Showing posts with label Capelight. Show all posts
Showing posts with label Capelight. Show all posts

The Re-Animator Is the Dominator

Stuart Gordon's Re-Animator is in the weirdly unique position where its unrated version is actually shorter than its censored, R-rated version. By several minutes, too; not just a few seconds. I remember holding both VHS tapes in my hands back in the day and thinking they had to have been mislabeled; but no, it's true. Why? Because the R-rated version, though missing the most extreme, controversial shots like you'd expect, features a bunch of less shocking scenes trimmed out of the unrated version. I guess for pacing. But I grew up with both versions, and so, while horror fans naturally gravitate towards the bloody unrated version, I always thought something special was missing from it. Of course, something special was missing from the R-rated version, too; and if you've seen the film, you know exactly what moment I'm thinking about.  heh

Update 7/17/15 - 6/7/26: Wow, talk about a page in need of an update, huh?  Well, I've skipped a few editions since I originally wrote this, but I'm back with the new 4k UHD from Second Sight.  Oh, and yes, the title of this post does come from the fact that I'm listening to this song.  I'm easily susceptible.
When Elite Entertainment released their excellent 10th anniversary Re-Animator laserdisc, it included, amongst many other things, the unrated version with all of the deleted scenes as extras and a detailed timeline of where each of those would fit into the complete film. I always wanted to use those to make a composite cut, but back in those days, getting a digital recording of a laserdisc and trying to edit a high quality movie file on a personal computer was technically possible, but rather daunting.

So, when Elite came out with their Millennium Edition special edition, I got that; and when Anchor Bay came out with their re-release, including a new 70-odd minute making of documentary I switched to that version. And I've still got that one, so we can use it for a comparison here. Yeah, Image put out a blu-ray; but I never felt compelled to upgrade. And I'm glad I didn't, because a year later, the German DVD company Capelight came out with their own 3-disc special edition blu. And not only did it feature a new and much improved 4k scan and restoration from the original negatives, which frankly would've been enough, but they used that new transfer to create "the Integral Cut," which combined all of the extra R-rated version's footage with the essential unrated moments. It's the Re-Animator I've always wanted... although admittedly some of those long scenes of Bruce Abbot and Barbara Crampton could've been left on the cutting room floor. But still, this is now my definitive Re-Animator; it's great.
Now, Capelight's released a couple different versions of their new Re-Animator blu. A cheaper single disc edition, a combo pack with Bride of Re-Animator, and the one I opted for: the 3-disc mediabook set. The 3-disc set is two dual-layer blus and one DVD, containing all the extras (more on that later). It has the Integral cut, of course, but also the traditional unrated version from the same 4k scan, in case you're not as sure of the new cut as I am. And it has a standard def presentation of the TV cut as well, for completists, or yaknow, just for fun.  It was the cutting edge ten years ago.

But now we've had some new contenders.  Arrow released a blu-ray which is basically the same as Capelight's, but with some extra features mostly about Re-Animator: The Musical.  And more recently, Ignite in the US and Second Sight in the UK have made a new scan (well, I think Ignite made it and SS licensed it) for a proper 4k Ultra HD release, taking it to the next generation for the next decade.  Let's take a look.
1) 2007 Anchor Bay 2007 DVD; 2) 2013 Capelight Integral BD;
3) 2013 Capelight Unrated BD; 4) 2013 Capelight unrated DVD; 5) 2013 Capelight TV BD;
6) 2025 Second Sight Integral UHD; 7) 2025 Second Sight Unrated UHD.


I'll get one thing out of the way right off the bat: not only are Capelight's Unrated and Integral cuts using the exact same transfer, so is Second Sight's Integral cut, which despite being on a UHD disc is still just 1920x1080.  Their unrated version boasts the new transfer, but their Integral cut is just a carry over from 2013 (and the same is true, for the record, of Ignite's release), no upgrade to be had there.

Now, let's get into the framing.  Anchor Bay's 1.82:1 aspect ratio may be more correct than Capelight's 1.78:1 numerically, but seeing how it chops off Dean Halsey's hand, I'd say the Capelight more properly reveals more.  But Second Sight finally perfects it with an exact 1.85:1 ratio and most of the picture AB lacked.  Also interesting is the TV cut, included on one of the blu-rays but in standard definition none the less. Sure, it's the fuzziest and worst looking of the lot, but it's also open matte.  At 1.32:1, while it has all the same picture on the sides (compared to the older framing, of course, as seen on the AB shots), there's additional picture on the tops and bottoms.  Ugly, boxy misframing, of course, but fans may want to at least pop it in and scan through it as a curiosity piece.

The new colors, even starting with the Capelight, are far more natural than the red-heavy look of AB disc. Grain is very real there, too; though of course the UHD really perfects it.  Its Dolby Vision also pulls out a smidgen from the shadows, but honestly not very much.  Capelight's restoration was already excellent, there wasn't much else to do in 2026 besides tweak the AR and slap it on a proper 4k disc.  The colors and HDR differences are pretty subtle.  Don't get me wrong; it's excellent, arguably perfect; The Re-Animator was just in a really good place already.
Anchor Bay starts us off with stereo and 5.1 remixes, and no subtitles.  Besides the multiple German audio tracks, the unrated version (on both Capelight's blu and DVD) sports 5.1 and 2.0 stereo English mixes. And it's got optional English subtitles as well. The Integral cut doesn't have the subs or 2.0 mix, but does have a DTS-HD 5.1 English track. Capelight has also added an isolated music score.

And Second Sight?  They've gone back and restored the original mono in DTS-HD, as well as the stereo and 5.1 mixes on the unrated cut, as well as included English subtitles on both cuts.  Unfortunately, not only does their Integral cut only have the 5.1 remix, but it's lossy.  Their one point of downgrade.  I think they really regard the Integral cut as just an extra.  Oh, and they've dropped the isolated score. Another niggling disappointment.
Extras are a pretty solid lock for the Capelight blu, carrying over everything from past editions. Re-Animator covered itself in the special features department pretty early on. The old laserdisc already had two excellent audio commentaries with all the major players, plus the long list of deleted scenes and trailers. Then the Millennium DVD set added interviews with just about everybody, plus some storyboards and odds & ends and even an isolated music score; and those extras have stuck with just about every subsequent release. Anchor Bay, being Anchor Bay, of course added something new to the mix: that 70 minute documentary I mentioned earlier. And that, along with all those other extras have been ported over to Capelight's release. No, they didn't really come up with any new extras, but there's not much left that needs to be added that wouldn't just be redundant at this point. Re-Animator already came fully-loaded.

The media book packaging includes a nice 24-page booklet, but the text is all in German. Looks nice, though. There's also a couple inserts and auto-playing bonus trailers for other Capelight releases on each disc. But that's the only non-English friendly content. Every cut of the film and all of the extras are in English.
Redundant or not, though, we have new extras now.  Like I said, between Capelight and now, Arrow added the musical-related stuff, plus a new interview with Crampton, that goes over more of the rest of her career, and a long featurette about Lovecraft adaptations on film.  Second Sight hasn't carried over the musical stuff (though for the record, Ignite did), but they do have the Crampton and Lovecraft interviews.  Then Ignite and Second Sight share a bunch of new stuff, including Re-Animator at 40, a new conversation between Brian Yuzna, Combs and Crampton, which is a nice look back, but repeating many of the same anecdotes we've heard already in these things.  But there are also new on-camera interviews with editor Lee Percy, Carolyn Purdy-Gordon and a featurette where filmmakers like Mick Garris and Joe Lynch sing Re-Animator's praises.  And Second Sight has a couple of exclusives, both by expert Mike Muncer: a video essay and an audio commentary.

Second Sight's release comes as a single UHD disc or a limited edition which throws in an extra BD copy of the film, plus a 150-page hardcover book and six collector's art cards.
You could tell the people at Capelight really cared about this film, and came up with a blu-ray package that didn't just upgrade our old DVDs to HD but really strove to give us a definitive release.  Other countries are started to pick up on their 4k scan and integral cut and release it around the world, including Second Sight (hey!), Arrow and Umbrella.  It wasn't until 2025, when they were able to land this film on a higher gen disc, that there was really cause to upgrade.  And even now, more casual fans may be satisfied with any of the BDs with the Capelight scan, and hold out for a UHD restoration of the integral cut, too.  But there's no denying that they've been topped.  Time comes for us all.  And then we're left carrying our heads around in a small surgical pan.

Import Week, Day 3: Let's Get Dark. An American Crime

Here's a film you have to import pretty much just because it's too dark.  Sites like Wikipedia even categorize this as a horror movie, though to that I would say no.  It's actually bleaker and more disturbing than that.  As its title suggests, 2007's An American Crime tells the all too-real of a tragic true crime case, specifically the torture and murder of a teenage girl by a single mother and her children in the 1960s, small town America.  It's a truly disturbing, morbid case, quite well told, which seems to have put US distributors off, unfortunately.
Elliot Page was a rising star at the time of this release, and James Franco has a smaller, supporting role, as did Bradley Whitford.  But really, this is Catherine Keener's film.  At this point, I think she's pretty widely recognized as a great actress, despite decades of mostly being relegated to "the wife" roles or romantic comedies.  She surely made an impression on audiences in Get Out.  But wow, this is a tour de force.  That, coupled with this film's unflinching honesty (and, to a lesser degree, its skill at capturing the period) really packs a powerful wallop.  One many audiences might reasonably choose to avoid.  But if you like your art challenging...
That said, it's uncompromising nature wasn't the only thing that gave An American Crime a hard time during its release.  Another movie based on the same murder happened to come out the same year.  The Girl Next Door is an adaptation of Jack Ketchum's novel of the same name, that basically takes the same incident and runs it through his detective fictionalization filter.  Ketchum isn't exactly known for softening up his subject matter, but I've seen both movies, and there's no comparison.  It's got so much artifice Crime thankfully lacks (although, to be fair, Crime takes one weird little liberty, too, in the last act), taking as its source just the genuine court transcripts.  But being the better movie doesn't help much when you're the second film on the same subject to hit the market.  Just ask The Last Days of Disco that had to follow all the hype of 54Crime wound up losing its theatrical release and debuting on Showtime.  It did win some awards, but it's still less than this film deserved.
So An American Crime was released as a barebones new release DVD by First Look Studios in 2008 and... that's been the whole story in the US.  But fortunately, there are HD options overseas, including from Norway, Sweden and, most obtainably, Germany on Capelight's 2009 BD release.
2008 US First Look DVD top; 2009 DE Capelight BD bottom.
So, as a then new release, it's naturally the same master being used.  But there are some very welcome improvements from Capelight.  Starting off as I usually do with the aspect ratio, I'll point out that First Look's 2.32:1 has been corrected to 2.35.  This doesn't actually reveal anymore along the sides, but corrects a tiny vertical stretching.  Much more importantly, the US DVD is interlaced, which is pretty shocking for a modern theatrical release disc as recent as 2008.  Thankfully, Capelight resolves that, and also gives us a generally sharper, HD image free of the soft smudginess of standard def.  It's a distinct upgrade.

And unlike Import Week Day 2, Capelight's English audio is properly lossless in DTS-HD.  Both discs have the original 5.1, with Capelight also adding a 5.1 DTS-HD German dub.  First Look's sole advantage is optional English subtitles, while Capelight naturally just has German.  First Look also has a 2.0 mix-down and optional Spanish subtitles.
Unfortunately, all options are essentially barebones.  First Look just has the trailer and a bunch of bonus trailers.  Capelight also has the trailer, in English and German, and its own collection of bonus trailers.  It also includes reversible artwork to hide that giant, ugly ratings logo.  But that's it.  Still, simply in terms of presenting the film itself, it's pretty flawless, which is a lot more than you can say for the American DVD.

Bride of Re-Animator: It Keeps Getting Better

Update 8/13/15 - 6/27/16: Adding Arrow's 3-disc limited edition blu-ray/ DVD set to the mix. Let's see wow does this stacks up against Capelight's own 3-disc limited edition blu-ray/ DVD set. Prepare for a crazy long list of matching screenshots...

A couple months ago, I posted about how the German blu-ray company Capelight brought Re-Animator back to life with a stunning new transfer. Well, they've done an equally definitive job for its delicious sequel, Bride of Re-Animator. Now, they didn't do an "Integral Cut" this time, because that wouldn't really make sense for this film (I'll explain that more later), but they issued Bride a beautiful new transfer that blows all past releases out of the water. It helps, this time, that this is Bride's only blu-ray release, so the competition is weaker. But this new transfer would impress regardless of what else was out there.
Brian Yuzna, producer of the original Re-Animator, takes over for director here, and he does a great job of matching the tone and level of Stuart Gordon's previous work. This never feels cheaper or hackier, although, as with almost any sequel, the story does rely on a little more spectacle and a little less heart. It helps immeasurably that lead actors have all returned to reprise their roles that they'd already mastered in the first film. Even David Gale is back, despite having been decapitated in the previous film. He's now got himself a fresh pair of bat wings to fly his head around in one of the more ingenious touches that make this sequel so worthwhile. He even opens the film by addressing the audience directly, in a macabre homage to the work of old school horror meisters like William Castle. Only Barbara Crampton, disappointingly, missed the reunion, but Yuzna does a good job of writing around her character, so the actress replacing her doesn't face a whole lot of scrutiny. He also goes back to Lovecraft's original story, using a lot of what happened in there that the original film skipped over, giving the film a very legitimate, sturdy groundwork. I can agree with critics that this isn't as great an all-around film as the first one; but I couldn't accept that this isn't another wonderful time at the movies.
So, Bride of Re-Animator has always been in the hands of Artisan and Lions Gate here in the USA, which isn't the most promising set of names. Artisan first released this in 1999 as a pretty nice double-sided special edition, which was a terrific step up from Image's generic, full-screen laserdisc. It had both the R and unrated cuts, in both fullscreen and widescreen, and a huge selection of extras. It was great for 1999, but unfortunately has remained our definitive edition well past its shelf life, when Capelight eventually stepped in last year. What was fine for 1999 looked pretty shoddy after the advent of widescreen televisions - Whoops! This disc isn't even anamorphic.
So there's your non-anamorphic picture, surrounded on all four sides by black, unused space. Artisan did that weird way of using the same encode of the film as both the wide- and full-screen version of the film by making the mattes removable bars like subtitles. So there's just two encodes of the film (R on one side, unrated on the other) on the disc, but the removable matting turns it into four versions of the film. If you look closely at the screenshot above, at the very top and bottom of the image you can actually see the film above and below the matting!

Artisan reissued the film in 2003 as a generic, fullscreen single-sided disc with none of the extras... Gee, thanks for that. And the film eventually became just another title in one of Lions Gate's Horror Collection multipacks in 2012. Suffice to say, this film was very much in need of a new blu-ray edition, but you know Lions Gate doesn't like to let their catalog titles out to breathe. So we have to look overseas for our upgrade. Capelight finally provided that with a fully loaded, 3-disc media book edition in 2014. Then Arrow came out with their own 3-disc set in 2016. So now we've got some dueling HD options to explore.
Capelight's R-rated blu 1st, unrated blu 2nd, and unrated DVD 3rd. Then Artisan's R-rated
matted version is 4th, R-rated unmatted 5th, unrated matted version 6th and unrated unmatted 6th,
Next, Arrow's R-rated blu is 7th, unrated blu is 8th and unrated DVD is 9th.
Whoo, yeah, just a couple versions to compare there. Maybe a bit excessive, but you know me, I've gotta be thorough, so I've included both R and unrated versions of the film in all the ways it's been presented on both the original Artisan DVD, Capelight's 3-disc set and Arrow's 3-disc set. Essentially, Arrow is using the same 2014 restoration transfer as Capelight, so they're awfully similar. They use a new 2k scan of a second generation intermediate interpositive for the R-rated version and almost all of the unrated version, but the excised unrated elements had to be sourced from master print, which looks almost as good, but those moments do wind up looking a bit flatter than the rest of the movie.

But just look at how much sharper and clearer the new blu-ray transfers are. Both Artisan and the newer blus matte the transfer to 1.78:1 (excluding Artisan's fullscreen versions, of course), but the blu-rays' new 2k scan of the original film elements manages to include a little more picture on the top and left sides. Their new color timing seems to be the most natural, as you'd probably expect, but what I was surprised to find out is how different Artisan's colors were between their R and unrated cuts. Look at the buildings in the first collection of shots - is the building red or yellow? Both seem too extreme, pulling in different directions, with Capelight and Arrow having found the happy middle that looks best. They also un-crush some blacks, uncovering hidden detail.
Now, Capelight has provided an uncompressed 2.0 English audio track, but unfortunately it seems a little troubled. There's some of fuzz behind it (on both cuts), that goes away during moments without dialogue or music, which suggests they've cleaned up a bad audio track with a noise gate or something. The German dubs are perfectly fine, if you care about those. The English track isn't unlistenable - it doesn't make dialogue hard to understand or anything - but it's definitely not clean, and therefore a disappointment. Optional English and German subtitles are also included.

So the question for 2016 is: did Arrow fix the audio fuzz? Yes! But their LPCM stereo track still isn't perfect. I guess the original audio elements are just messed up. So Arrow had to clean up noisy audio, which sounds a lot better, but not as clean or dynamic as audio that wasn't damaged in the first place would. It's certainly superior to Capelight's, though. If you have the Arrow set and are curious how the Capelight sounded, listen to the Brian Yuzna solo commentary. There are a few moments where he pauses and they boost the volume of the film to normal, and you can plainly hear that they've got the Capelight fuzzy audio track playing. English subtitles are also included.
Far less trivial is the excellent collection of extras. It's not quite as fully-loaded as the original on the one hand, there's a distinct lack of on-camera interviews, but on the other hand, there are two audio commentaries that bring in pretty much all the relevant personnel: Brian Yuzna, stars Jeffery Combs & Bruce Abbott, and the incredible special effects roster of Tom Rainone, John Buechler, Mike Deak, Bob Kurtzman, Howard Berger & Screaming Mad George. There's also a 23+ minute making of featurette, two behind-the-scenes clips, and the trailer. All of that was on Artisan's disc and all of that has been ported over to Capelight's edition. Capelight has also added a couple extra bits and pieces, including an hour-long radio play of the Lovecraft's original Re-Animator story. There's also a podcast, but that's in German only. Everything on Capelight's 3 discs is English friendly except for this podcast and a couple bonus trailers. Then the only other extra is a restored version of the opening credits of the original Re-Animator, which... yeah, I have no idea why that's here.
And Arrow? Do they have any cool features? Ha ha, what are you nuts? Of course! They have everything Capelight has, except the German podcast, radio play, bonus trailers, and the credits from the original film. For English speaking audiences, the only loss worth noting from that list is the radio play, and even that's not a big hit. But they've also added some cool, new content. First, they have a new audio commentary by Yuzna. Now, he was already on the one older commentary, but he didn't get a lot in compared to all the effects people. So there are a few repeated anecdotes, but most of his commentary his new and insightful - one thing he fills us in on a lot is how Bride compares to the Lovecraft stories. Then there's a new on-camera interview, where he talks a bit about the House of Re-Animator idea and some other interesting tidbits. Again, a little repetition, but also plenty of new content. And finally, there's a featurette on the effects which talks to just about everybody who worked on any of the many wild gags in this film, and any more time spent with Screaming Mad George is a big plus in my book.

So that's it for disc content, but as you can see in the photo above, Arrow also went all-out on the deluxe packaging, including some serious physical content. Primarily, there's an attractively bound copy of the Dawn Of Re-Animator comic books from the 90s, including the full color covers. There's also a 24-page booklet on the film with notes by Michael Blyth, one of Arrow's traditional postcards of the film, and it all comes in a cool (if a un-sturdy) slip-cover box. Plus, if you ordered this from Diabolik, you also got a very neat Bride of Re-Animator pen, designed to look like a hypodermic needle full of green re-animation fluid.
So, why no integral cut this time? Well, for one thing, the original film was an unusual case where both the unrated and R-rated cuts had some exclusive, great - nearly essential - footage. In this case, the two editions are much more similar, with the R just being the traditionally slightly censored version. So the unrated already is the definitive version of the film. Also, what changes that were made for the R-rated cut isn't a question of extra or missing shots, but alternate shots. So scenes wouldn't make sense if you combined all the footage together. So, that's what's cool about the 3-disc media book editions; they give you the R-rated cut for the serious completists who want to have it for the minor variations. But otherwise, the original unrated cut is the only version you need.
Both Bride of Re-Animator's blu-ray releases are pretty sweet, but unless you only speak German, I'd say Arrow's wins. It has better audio and some nice, new extras. Artisan's old DVD still gets minor novelty points for having the open matte transfer, for those curious to see the extra information the film has in the wrong aspect ration. I'm slightly disappointed neither Capelight or Arrow opted to sneak another old VHS version transfer as an easter egg; but of course, it's really a trivial matter either way.

I should also point out that Arrow and Capelight both offer regular versions of their 3-disc limited edition sets. Capelight's is a single disc release of just the unrated version, and all the extras. And Arrow's is a combo-pack of the unrated blu and unrated DVD. That has almost all of the extras (not including the physical stuff, of course), except for the fifteen minute reel of behind the scenes footage, which is only in the limited set.  In both cases, the R-rated cut is only available in the 3-disc sets.

So, ultimately, Arrow's is the superior set, but not by a large margin. The transfers are the same, though they cleaned up the audio a bit better. And their extras package is better, but the older editions were already pretty loaded. Fans should be pleased with either set, and while you might consider replacing your Capelight set with the Arrow set, I'd rate that as a low priority. But if you haven't gotten any yet and are deciding which way to go, Arrow's the easy and correct choice.