their own existential spin on things.  There's a reason why "the dude abides" lives on all these decades later.  And the Coens always assemble fabulous casts, but they might've topped themselves here with Jeff Bridges, of course, and John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman, Tara Reid(!), John Turturro, David Thewlis, the great Ben Gazzara and Sam Elliott forming an entire eccentric universe for him to drift through.  The story's good, but it's that world and way of life we want to keep revisiting.

And there's no shortage of home video options to do that.  Universal originally released this film on DVD right away in 1998; it was anamorphic widescreen, with a fullscreen version as well.  They reissued that disc in 2003, which is the first edition I got.  Then there were two new versions in 2005 - a widescreen disc and a fullscreen one - now separate releases - with a remastered transfer and a couple new extras.  And that opened the flood gates of repackaged editions: a 2005 Achiever's Edition with a towel and coasters, a 2008 Collector's Edition with more extras and a limited version that came in a plastic bowling bowl.  There were limited slipcover editions in 2012, 2013 and 2016, and that doesn't even include bundle packs or foreign editions.

But all of that was academic by 2011, because The Big Lebowski arrived on blu, in standard and limited digibook editions.  It was reissued in 2012 and 2013 with variant slipcovers, and then a steelbook.  And there were alternate "popart" covers, and Target and Best Buy exclusive covers.  Like, this movie is to Universal what Army of Darkness was to Anchor Bay.  In 2018, Universal released it as a 4k UHD, regular and in a limited package that came with a tiny sweater, a pencil holder ball and bowling bag.  And in 2023, they released a couple of steelbook versions.  But if you don't care about swag and covers, there are five different transfers out there, so let's look at each of 'em.

1) 2003 Universal DVD (wide); 2) 2003 Universal DVD (full); 3) 2006 Universal DVD;
4) 2011 Universal BD; 5) 2018 Universal BD; 6) 2018 Universal UHD.

Starting with the 2003 DVD, the widescreen transfer is very marginally windowboxed (basically a few pixels of pillarboxing in the overscan area) to 1.77:1, while the fullscreen is open matte at 1.33:1, and looks pretty good, especially for its age.  Still, the 2005 disc corrects the widescreen framing to exactly 1.85:1, revealing more along the sides.  And, as you can see in the first set of shots, removes some unfortunate haloing.  It looks like they used the same master, then, for the blu-ray, which is also 1.85:1, with identical framing, color timing, etc.  Of course, releasing it in HD does sharpen the image and equates to a genuine improvement, but not an impressive one.  There's still some leftover haloing, and the way grain has been smoothed away, you'd never know this was shot on film.

So compared to other blu-rays, it's pretty low quality, but compared to the DVDs, even the upgraded 2005 one, just look at the signage.  You can read "THAN ANY OTHER SUPERMARKET" above Bridges' head for the first time.  And the BD included with the 4k is exactly the same disc as all the previous BDs; it even still has the 2011 copyright on the label.  But the actual UHD, thankfully, is a proper remaster.  It's still 1.85:1 with the same framing, but hey look, actual film grain.  It's the first time it doesn't look like this 35mm movie was shot on digital.  The colors have a fuller, more naturalistic feel, and the resolution boost does result in more visible detail - now you can even read the little "SAVE 40¢" tags on the coupon machine. 

Now the original DVD just has a Dolby Digital 5.1 track with French and Spanish subs on both the wide and fullscreen versions.  The 2005 edition added French and Spanish dubs, and more helpfully, English subtitles.  Then the blu-ray dumped the Spanish dub, but bumped the English track to DTS-HD.  Finally, the UHD switched the track to DTS:X (which is 8 channels, if you were wondering) and added a whole bunch of foreign language options, including bringing back the Spanish dub, along with new Japanese and Portuguese dubs and subs.

The Big Lebowski has never really had a deluxe special if you don't count collectible tchotchkes and just actual features on disc.  But it's never been barebones either.  Even the earliest DVD included the core extra, a 24-minute 'making of' featurette (which is actually two shorter 'making of' featurettes that play in succession) and the trailer.  The 2005 edition added a silly "Mortimer Young Introduction" and a photo gallery.  ...Not much, but apparently the Satellite Awards still nominated it for Best DVD Extras that year?  🤷  Anyway, then the blu-ray came up with four new featurettes, which range from four to fourteen minutes, plus an interactive map, which is almost more trouble than it's worth, where you can click on locations from the movie and get little video clips related to the scenes that took place there.  So there's some stuff, but not as much as you'd expect for a beloved cult film like this, especially since some of these extras cover the same ground more than once.  But that special features package has stayed static through the 4k up 'till and including the latest 25th Anniversary editions.

So anyway, that's the story with The Big Lebowski on digital video disc.  It is absolutely worth double-dipping to the 4k if you still own any of the previous editions.  But at the same time, Universal could've done better with the special features for this fan favorite.  Of course, I'm sure we'll see five or six more releases before the film's 30th Anniversary, so maybe they still plan on it.

The Great Woody Allen Anamorphic Project, Part 1

Naturally, Pretty much every Woody Allen movie is available in America on DVD.  I say "pretty much," because where is Harvey Wallinger?  Come on, WNET!  But what I'm really getting to is that, while we've got 'em all, many are so old, they're non-anamorphic.  Yuck.  That was the case with the original Annie Hall DVD, which I already covered.  Even the 2012 reissue was non-anamorphic, and who ever heard of a non-anamorphic blu in the 2010s?  But that's a celebrated enough film that MGM eventually put it out on blu.  Of course, now we've got Twilight Time and Arrow putting out all these great Woody Allen HD editions.  But there's one big problem area in his filmography.  A middle period around the late 90s where his films weren't with MGM (who learned their lesson after Annie Hall complaints), famous enough to get an updated blu-ray, or or new enough to debut with HD masters.  Yeah, in America we're stuck, but fortunately there are some relatively obscure import options that have us covered.  In fact, there's one DVD boxed set from Germany that seems almost specifically designed to replace all our old problem discs.  And there are other options, too, including a couple blu-rays I've got for us to look at, all of which put our American selection to shame.

Update 8/9/17 - 10/1/19: Well, gee, what's happened since I first wrote this post?  Well, the #MeToo movement pretty efficiently pulled the brakes on Arrow and Twilight Time's HD restorations.  And a new blu-ray boxed set came out in Germany from a label called Concorde Entertainment.  What does that mean?  More overlooked Woody Allens in HD, so let's take a look!

Update 3/20/26: Sweet & Lowdown has finally been released on blu-ray... technically.  Also, so did Deconstructing Harry, which I've just added to Part 2 of the Anamorphic Project.  Both are very long-awaited BDs; but are they worth a damn?  DVDExotica investigates...

So let us begin with 1994's Bullets Over Broadway.  It's the first film chronologically, and it's one I have a blu-ray edition of as well.  So we get a fuller comparison; and once you see this one, you'll get an idea for how the cases of all these films are going to go ...at least until we get to the last one, which is all kinds of messed up.  But let's not get ahead of ourselves.

Bullets Over Broadway is a period piece that was nominated for a half a dozen or so Oscars in its year.  John Cusack stars as a young, starving artist playwright in 1920's New York City who finally manages to get one of his plays produced... by throwing in with the mafia. Theatrical troupes and the mob are both rife for comedy, but the fun really comes from meshing these two worlds together and the unexpected results.  This is less of a heady piece for Allen, and more of a straight-forward display of light character humor, with a truly star-studded cast, including Jennifer Tilly, Chazz Palminteri who steals the picture, Jack Warden, Dianne Wiest (winning her second Oscar), the always underrated Jim Broadbent, Mary-Louise Parker, Harvey Fierstein, Rob Reiner and Debi Mazar.  Wow.  This is just one of those movies that will play for any audience.

Bullets Over Broadway was released in America on a non-anamorphic, barebones DVD by Buena Vista/ Miramax back in 1999.  And that's it forever.  The 2002 UK DVD didn't fare any better.  But thank goodness for countries that wouldn't stand for such shabby product on their more modern releases.  I've got the anamorphic DVD in the aforementioned 2013 German box set called The Woody Allen Collection (not a very helpful title in regards to separating it from all the other Woody Allen box sets out there, I know) from Planet Media.  In fact, there was also a 5-disc blu-ray set from Art Haus that was released at the same time as the DVD set with matching artwork, just leaving out a couple of key films.  And this 2018 Concorde box seems to just be a repackaging of that set - I presume due to rights changing hands.  Honestly, there are also blu-rays from France, Spain, Norway, Sweden, Japan... I've got one here from Finland put out by Atlantic in 2011.  This film's on blu just about everywhere in the world but here; it's almost like we're a giant pack of philistines.  But anyway:

1) Buena Vista US 1999 DVD; 2) Planet Media 2013 German DVD;
3) Atlantic 2011 Finnish BD; 4) Concorde 2018 German BD.

Since being anamorphic (anamorphia?) is today's topic, I left the borders around the first set of images to demonstrate how the non-anamorphic Buena Vista DVD compares to the others.  Framing-wise, they're all basically the same aspect ratio.  The original DVD is floating at 1.85, and tall three newer discs are slightly matted to 1.88:1, gaining a tiny bit around all four sides.  The colors are very similar, too, with the US DVD being just a little flatter than the others.  The German DVD and the two blus clearly share the same master, with the DVD just naturally a little softer and more compressed for being SD instead of HD.  The blus are virtually indistinguishable from each other, from compression to brightness levels, while the older DVD is even more compressed by virtue of being a smaller image, and thus with less resolution.  When you compare the latter set of images in full size (click 'em!), you can see the murkiness of the older disc more, and what looks like a little edge enhancement or similar tampering to try and further define the lines.

Both DVDs give us the mono track in Dolby 2.0, though the German DVD also throws in a German dub.  The US DVD has optional English subtitles, while the German has optional German ones.  The Finnish blu-ray has just the English audio track, which is also Dolby 2.0 with optional Swedish, Finnish, Danish and Norwegian subtitles, while the German blu English stereo track in DTS-HD, as well as a German dub and optional German subs.

But now here's the neat thing about these German box sets... both the US DVD and Finnish blu are completely barebones, not even the the trailer or unrelated bonus trailers.  But the German Woody Allen Collections (yes, both of them) actually cooks up some special features.  Not a lot, but for Woody Allen films, even a tiny bit is a watershed moment.  So, for Bullets, it's simply titled "Woody Allen Featurette," and the narration is in German with no English subtitles.  But once it gets going, we see it's an audience Q&A with Allen addressing the audience in English interspersed with clips from his films.  But then the German translator starts to speak over him, making Woody very hard to hear.  This is one of the least English-friendly extras in the set - the rest are mostly in unobscured English with German subs - but if you work at it, you can make everything out, as he discusses his body of films and relationship to his work.  Besides that, the German DVD set just has bonus trailers for other Woody Allen films in this set, dubbed into German.  The German BD has several non-Allen bonus trailers dubbed into German, but also has the original English language Bullets Over Broadway trailer.

1999's Sweet and Lowdown wasn't quite as critically or commercially blessed as Bullets Over Broadway, but it still netted Acting noms for Sean Penn and Samantha Morton (The Walking Dead's Alpha). I figured I'd follow the 1920s period piece with the 1930s one, this time focusing on struggling jazz musicians.  It's less of a mild comedy and more of an actorly character study, also with Uma Thurman, John Waters and Anthony LaPlaglia.  It's presented as a drama with documentary-like reminisces by Woody Allen and others, essentially just like Reds.

It's also anamorphic.  That's right; the original 1999 US DVD from Columbia Tri-Star?  It's anamorphic, no problem.  I know what I wrote at the top and what this post is about, but hey, it's in Planet Media's Woody Allen Collection, too, so I figured I'd be thorough and cover it here, too.  I mean, it's still a great film to cover on this site; and it's also never been released on blu-ray in any country, not even Germany's corresponding blu-ray boxed set.  I think it's safe to say the reason why that is is that they've never made an HD master for it.  So, I think it's safe to assume, at least in terms of PQ, the US and German DVDs should be about the same, as they would be on pretty much any disc anywhere.  Oh, except the US DVD is a flipper disc with a fullscreen version on the other side.  So that'll be interesting to compare.  And of course, now in 2026, we actually have a blu-ray, from Italy's Cecchi Giro and Raro.  However, it's highly unlikely they would've struck a new master or anything, so we'll just be looking to see if there's any kind of slim upgrade at all.

1) Columbia Tri-Star 1999 US DVD (wide); 2) Columbia Tri-Star 1999 US DVD (full);
3) Planet Media 2011 German DVD; 4) Cecchi Gori 2026 BD.

So yeah, basically as expected.  The US (1.84 widescreen) and German DVDs (1.86) are pretty similar and likely taken from the same core master.  The colors are a bit different, though, with the US having brighter, bluer whites, while the German goes for a more naturalistic, warmer hue.  And when you get in close, the US DVD does seem to have more artifacting and digital noise (look around her hair and hat) than the smoother German disc.  I wouldn't go out of my way to double-dip for it, but I do see a credible improvement in the newer DVD.  Oh and the fullscreen version, yeah.  It's 1.33:1 and looks like your usual, compromised pan & scan deal adding some vertical information while losing some of its sides, and of course looking boxy and utterly misframed.

Now the blu-ray is the first to be framed precisely to 1.85:1, albeit by virtue of zooming in a little tighter than the previous releases, and making the image slightly wider (correcting a horizontal pinch?).  And the colors are closer to the German disc.  Detail appears slightly more distinct, but this is real thin gruel in terms of any advancement in PQ.  Especially since these new CG blus are 25fps.  There are no duplicate frames, the 25 is because they're playing at PAL speed.  Why?  Most European blu-rays of 24fps films do actually play at proper 24 frames.  Well, presumably because they're using the same old PAL masters.

Both DVDs give us the original English in Dolby 2.0, though the US DVD has a French dub, while the German DVD naturally has German.  Columbia Tri-Star also includes optional English, French and Spanish subtitles, while Planet Media just has German and German HOH.  And now CG offers both the English and Italian dub in DTS-HD lossy Dolby Digital... the menu and packaging says the DTS-HD track is 5.1; but every track on this disc is two channels.  And it includes optional Italian subtitles (the menu tries to force them on the English track, but you can just hit your Audio or Subtitle buttons during playback to nix that).

Again, the US DVD is barebones, apart from three unrelated bonus trailers (well, technically Sean Penn is in U Turn).  But the German disc comes through at least adequately.  First of all, it does have the trailer, in both English and German, plus the same German language Woody trailers as the other discs in the set.  Then there's a photo gallery.  But the big thing this time is a one hour long press conference with Allen and a very pregnant Morton.  It's mostly in English, though Woody tackles answering the French reporters in French, and it's all only subtitled in German. So we get more than half of it, but you'll have to fast forward a few pieces.  Of course I wish it had English subs, or just edited the French bits out, but it's still great to have, since Allen so rarely speaks on his releases.

The only extra on the blu-ray is an Italian language trailer.

So okay, guys, let's stop mucking around and get back to the anamorphically deficient titles, like Celebrity from 1998.  A movie crew looks up to see a sky-writing bi-plane spell out "HELP ME" above their city.  That's how Celebrity opens, a black and white satire of Hollywood culture.  Kenneth Branagh stars as Woody Allen, effectively, in the role of a reporter and aspiring screenwriter going through a divorce with Judy Davis.  It's a smart comedy with a lot of great lines and memorable moments from it's amazing cast of characters, including Leonardo DiCaprio (the one everybody remembers from this film), Winona Ryder, Charlize Theron, Joe Mantegna, Frasier's Bebe Nuewirth, Andre Gregory, Hank Azaria, Larry Pine and yes our one and only POTUS, Donald Trump.  I'm not sure this film is completely successful - a lot of the shots at the shallowness of celebrity culture are a little obvious, and while I'd say Branagh's performance is pretty great, I can't entirely disagree people who find his aping of Allen's mannerisms to be distracting from the drama at the core of this film either.  But it's still a great time at the movies.

Buena Vista's 1999 barebones, non-anamorphic DVD is once again still the only version ever released in this country to this day.  Meanwhile, thankfully, there is new remaster available around much of the rest of the world.  It's in the Planet Media and Concorde sets, and yes, there are additional blu-rays from Atlantic, as well as France and Japan.  So there are plenty of importing options.  It's just us being screw-ups.

1) Buena Vista US 1999 DVD; 2) Planet Media 2013 German DVD;
3) Concorde 2018 German BD.

The images here look pretty alike, apart from the obvious point of the 1999 DVD being non-anamorphic.  But the 1.85:1 framing (more like 1.82 on the old disc and 1.84 on the new ones) is slightly different, with a tiny bit of extra picture on the left hand side throughout Buena Vista's transfer.  I guess that's a tiny point in its favor, but it loses plenty to not being encoded for widescreen televisions, plus it's got softer focus because, again, it's a smaller, lower resolution image.  The German DVD and BD, on the other hand, are clearly sharing the same master, so the only difference is the increased resolution.  That does give the BD a distinct boost in clarity and sharpness however, giving us the most attractive image yet.

Buena Vista again gives us a mono mix in 2.0 with optional English subtitles, while Planet Media gives us the stereo with optional German subtitles, and of course an additional German dub.  Concorde gives us both English and German stereo tracks in DTS-HD, with optional German subs.

Now you don't need me to tell you that the US DVD has nothing, not even the trailer, right?  Well, the German DVD and BD do have the trailer and the bonus trailers, albeit all in German.  But far more importantly, they have a roughly 20 minute interview with Branagh and Allen together (and interestingly, Ken says early on that he didn't try to base his character on Woody in any way).  It's 100% in English, with no over dubbing or foreign reporters.  It has German subtitles, but even they're removable.  It's pretty great.

Okay, one more for Part 1, and then we'll swing back for the rest of Woody Allen's anamorphically challenged DVDs in Part 2.  We'll have all the original US DVDs, finish out the German box set, and even throw in a couple extra import versions to flesh it all out.  But for now, let's wind up with Woody Allen's musical, 1996's Everyone Says I Love You.  It takes its title from the great musical title of the same name in The Marx Bros' classic Horse Feathers.  Now, you may've noticed two of the previous films we've looked at already have relied on a cavalcade of stars.  All his films have terrific actors and some major star power, but Bullets Over Broadway and Celebrity, he's jam-packing them in.  And Everyone Says I Love You continues that tradition.  Woody Allen for the first time in this grouping takes a major role in this film, alongside Edward Norton, Drew Barrymore, Tim Roth, Goldie Hawn, Alan Alda, Natalie Portman, Natasha Lyonne, Billy Crudup and even Julia fuckin' Roberts.  It can certainly feel saccharine at times - though with its tributes to classical Hollywood musicals, that's at least partially intentional - but Roth's and Allen's characters manage to bring enough genuine humor to the screen to keep us from eye rolling too hard.

Anyway, it's the same old song: Buena Vista's DVD came out in 1999 completely barebones and non-anamorphic, and has never been updated in the states.  But again, a newer master was created and used to make the German DVD for Planet Media's box, and also multiple blu-rays from around the world, all of which are decidedly preferable to what we get here.  But we shouldn't just assume that, so let's look at the evidence.

1) Buena Vista US 1999 DVD; 2) Planet Media 2013 German DVD;
3) Concorde 2018 German BD.

Exhibit A: Buena Vista's DVD is non-anamorphic, and that's already enough to condemn it to the "must upgrade" bin.  Exhibit B: those colors!  I might almost believe that the walls of the apartment in the first set of shots were meant to be tan instead of pink (though the BD is slightly less pink than the German DVD, probably the most accurate of the three), but the fact that it's a hue overcasting the entire image says otherwise.  Also look at the flared out brights and ugly contrast on poor Drew. Exhibit C: the framing!  Actually, the German DVD is open matte at 1.78:1, as opposed to all the other discs they've been matting to 1.85:1, and I'm not really sure which would be correct here.  The Concorde blu even has a black bar on the left-hand side, pushing it to 1.77:1 and cropping a sliver of picture off the right, which surely shouldn't be happening.  The framing looks a bit tight in the first set of shots (cutting off the top of Woody's head), but you'd think the proper OAR would be 1.85, so I'll give Buena a pass on that one.

Buena Vista DVD left; Planet Media DVD mid; Concorde BD right.

Exhibit D: the tampering!  It looked like Alda was too soft in the original master, so someone drew in all his lines with a thick, black magic marker.  Sure, the Planet Media side looks a little soft, which is improved slightly with the BD's natural boost in resolution, but the 1999 DVD is one sorry looking excuse for a filmic or digital image.  I'd sentence that DVD to a mercy killing.

Anyway, the German discs also have no extras this time around, apart from the German-language bonus trailers, which I suppose is still more than Buena Vista gave us.  The Concorde BD at least has the Everyone Says I Love You trailer in German.

Both DVDs use the English track in Dolby 2.0, with the music sounding nice on either version.  Though this time around, the German dub is bumped up to a 5.1 mix.  The US DVD has optional English subtitles, and interestingly, since all their other discs have optional German ones, the Planet Media disc has none.  This is the worst film to do that to the German viewers on, too, because the dub only replaces the actors' speaking, reverting to the original English for the songs.  So the Germans would have no idea what's being sung.  D'oh!  Anyway, the German blu fixes that, giving the Germans subs for the songs, too, though their dub still reverts to English for the songs.  The BD has DTS-HD versions of both English and German stereo mixes, and said removable German subtitles.

Anyway, that's all for now.  Stay tuned for Part 2!