Showing posts with label DavidLynch. Show all posts
Showing posts with label DavidLynch. Show all posts

Twin Peaks: Going Beyond the Entire Mystery

Okay, CBS and Paramount have an amazing Twin Peaks boxed set out there, called Twin Peaks: The Entire Mystery, which happens to be going through a couple changes.  More on that in a bit.  But now, even putting aside the fact that Showtime has recently reunited David Lynch, Mark Frost and pretty much the entire cast to film two new seasons of the series, and those have yet to be released, so obviously they're not in this set, sure.  Even forgetting that, is the definitive 10-blu-ray disc set really 100% complete?  Or are there exclusive reasons to hang onto the previous DVD releases of Twin Peaks? Well, just the fact that this post exists should tell you the answer that question.  However, it's going to take some serious delving to untangle all of the enigmatic little details...
Update 8/13/18: Twin Peaks certainly wouldn't be complete without its new third season, The Return!  So we'll look at the DVD and blu-ray editions of that.  And we've got Criterion's new blu-ray edition of Fire Walk With Me as well.

Update 6/16/20: I suppose we'll never truly get to the bottom of the mystery, but CBS and Paramount are taking us substantially deeper with their massive, 21-disc Z To A box set.  It rounds up everything from The Entire Mystery set (yes, the full ten disc version) and The Return set, plus adds two more blus worth of extras, and presents the pilot and episode 8 of The Return in 4k on a genuine UHD disc. Wow.

Update 11/3/22: It's Update Week, so I'm slipping in one one of the few discs still left out: Criterion's 2018 DVD. We already had their 2017 BD, so this is just their SD version of that.

Update 11/27/25: I've never really been satisfied with any of Fire Walk With Me's HD transfers.  But now we've got it in 4k, so hopefully that does the trick.
Twin Peaks began as the ultimate television experience, combining the talents of the man behind Hill Streets Blue with the mad genius behind Blue Velvet. It was a dark, layered and strange mystery mini-series about the secret double-lives we all lead getting uncovered when an the FBI is brought in to solve the murder of the home-coming queen in an idyllic small town. Just about everything you can imagine is dug out of peoples' closets from affairs and prostitution to drugs and abuse to an alternate dream reality and afterlife that really no one could have imagined. It blew away everyone's expectations in both ratings and critical reviews, and the dubious decision was made to delay the resolution of the mystery and ride wave of success just a little bit longer.

Due to fan pressure, they finally had to solve the mystery, but the series went on for a second season anyway, with Lynch and Frost focusing on other projects and leaving the series in the hands of others, and the quality dropped like a stone.  It wasn't a total loss, you still had a fantastic cast playing the characters you loved, but everybody was treading water at best as bad decisions and plot points continued to pull the series apart until it was quickly cancelled. Lynch returned to direct the final episode, which showed a clear bump up in quality, but it was too little and much too late. Even at the show's lowest point, however, it was determined that if everyone who watched the series would pay to see a movie, it would be a predetermined success, so Lynch returned to the town of Twin Peaks once more for the feature-film Fire Walk With Me, which was a little patchy at points, but mostly a very engrossing and vindicating prequel.
Now, Twin Peaks history on home video is a little convoluted, so bear with me. At the very beginning, before people know what a cultural phenomenon Twin Peaks was to become, the studios decided to release just the Twin Peaks pilot, with the ending of the first season tacked on as an awkward resolution, as a stand-alone movie overseas. What this did is leave the pilot in the hands of Warner Bros, and the rest of the series with Paramount. So when season 1 was first released on VHS, and again on DVD, in nice boxed sets, it was missing the first episode... which, you know, is hugely essential to the series. So Warner Bros wound up releasing it separately on VHS, and there was a common import PAL DVD from Republic Pictures everybody copped in 2001, which thankfully excluded the false "European ending."  Other regions didn't have this problem, though, so you could get season 1 including the pilot episode as a full set if you imported from almost any other country. You'll see the German DVD set in this comparison.

So, okay, anyway, Artisan put out special edition boxed sets of season 1 (sans pilot) in 2002. That same year, New Line released Fire Walk With Me as a semi-special edition DVD.  Paramount initially released season 2 by itself in 2007 (as season 1 was already out).  But then later that year, the entire series was remastered, and CBS re-acquired the rights to the pilot episode, putting them all together in their Definitive Gold Box Set.  How "definitive?" Well, it had the pilot reunited with the series (which you can watch with or without the international ending), both seasons, and some all new extras, but it was lacking some features from the Artisan sets and still, didn't have Fire Walk With Me. Then, in 2014, we got The Entire Mystery set, which included both seasons, the pilot, and Fire Walk With Me, all in HD on blu-ray for the first time, and with all new extras, including the 90 minutes of highly sought-after deleted scenes from Fire.  But it still doesn't have everything from the Artisan sets, and it even lost a few things from the Gold Box.  Yeah, it's all pretty confusing.  But don't worry, we're going to nail it all down.  But first let's look at the restorations.
2002 Paramount DVD top; 2007 Gold Box DVD mid;
2014 Paramount blu bottom.
So yes, looking back, the restoration between the two DVDs is quite clear.  The older discs really look pale and fuzzy compared to the Gold Box.  The blu-rays, naturally, are clearer still.  They're all framed at the normal 1.33:1 television ratio, although the Gold Box and blu-rays have slightly more information along the edges, with the old discs zoomed in just a sliver.  So I'm happy to report at no time were we being sold a bill of goods; there is an appreciable uptick in quality with each re-release.  Look at the waitress close-ups full size and you'll really see the benefit of the HD.

For the record, I used to own the original Artisan boxed set and the Republic DVD.  I no longer have them for the comparison, but the as I recall the Artisan set was a direct match of German set seen here, and the pilot DVD was about the same (FTR, the fingernail examination shots above are taken from the pilot episode), if not even a little worse.  The fundamental fact is that, image quality-wise, there's really nothing to go back for.
2019 Paramount UHD.
And now we have the pilot (with the proper or theatrical ending) in 4k on an Ultra HD disc.  It's the same framing and everything as the previous blu (which, yes, is still included in the Z To A box, too), but the colors are more natural.  It doesn't look darker because this is a non-HDR UHD.  We're getting the benefit of the 4k resolution, but that's it.  Getting in close, the grain still looks a little funky, digitally speaking (I feel like every Twin Peaks encode ever could be better, honestly), but the UHD does resolve more fine detail than the blu.  Looking at the equipment behind Sheriff Truman there, it's definitely more defined on the UHD.  And overall, this pilot is a more vibrant, film-like experience than ever.

Audio-wise, the original sets and Gold Box all gave you DTS 5.1 mixes of the episodes, Dolby 2.0 on the pilot (excluding the Artisan set, of course, which doesn't have the pilot), a couple mono dubs, and multiple subtitle options. The blu-box gives you DTS-HD 7.1 and 2.0 mixes, plus foreign dubs and multiple sub options.  Meanwhile, the UHD strips your options down a bit to just the 7.1 in DTS-HD, plus all the subtitles.
But we can't leave the audio discussion behind without talking about perhaps the most controversial aspect of the Entire Mystery and Z To A sets... audio sync issues.  At a few points, in episodes 3, 9 and on some of the Fire Walk With Me deleted scenes, the sound goes out of sync.  Maybe.  On some players.  Some players will sync up if you adjust a frame-rate setting on them, and testing them just now on my PC, they seem perfectly in sync (and I'm looking at the specific scenes very closely).  So people have been asking for a recall for years, Amazon has pulled the set from their store multiple times, but it doesn't seem like anything has been done.  I guess it's sort of a player-specific issue, but a somewhat common one, in that it will only work with certain brands or firmware... or maybe a quiet replacement was done, and newer editions are corrected, but I've seen no evidence of this besides wishful thinking.  The accounts I've read say the sync isn't too far out of whack, so casual viewers might not even notice if they're not paying attention.  But yeah, it's unfortunate, and something CBS really should have definitively resolved, especially considering the prices they charged for the set. But there it is.  Fingers cross, and it will play correctly for you, too!
New Line 2002 DVD first; Paramount 2014 blu second;
Criterion 2017 DVD third; Criterion 2017 blu fourth;
Criterion 2025 blu fifth; Criterion 2025 UHD sixth.






Can't forget about Fire Walk With Me! Now, even the old DVD was anamorphic widescreen, but the second thing you'll probably notice on this comparison is that both are nicely matted to 1.85, but the new blus (and Criterion's DVD) have a decent amount of additional picture on all four sides.  You shouldn't need me to even say what the first thing is: they've really done some changes with the color timing.  Some scenes are more subtle than others (i.e. the first set compared to the second set), but it's throughout the whole film.  I'll assume the later discs are more accurate and what Lynch wanted, but I couldn't say for sure without cornering him in a room.  What I can say, though, is the image is much clearer in HD.  Grain honestly is a little patchy, but it's a sure step forward without all the smudgy compression issues or edge enhancement the old DVD has.  And between the two blus?  Well, they're clearly using the same master, but Criterion's encode seems a bit more even.  In motion, it's unlikely anybody would be able to spot the difference, but in close-up comparisons, I'd give Criterion's blu the edge.  But again, practically speaking, they're essentially identical.

And now in 2025?  Criterion has upgraded us to a new UHD/ BD combopack.  The BDs are exactly the same; the transfer is identical to their 2017 edition.  They're the same disc.  And the new UHD is clearly using the same master.  Honestly, the grain is still patchy.  I'm not thrilled with this UHD at all; I really think they should've given it a fresh scan.  It is a bit of an improvement on the blu-rays, but barely.  and there's no HDR on this or anything, since they're just using an older restoration.  I am disappointed.
Again, the old DVD gave us a 5.1 mix, 2.0, English subs, plus a French dub and some foreign subtitle options.  And the blus give us another DTS-HD 7.1 mix, plus 2.0 and English subs.  The Criterion DVD gives us the 5.1 and 2.0 with English subs.  The difference between the four blus is just that CBS's discs also throws in many additional foreign dub (French, German, Italian, Japanese, Castilian and Latin) and sub (Danish, Dutch, Finnish, French, German, Italian, Japanese, Norwegian, Portuguese, Castilian, Latin and Swedish) options.

And the audio and subtitles on the UHD are exactly the same as the 217 blu.
Now let's get into the really complicated stuff.  The special features.  It doesn't help that plenty of the extras are presented almost like easter eggs, where you have to click on unmarked symbols to discover what will play, but let's do this.  First of all, the old Republic pilot DVD was barebones (except for some bonus trailers), and the German set doesn't give us any more or less than the English Artisan set in terms of extras.  They're identical.

So what did the original season 1 sets give us?  Firstly, the "Log Lady" intros to each episode (except the pilot), which feature the same actress from the series giving enigmatic intros to each episode and that were recorded for the Bravo channel when they reran the series back in the late 90s.  Secondly, and more importantly, every episode (again, except the pilot... basically, there are no extras for the pilot ever) has audio commentary by various crew members (directors when it wasn't Lynch, writers, DOPs and a production designer).  There are also on-screen trivia track notes and hidden interview clips with the people doing the commentaries for each episode. Then the set rounds out with a collection of interviews including: an interview with Mark Frost, a featurette on the Red Room's backwards talk, a 22 minute featurette on Lynch, a featurette on the Twin Peaks diner and on-camera "Postcards From the Cast" interviews with most of the cast.  All told, the postcards are a full hour's worth of interviews, and they're quite interesting, so it's worth clicking through them all.  There are a couple other easter eggs, but they're just DVD credits and special thanks stuff.  The old sets also include a booklet with notes and a text interview with Sheryl Lee (but if you import, remember your booklet may not be in English).

Paramount's initial season 2 set is a lot like Artisan's season 1 set, minus commentaries: Log Lady intros, a short interview on each disc, and about 40-minutes worth of additional interviews at the end.
Now we come to the Gold Box.  Interestingly, it loses almost all of the episode-specific stuff.  It has the Log Lady Intros, but none of the audio commentaries, trivia tracks, or easter egg interviews from the Artisan discs.  I've read it suggested online that Lynch didn't approve of commentaries and such, and requested they not be included, but I suspect it's more an issue of licensing from Artisan, as it also doesn't include the Postcards and other interviews and featurettes from their set.  Then again, it doesn't have the interviews from Paramount's early season 2 set either, which really seems strange to me.  But it does have a large collection of its own special features.

Disc 9 has a few deleted scenes and a stills gallery on it.  And then all the rest is on disc 10, including a feature-length making of documentary called Secrets From Another Place and a half-hour featurette called "A Slice of Lynch." Then there are two Twin Peaks sketches from Saturday Night Live with Kyle MacLachlan, a collection of featurettes about a Twin Peaks festival (some very short, but about a half hour total).  There's a music video for the theme song '"Falling," several galleries, and a huge collection of Twin Peaks commercials.  There are ads for the show when it was airing, but also amusing ads for other products that used Twin Peaks' IP including a series hosted by the character Lucy, and a long collection of spots for their 1-900 hotline. They also have the alternate ending for the pilot viewable separately, some unrelated bonus trailers, and it comes with an insert for David Lynch's coffee brand he was (is?) selling.
Finally, we come to The Entire Mystery. They also have both versions of the pilot and the Log Lady intros, plus they have the recaps and previews for each episode as options, which is a nice touch. A few of the episode discs have promos and galleries on them, but most of the special features is saved for the later discs.  Secrets From Another Place is here, the 900 number stuff, the festival material and other promos, etc.

One interesting change off the bat is the "A Slice Of Lynch" featurette from the Gold Box is here, but re-edited and about twenty minutes longer! They call it "A Slice of Lynch: Uncut."The deleted scenes are carried over, but there's also more of them, which is great. And there's a new collection of outtakes.  There's a new featurette on the filming locations and thankfully, all the interviews from the Paramount season 2 set are here. Even better, a lot of the Artisan stuff has now been carried over, including the diner featurette, the Mark Frost interview, and the hour's worth of "Postcard" interviews.

BUT... the Entire Mystery doesn't recover the entire Artisan ball that the Gold Box fumbled.  It doesn't have any of the audio commentaries.  Maybe the bit about Lynch objecting to them was right after all.  It's also missing the corresponding interview snippets with the commentary participants. And some of the fun stuff from the Gold Box is missing, like the Saturday Night Live clips, the music video, and a bunch of the funny commercials. Very frustrating.
CBS's Fire Walk With Me is completely frustration free, however. The original DVD had a nice half-hour featurette called "Reflections On the Phenomenon Of Twin Peaks" and the original trailer. Both of those have been carried over to the blu.  Also included, as I've already mentioned, are over 90 minutes of deleted scenes.  What's interesting is we see here that a lot more of the original television actors had minor parts and cameos that ultimately got dropped from the film.  I think the final film is better for it, but fans will definitely get a big kick out of seeing these scenes. Then there's a weird, almost 40-minute featurette called Between Two Worlds where Lynch talks to a bunch of the actors in character (a bit of a weird "where are you now" feature, with Mrs. Palmer especially perhaps giving us a little insight into what to expect in seasons 3 and 4), and they discuss aspects of their fictitious lives. There are two more half-hour featurettes where the cast and crew talk about the how the show got cancelled and became a movie, a brief collection of vintage EPK interviews, a couple extra trailers, a stills gallery and a collection of "atmospherics," which are like little video loops from the film.

As for Criterion's pass at the film (in both their 2017 and 2025 edition, the latter of which neither adds nor subtracts), they include some of the extras, including the entire run of deleted scenes, a shorter version of Between Two Worlds, and the trailers.  All the vintage featurettes and interviews got dropped.  But in their stead, Criterion created two new, nice and in depth on-camera interviews with Cheryl Lee and composer Angelo Badalamenti.  One can't fault The Entire Mystery for not including these, since Criterion's stuff came out afterwards.  But essentially, fans who already have the box have to ask themselves if they need those two interviews enough to spring for the Criterion.
And speaking of stuff you can't fault The Entire Mystery for not including since it was released afterwards, there's a whole new season of Twin Peaks now!  It aired on Showtime between May and September of 2017, and came out on DVD and blu-ray just before Christmas.  Entirely directed by David Lynch this time, and co-written between him and Frost, I'm happy to report that this season doesn't go off the rails like season 2 did.  Nearly the entire cast and crew return for this outing, with a whole bunch of new, impressive actors added to the roster (like, oh say, Laura Dern, Naomi Watts, Matthew Lillard, Jane Adams, Jennifer Jason Leigh, Tim Roth and Jim Belushi to name just a few), the series rejoins our characters 25 years later, still dealing with Cooper's dark doppelganger, who split from him and escaped the ledge at the very end of season 2.  Eschewing the conventions of the Dynasty-style television of the original seasons' era that it was in some ways sending up, or at least subverting, season 3 flies even further out into space and the idiosyncrasies of Lynch's artistry.  There were a few moments where I feel the tone slipped from their grasp momentarily (the green gardening glove was a bit too silly for my tastes), and it doesn't have the driving focus of solving Laura Palmer's murder like season 1 did.  But overall, it's as engrossing as Twin Peaks has ever been, and in a way, it's even more exciting for being one of the few cinematic journeys with a properly arcing narrative where you still cannot predict where it'll go next.  I know some viewers have criticized it for being too esoteric, or even nonsensical, but to them I'd say, give it a second watch, think about it, and I don't think it's any more indecipherable than, say, Mulholland Drive.
2017 CBS DVD top; 2017 CBS blu bottom.
The series is in 16x9 now, 1.78:1, and looks pretty great, settling in alongside its new "golden age of television" peers.  Unlike its predecessors, this season was shot digitally, so there's no point in trying to peck out film grain or anything.  I think it's safe to assume this is a more or less direct port of the DCP, with the blu-ray having a much crisper, more satisfying image than the noticeably softer DVD.  It was shot in 4k with an HDR-friendly camera, though, so it's a bit of a shame there wasn't any more available on UHD.  But it's hard not to be happy with the blu-rays, which still manage to look even a bit better than how it originally aired.
2017 CBS/ Paramount blu top; 2019 CBS/ Paramount UHD bottom.
And yes, all The Return discs are exactly the same in the Z To A box... except for that UHD with episode 8!  Though, to be clear, the previous blu that includes episode 8 is in this set, too.  Now, as with the pilot, this does not feature HDR.  But unlike the pilot, this was material was shot and made for 4k, so it looks especially authentic here.  Where edges turn into blocks on the blu when you get in close, they still hold firm as smooth, natural curves on the UHD.  The only question is if you have a television large enough to appreciate the upgrade.  Also, even without HDR, the colors are richer on the - see how that globe has a stronger, deeper yellow glow?

The series is presented in Dolby 5.1, bumped up to DTS-HD for the blu and UHD, with optional English subtitles across the board.  And one neat thing about the DVDs and blu-rays is that, well, you remember when the series first aired, they showed the first couple of episodes together in two hour chunks, right?  And those eps were actually edited together into one seamless double-episode, with one only series of credits each and all.  Well, these boxes give you those episodes both ways.  So you can watch each episode as an individual hour with full credits, or the pairs edited together as they first aired.  Not a big deal, but just like the previous seasons giving you the ability to watch the episodes with the bumpers and all, it's nice that they gave us all the options here as well.
Behind the Red Curtain
Fans should be delighted with its over 6 hours of special features.  Most of it consists of a series of behind-the-scenes documentaries called Impressions, which give you a wonderfully candid look at the making of the series as Lynch and company travel all around the country filming its various scenes.  Seriously, this is one of the best 'making of's I've ever seen on any disc.  It does have some cornball narration which I could've just as well done without; but the substance of the content is so great, at the end of the day, who cares?  Then there's an hour-long comic-con panel, hosted by the creator of Lost, with some of the series biggest stars.  It's alright, but nowhere near as interesting as those docs.  It's also nice that they kept the small series brief promo featurettes that were previously available when the series was airing On Demand.  And there's a stills gallery and a reel of company logos, for the one weirdo who cares about that.

So, all of the above are included in both the DVD and blu-ray sets.  But the blu-ray has almost another hour and a half of exclusive special features that were left off the DVDs.  There are two more half-hour docs by Richard Beymer (yes, the actor who plays Ben Horne), which are essentially just like the other 'making of's, but without that narration.  In other words, they're great.  Then there's another more traditional, but still quite good half hour featurette by the guy who directed some of the features for The Entire Mystery.

And Z To A?  Yeah, here come those extra two blu-rays worth of new stuff.  The biggest feature, taking up one and a half of the discs, which are essentially more half-hour Impressions-like documentaries, minus the narration.  There's one for every single episode of The Return, so that's about nine more hours peaking behind the curtain right there.  There's also a great, 90-minute interview with MacLachlan and Lee, with a good interviewer who knows how to press for fresh new details.  And there's a new brief but engaging chat with Harry Goaz and Kimmy Robertson, a.k.a. Deputy Andy and Lucy.  Fan of the music of The Return?  Good news, we also get every Roadhouse performance, adding up to another 72 minutes of stuff.  And Z To A comes in a very stylish box, which also houses a box of 24 art cards, a magnet of Cooper & Laura Palmer, and an individually numbered certificate of authenticity (mine's #17,479 of 25,000).
So ultimately, of course The Entire Mystery Collection is the way to go. It looks the best in HD... there's that unfortunate sync issue, but even if you get it on your player, it's probably better to live with that than the standard definition episodes. Plus, it has the largest collection of extras.  Just not all of the extras.  In fact, it's missing enough from the old set that I'd actually recommend picking up the Artisan season 1 set (or a foreign version with the same extras, like I did) for the commentaries.  You can find them used pretty cheap nowadays, and they're substantial enough extras to make it worthwhile. It's frustrating that they dropped some Gold Box stuff, too; but I wouldn't recommend getting that unless you're super rich or a Twin Peaks mega-fan, in which case I'm sure you've already collected every Twin Peaks VHS, laserdisc, DVD and blu-ray there is to have anyway just for the different covers.  And then you might as well spring for the Criterion Fire Walk With Me, too.

So, to be clear, all other previous editions, like the Paramount season 2 set, the New Line Fire Walk With Me DVD, and any screwy old pilot-only discs you have are totally obsolete.  Unless you're just collecting them as objects, you can go ahead and chuck those.  The Gold Box and Criterion Fire Walk With Me disc have some exclusive extras, but not a lot.  And the 4k upgrade isn't really worth it unless you're a real zealot about having everything in maximum quality.  What I seriously recommend is The Entire Mystery 10-disc version, the season 3 blu-ray set, and Artisan's season 1.
Buyers beware if you're still looking to buy The Entire Mystery set rather than the Z To A.  The Entire Mystery set was originally comprised on 10 blu-ray discs in a stylish box, but has been quietly replaced in the US market with a lower budget 9-disc set in a more standard plastic case.  As of September 20th, this new set's discs 1-9 are all exactly the same, but the 10th disc of extras has been dropped.  But the good news is Z To A includes that tenth disc, as well as all the previous nine, the eight from The Return and the three new discs (2 blus of extras and the UHD).  There is no single thing from The Entire Mystery and Return sets absent from Z To A.  The only things it's missing are the commentaries and clips from the season 1 DVDs, the tiny bits from the Gold Box, and the two exclusive interviews on Criterion's Fire Walk With Me.  If you're a super-mega fan, you probably already have every single one of those sets, but for most of us, Z To A is so thorough, you won't be aching for those additional odds and ends.  Except possibly for the commentaries, they offered a lot of unique value.

Criterion Catch-Up 2, Part 2: Crumb

"Presented" by David Lynch, 1994's Crumb is a documentary that will have you saying "wow."  Underground comic pioneer Robert Crumb is already an interesting subject for a documentary, and this film isn't afraid to get into it with his exes, critics and the man himself   This is no puff piece that's going to gloss over the accusations of sexism and racism in his work; it charges headfirst into the worst of it.  But then as director Terry Zwigoff (Ghost World) gets increasingly incredibly candid footage with Crumb's family and delves into their issues of abuse and depression, it goes beyond the man's work to deeper places than almost any documentary about anybody has gone.  The film's most memorable scene for me isn't even about Robert, but his brother Charles, as they discuss his childhood artwork and show how his mental illness transformed his illustrative style into something unique and fascinating.
I've actually had a longer history of re-dipping on this title, but unfortunately I sold off my first two DVD copies before I started this site.  See, originally Crumb was released on DVD by Columbia Tri-Star in 1999.  It was barebones and mis-framed at 1.66:1, but I felt lucky to be able to replace my laserdisc of this quirky doc at all.  Little did I know how well it would wind up getting treated on home video over the years.  Because then in 2006, Sony upgraded it to a special edition, which fixed the framing and added a audio commentary by Zwigoff and Roger Ebert.  I figured that would be the last word.  But then, in 2010, Criterion announced their own edition with a "new, restored high-definition transfer" and over 50 minutes of unused footage.  Well, hot dog, I was in again.  That was early enough in the blu-ray era, though, that I was still buying DVD versions, so that's what I opted for (and that disc I do still have for this comparison).  Eventually, I realized I couldn't live without the proper BD, though, so I quadruple-dipped.
2010 Criterion DVD top; 2010 Criterion BD bottom.
So I'm disappointed we don't still have the older transfers to compare, if only for the fun of it.  But there is an interesting difference between the Criterion DVD and blu even though they were released at the same time.  See, I left the negative space around the first set of shots to show, though they're both 1.33:1, the DVD is window-boxed, I guess out of concern for 4:3 TVs' overscan areas (something Criterion routinely used to take into account).  But they've trusted the BD transfer to go right to the vertical edges (it's still pillar-boxed, of course, because it's a fullscreen film).  So that was a little surprise.  Otherwise it's the same master with the natural boost in clarity with the jump to HD.  It was shot in 16mm, so there's not a ton more detail unveiled, but edges are definitely crisper on the blu.

Both discs offer the original mono in 2.0 with optional English subtitles (as I recall, so did both of the older DVDs), but the BD bumps it up to LPCM.  The audio's never exactly crystalline, but the lossless track has a little extra oomph, which can make it a little easier to make out tossed off moments of dialogue.
So the original Crumb DVD was barebones, and the second introduced that audio commentary by Zwigoff and Ebert.  Apart from a bunch of bonus trailers, that was it.  Well, happily, Criterion was able to preserve that commentary, as well as record one of their own - also with Zwigoff.  The two commentaries weren't recorded to compliment each other, so as you could imagine, there's some repetition between them.  But it's not too much; Ebert manages to make his track distinct, and both tracks have good info in them.  Then there's all that unused footage, which includes everything from Crumb and Zwigoff jamming with in their band together (an element not even mentioned in the doc) to a trip to the mall with his wife, and yes, more on his brothers' issues.  Criterion also includes a small stills gallery, a 28-page booklet with notes by critic Jonathan Rosenbaum and a fold-out reproduction of Charles Crumb's art test (as shown in the film).
Never say never, but as a 16mm documentary, I don't imagine a Crumb 4k is around the corner, so even though upgrades have taken me by surprise before, I feel comfortable saying Criterion's blu is probably going to be the definitive release for a long time  We probably have just a slightly better shot in asking for a BD upgrade of Louie Bluie instead.  But really, unless Zwigoff makes a new, attention-getting film, what you see is probably all we're getting.  So it's a good thing they ended on a strong disc here.

Forever Revisiting Blue Velvet

I'm always interested in what David Lynch is going to do next (which, as of this writing, looks to be the revival of Twin Peaks), but I'm not sure if he ever has or will topped Blue Velvet. It's sort of the perfect blend point between his conventional side and his self-exploratory art. It's a film that sets up one unreal little world only to poke a hole through it and lure you through into another. But it's all just relatable enough to be absolutely riveting. It's a film I've triple-dipped for (quadruple if you count VHS), with zero regrets each time.

Update 7/18/16 - 5/31/19: Okay, so now I've quintuple dipped for this flick, this time for Criterion's new 4k restoration, with a bunch of new features, most notably the feature documentary Revisiting Blue Velvet.  Am I still regret free?

Update 8/13/24: It's Update Week 2024, baby!  Throughout a week's worth of posts (not necessarily adhering to the calendar week), I'll be updating older posts with additional DVDs, BDs and UHDs, from posts you've been saying, "I can't believe you haven't added the latest release!" to posts nobody on Earth cares if I add another old DVD to it.  Also, I've been improving the site's overall appearance, like the Letterboxd widget, which now shows excerpts and poster images.  If you knew how long it took me to get that and my Bluesky feed up and running, you would point and laugh at me.  So look around.  But for today, we've got this summer's Blue Velvet UHD, plus I've added DVD comparisons for Zola and My Friend Dahmer.
Kyle MacLachlan is an all-American boy in an idyllic all-American small town, who's just beginning a picture-perfect relationship with a beautiful all-American girl, Laura Dern. But his curiosity, spurred when stumbling upon a severed ear in the woods, gets the better of him, and he can't help peaking behind the facade of this ideal life and discovering the dark current of humanity that runs underneath the veneer. He quickly finds himself between a mentally disturbed lounge singer, Isabella Rossellini, and her violent gangster boyfriend, Dennis Hopper. Both of whom pull him deep into their dangerous reality of S&M sex, drugs and murder.

Dean Stockwell, Brad Dourif, Hope Lange and Jack Nance all fill in highly memorable supporting roles (Stockwell especially), and we feast on just the right amount of surrealistic imagery, beautiful music without ever crossing the line into self-indulgent, or loosening our grip on the story's dramatic tension. One of my favorite scenes starts out very conventionally, when the high school varsity athlete and his pals are chasing after MacLachlan for stealing his girl - a typical 80s Hollywood scenario - but they're all immediately disarmed when Rossellini stumbles out on the street in front of them, naked and beaten. It's an eye-opening wake-up call that the world outside of their protected little microcosm is much larger and more complicated then they'd ever imagined.
Blue Velvet debuted on DVD in 2000 from MGM. No extras or anything, but at least it was anamorphic and widescreen, a particularly important feature for this highly composed 'scope photography. In 2002, MGM reissued it as a special edition with a remastered picture and a substantial 70-minute documentary. Then in 2011, it made its HD debut on MGM's 25th Anniversary blu-ray release, including the notable recovery of almost an hour's worth of footage previously believed lost. Next, in 2019, Criterion released a new 4k restoration on blu with even more special features.  But when you get a 4k restoration on a 1080p blu, you know it's almost a matter of time until a proper 4k UHD arrives.  And in 2024, it finally has.  And I've got all six discs (because the 2024 release is a combo-pack) here now, so let's get into it.
1) MGM 2000 DVD; 2) MGM 2002 DVD; 3) MGM 2011 BD;
4) Criterion 2019 BD;
5) Criterion 2024 BD; 6) Criterion 2024 UHD.



So, what do we see? All six, of course, are anamorphic 2.35:1 images, thankfully free of interlacing or other issues. But despite there only being two years between them, there's a substantial jump in quality between the two DVD editions. The film got a nice, natural re-colorization, and the detail is much less pixelated. Then the blu keeps the general look of the 2002 DVD. They must have struck an HD master at that time, which they were then able to use for the blu in 2011.  But that said, the HD really pays off in detail and clarity. Look how much better you can make out the students in the background of the first set of shots. There's a big step up in quality with each of MGM's iterations; even the 2002 DVD looks far out of focus compared to the blu. But at least the 2002 blu doesn't have the edge enhancement haloing and splotchy compression of the old DVD.

But now we come to the new 4k master, and it's mostly good news.  First, to be clear, it's the same 4k master in 2019 and 2024.  The two BDs are identical, though of course the UHD has full 4k resolution and Dolby Vision HDR.  The AR is still 2.35:1, but this new scan pulls out a little further to reveal extra information.  The colors have been re-timed, too, this time going for a more subtle, less contrast-y palette, which feels more natural, the result of a higher quality scan (and no, it's not green).  Speaking of higher quality scan results, this 4k transfer finally sets to work on capturing fine grain, with a sharper, closer look at the negatives.  But, unfortunately, this brings us to the bad news.  Looking closely at that grain makes it obvious there was some chunky macro-blocking going on, the result of less than stellar encoding.  It's not terrible, but it's definitely, but it's the kind of thing you wouldn't see from Sony or Arrow.  The UHD mostly fixes it, though if you really zoom in hard to the clouds in that car shot, for example, you can still find imperfections.  But it's a big step forward for what was already the best release on the market.  The HDR also has richer colors, giving the sky a deeper blue, for example, which comes off a little paler even on the 2019 disc.
The original DVD had an English Dolby Stereo track and French Dolby mono, plus English, Spanish and French subtitles. The reissue DVD replaced the original stereo track with a new 5.1 mix, boosted the French mono to stereo and added a Spanish mono dub, plus added Portuguese subtitles to the other three. But the blu-ray trumps them all, not only in adding the obvious, lossless DTS-HD 5.1 track, but also providing DTS 5.1 tracks for the Spanish, French, German and Italian dubs, and additional Portuguese and Spanish Dolby tracks. It also has the most subtitle options with English, French, Spanish, Portuguese, Chinese, Dutch, German, Italian and Japanese.

And the new Criterions?  Actually, they score back some of those fumbled points here.  The 2019 restores the film's original stereo track, now in lossless DTS-HD, but gives us the lossless 5.1 as well.  So that's a win for the purists and the home theater kingpins.  And yes, it has optional English subtitles as well.  And they kept things exactly the same in 2024.
Now the original DVD didn't really have anything in terms of special features. It had a trailer, a nice little insert, and a kooky easter egg that showed a little montage of film imagery, but that's about it. The 2002 special edition, though, finally brought in some real extras. It has that great 70-minute documentary I mentioned, which interviews pretty much all of the key players looking back on their work, plus about ten minutes of deleted scenes, and Roger Ebert's original television review of the film. They also had the trailer, as well as two additional TV spots, a couple photo galleries, and a few easter eggs with interview outtakes from the documentary, plus another insert.

And, well, the blu-ray doesn't have any inserts, but it does have everything else from the DVD, including the doc, Ebert interview, easter egg outtakes, trailer and TV spots. But it also expands the DVD's short selection of deleted scenes to almost an hour of recovered footage, also restored in HD like the film. Some of it's pretty cool, some of it's hard to believe Lynch ever really thought it could fit into this movie; but it's all fascinating. Not all of the lost footage quite lives up to the hype that had been built around it (the "flaming nipple" is here, but it's nothing really amazing), but it's essential viewing for any serious Lynchian. The blu also includes about a minute and half of outtakes, presumably found with the lost footage, which is amusing.
A recovered scene found only on the blu-rays.
And Criterion's discs?  Well, the 2019 and 2024 have exactly the same extras... indeed, the 1080p BD in the 2024 combopack is the exact same disc as the 2019.  And they sure do have an insert.  More like a 30-page booklet with notes by Kristine McKenna, which excerpts heavily from Lynch's book, Room To Dream.  And almost everything from the previous discs are here: the complete collection of deleted scenes and outtakes, the documentary, including even an extra minute or so of outtakes with a white balance test chart... the only thing missing is the Ebert review, and actually, we see the most of that review footage in the documentary, anyway, so it's no big loss.  Oh, and we lose those little easter egg outtakes.  And the trailer for some odd reason.  But we get some pretty major new stuff to replace those odds and ends.

First and foremost is the feature documentary Revisiting Blue Velvet.  This film played theatrically in 2017ish, and happily Criterion licensed it for their blu.  It's very different from the other doc that comes from the DVD.  That one's a pretty traditional 'making of' retrospective, but this one was made by a German filmmaker who filmed the whole thing on location as Blue Velvet was being shot.  It's all super 8 and photos, though, so a lot of it is silent, except for the original score.  There are interviews and fun on-set exchanges in it, too.  But I'd say four fifths of it are silent... Hardcore fans will be delighted for all of the behind-the-scenes exploration, but casual viewers should make sure they're in the mood to watch something ethereal and artsy if they're going to make it through to the end.  It's definitely a unique take.
Besides that, there's a great new featurette that revisits the filming locations and interviews the "little guys," that the other special features overlooked: the props guy, the steadicam operator, the non-actor who played The Yellow Man, etc.  It's a lot of fun, moves at a brisk pace, and shares stories we haven't heard anywhere else.  There's also a long interview with Angelo Badalamenti that does rehash some of his interview from the doc, but also expands into more detail and new territory as well.  And finally, there's a roughly 15-minute audio-only clip of Lynch reading from his book about the making of Blue Velvet, which basically plays as a standard director interview, and a pretty good one at that.  Criterion's put this out in a nice little digibook package with an other slipbox that, for whatever reason, opens from the left as opposed to the standard right-hand side.  One last little quirk for the pile, I guess.
So, it was pretty much all for the win column in 2019, and the new UHD just ups the PQ even more.  The 2019 4k scan is a nice upgrade over everything that's come before it, despite some questionable encoding.  And the UHD fixes that.  The recovered stereo mix and all the new extras, including the complete Revisited documentary, help make any Criterion disc an easy recommendation, though of course the UHD is the ideal choice.  Oh, and fun fact: the disc title of the new UHD, like when you put it in your PC drive?  "Trainspotting!"  😜