Groucho-Chico-Harpo At the Circus!

It's a good month for us Marx Bros fans this December, as Warner Archives have just released a brand new 4k restoration (albeit on 1080p BD) of At the Circus, which we're told has been made from "the best preservation elements."  Hopefully it doesn't prove to be one of the last releases from Warner Archives, because there's still more Marx Brother films that haven't made it to HD (not to mention so many other WB catalog titles).  But for today, let's just enjoy this.
Admittedly, 1939's At the Circus is post-peak Marx films.  This is them on the decline, but early enough in the decline that it's still plenty of fun.  This doesn't contain any of their best, wittiest work, but the brothers are still cheerfully game.  The routine of Chico keeping Groucho off the train because he doesn't have a badge feels like their earlier material, and Harpo is working with a new animal in practically every scene, culminating in him riding a live ostrich!  And the scene in the circus midget's house is classic 30's comedy.  The circus itself isn't particularly funny, but it's at least making the effort with big, elaborate production numbers, including a large orchestra, an elaborate trapeze act and they even shoot Margaret Dumont out of a cannon... at a rampaging gorilla!
What more could you possibly want?  Romance?  Well, that's this movie's weakest point.  People always knock the love stories in Marx Brothers movies, but it's particularly soppy here.  Their attempt to turn "Three Blind Mice" into a romantic duet called "Two Blind Loves" has to be the worst song in any of these movies.  But this is also the movie where Groucho sings "Lydia the Tattooed Lady," one of his most beloved songs of all time.  And Harpo's musical number is one of the studio's most ambitious arrangements... although it certainly hasn't aged well in terms of racial representation.  I often mistake this for being the one where they get into blackface (it's not... that's A Day At the Races), but apart from that single detail, it definitely feels like a fairly successful attempt to recapture the success of "All God's Chillun' Got Rhythm" in the best and the worst ways.  ...II suppose the gender politics of Florence Rice adopting the role of Kenny Baker's tamed horse in the big reprise is a little eyebrow raising as well.  Welcome to the 30s!
So Warner Bros first released At the Circus on DVD as a double-bill with 1938's Room Service in 2004, both by itself and as a part of their 5-disc Marx Brothers Collection boxed set.  If anybody ever releases Room Service in HD (hopefully, one of these days), I'll circle back around and give it fuller coverage.  But in brief, Room Service is the theatrical adaptation originally written without the Marx Brothers' personas in mind, though they reverted at the last minute.  It co-stars Lucille Ball and Ann Miller and has some funny bits, but is another of their generally weaker films.  It's a flipper disc, and the Room Service side features the fairly fuzzy 1.33:1 transfer you see above and optional English, French and Spanish subtitles.  Extras include the trailer and, as Warner often throws in with their films from this period, an unrelated Our Gang short called Party Fever and a short Looney Tunes cartoon called Daffy Doc.
2004 Warner Bros DVD top; 2025 Warner Archives BD bottom.
So, returning to At the Circus, we're starting with a 1.31:1 transfer, which the new 4k scan widens to 1.37:1, while pulling out to reveal a little more picture along all four sides.  The DVD just had very light, sporadic print damage, but that's been cleaned up on the BD - note the white spot above Groucho's head or the black spot in front of Chico's chin, both of which are only on the DVD.  The DVD is a little clearer than the Room Service transfer, but still soft compared to the new blu.  It also has minor edge enhancement, which has since been cleaned up.  Detail is crisper and film grain is visible, although a little faint compared to what would surely be possible on a proper UHD disc.  In short, it's a solid upgrade, with more noticeable improvement than some of the early Paramount ones.

Both discs offer the original mono audio in 2.0, but the blu bumps it up to DTS-HD.  Both discs also offer optional English subtitles, though only the DVD also offers French and Spanish.
Jitterbug Follies
2004 Warner Bros DVD top; 2025 Warner Archives BD bottom.
There's not a whole lot for special features.  Both disc include the trailer, the Our Gang short Dog Daze and the MGM Cartoon Jitterbug Follies, featuring Count Screwloose and JR the Wonder Dog.  For the record, the fullscreen shorts have not been remastered and seem to have been copied as-is from one disc to the other, as you can see above.  The blu-ray then goes one small step further, though, adding the vintage Leo Is On the Air radio promo, which highlights many of the film's songs.

So it might've been nice if they'd sprung for an expert commentary like they did for some of the other Marx Bros films.  But apart from being a little light on special features, this is a very satisfying upgrade, and my fingers are crossed for more.

Keep Your Eyes Wide Shut

It occurred to me that if DVDExotica were ever to be audited, I'd come up 0% Kubrick. And then, I don't know if they'd come take me away or what, but I'm getting out ahead of any such eventuality with an in-depth look at his final film, Eyes Wide Shut. One of the reasons I chose this one is because, for the longest time, it was only available censored in the US, and if you wanted to see it uncut, you had to import a foreign region release. Fortunately, Warner Bros has since corrected that, and reissued it on both DVD and blu. And now I've got both versions here, ready to be scrutinized.

Update 1/27/16 - 12/7/25: And now Criterion is here to give us this film in 4k with their new, highly sought after, 3-disc BD/ UHD combopack special edition!  But don't be too quick to throw out your older editions.
I didn't just pick it because of the censorship thing. Eyes Wide Shut has an interesting appeal for me. In some ways, it's his most delicate, human story, thanks probably to the source material (it's an adaptation of a 1920's Austrian novel called Dream Story). It's also fantastic and unnatural, elusive in how it's meaning isn't made explicitly clear. You don't even really know whether Tom Cruise's journey through the bulk of this film actually happened or was a dream. Although as a psychological exploration, that doesn't really matter much. Just like Nicole Kidman's infidelity, it emotionally affected her partner just as though it had happened, even though there's no question her story was anything but a dream. The characters and the audience feel the effects of experience regardless. And because it's Kubrick, it's a vivid, stirring experience... even if it's a bit tawdry and ridiculous on the surface. I'd say this is Stanley Kubrick's most exotic film.
So this 1999 film was a new released when it debuted on DVD in 2000 by Warner Bros. It was quickly repackaged in 2001 as part of The Stanly Kubrick Collection. As I say, it was cut, and you had to order a disc from... well, pretty much any other country, to get a copy of the film uncut. So what's missing from the cut film? Well, in terms of screen time, technically nothing. No shots were removed or trimmed. Instead, they opted for a more dubious, sneaky method of adding CGI characters to shots to basically block the camera's POV from the sex, Here, I'll show you.
Warner Bros 2001 censored DVD top; Warner Bros 2007 unrated BD bottom.
This is just one example, there are multiple shots where multiple couples are blocked by multiple CGI characters in robes. This one particular example I've chosen is funny because not only do they add another hooded figure, but another naked woman on the couch in front of him, making the unseen sex going on in front of him in the R-rated cut decidedly kinkier than what we see taking place in the unrated version. Anyway, movie-censorship.com actually does a great job breaking down every single shot that's been tinkered with. But in short, all the blocking takes place in this one brief section of the film. Nothing else was changed throughout the movie.
So, right. That's the 2000/ 2001 DVD. Eventually, Warner Bros re-released it on DVD and blu in 2007. The DVD is a 2-disc set, with new extras added to the second disc, whereas it's all fit onto the one double-layer blu. This also gets us into the open matte widescreen debate that's heatedly followed all of Kubrick's DVD releases around, although it isn't really any different than with most any other film. Kubrick shot for a widescreen theatrical framing in mind, but also kept the rest of the frame in mind for future television/ home video screenings. So both are valid in their way, but especially with the switch to widescreen TVs, I think fullscreen ultimately lost out. This is evidenced by how the 2000 and 2001 DVDs are fullscreen, and the 2007 discs went wide.  And Criterion's 2025 4k restoration?  Widescreen, too.
1) Warner Bros 2001 DVD; 2) Warner Bros 2007 DVD;
3) Warner Bros 2007 BD; 4) 2025 Criterion BD; 5) 2025 Criterion UHD.



So yes, I guess I follow the mainstream majority in preferring the widescreen theatrical framing. But it's nice to know that the 1.33:1 fullscreen version is available on the older discs for those who want it. It's a question of open/ closed mattes, so the fullscreen actually has additional vertical information, and both have the same amount on the sides. Transfer-wise, there isn't a huge deal of difference across any of these older discs. If you look at the earlier set of shots I showed of the censorship, you'll notice the lamps have a purple discoloration on the 2001 DVD which is nicely corrected on the 2007 blu; and the HD is naturally a bit cleaner and better compressed. But all three discs seem to be taken from the same old master.  It's time for a new one.

And we finally got one - a 4k restoration taken from the original 35mm camera negative.  It's still widescreen, now matted to 1.85:1, but the new scan pulls back a little bit further to show slivers more picture along all four sides compared to the old blu.  And it's brighter and more colorful than the past discs, which might be a little controversial in itself.  I've been reading the debate forums, Film Twitter, etc.  DoP Larry Smith, who supervised this new restoration, has been giving interviews like this one, essentially pointing out that Kubrick never got to finalize the timing, meaning there can never be a definitively "correct" look.  So we're all just out here with our own opinions.  But it's certainly a more attractive image than the older discs, and Smith at least has approved this particular transfer.  Admittedly, rhe highlights are a bit blown out on the BDs, but they're okay on the UHDs.  Plus, the new 4k scan is just so much finer than the old master.  The way these discs capture film grain put other recent Criterions to shame.  The UHD is a stunning 95GB encode.
Audio-wise, the original DVD has a 5.1 audio track, but that's it. No subs or anything. The 2007 DVD has the same 5.1 track, but adds optional English subs, plus other language options, specifically a 5.1 mix of the French dub, plus French and Spanish subs. The blu-ray goes a good bit farther, though, including the English and French 5.1 mixes, plus additional 5.1 dubs in Spanish, Japanese, German and Italian. And of more interest is its additional uncompressed PCM 5.1 mix of the audio track, giving us two English options for the first time. Plus, it has a whole host of subtitles options: English, English HoH, French, Spanish, Italian, Dutch, German, Japanese, Chinese, Korean, Portuguese, Finnish, Norwegian, Swedish, and Danish.

The original 5.1 surround track was remastered for Criterion's new edition, which they give to us in DTS-HD.  And they strip away all the foreign language options, but they do still include optional English subtitles.
It's here that I should point out, too, that the 2007 DVD packaging lies. It reads on the back, "Selectable in Both Rated and - and for the First Time Ever in North America - Unrated Versions." But this is simply not true. The 2007 DVD only features the unrated version.  If you had to leave off one version, at least they went the right way. But still, you should know, it ain't true. You are never given the option to watch the R-rated cut, and I ripped the whole disc just to check: the censored version isn't anywhere on the disc. And it's the same now with the Criterion: unrated only.  Not that I can imagine any fan wanting to go back to the censored cut, but it would've been neat if they included the shots with the extra CGI people as a deleted scene, just for the novelty value.
They didn't include any deleted scenes, but they do have some decent supplements. Even the old DVD featured some superficial but still worthwhile on-camera interviews with Cruise, Kidman and Steven Spielberg, plus some trailers and TV spots. Those are carried over to the 2007 discs, plus a bunch more. The main feature is a 3-part British television documentary called The Last Movie: Stanley Kubrick and Eyes Wide Shut. Really only one of the three parts focuses on Eyes Wide Shut, but it's all interesting for fans of Kubrick as it delves into the rest of his life and career. Then there's Lost Kubrick: The Unfinished Films of Stanley Kubrick, which is a 20+ minute featurette on some of his work that never got made, including a Napoleon biopic. And finally, there's a short clip of Kubrick's speech accepting a DGA award.
And here's why I mentioned holding onto your old discs: because most of that stuff has not been carried over to the new Criterion release.  The interviews with the stars, the feature length documentary?  Gone-zo.  All that's made the transition is the one 20-minute Lost Kubrick featurette, the DGA awards clip, the trailer and TV spots.  On the other hand, Criterion has provided a collection of new stuff in their stead.

First, they conducted three brand new on-camera interviews of their own, with Larry Smith, second-unit director Lisa Leone and archivist Georgina Orgill.  They also acquired an archival interview with Stanley Kubrick’s wife, a 2019 featurette interview people like Kubrick's daughter and a Warner Bros executive who worked with him since the 60s, a vintage press conference for the film (which gives us Kidman and Cruise interviews back), and a different feature-length documentary: 2014's Kubrick Remembered.  It's a career overview, interviewing people from Kubrick's personal life to actors like Vincent D'Onofrio.  Plus, there's a 28-page booklet with an essay by author Megan Abbott and a 1999 interview with Sydney Pollack.
So Criterion's new set is easily the single best release of Eyes Wide Shut.  But people in the 4:3 camp will still want to hang onto their OG DVDs.  And while there are enough special features on the Criterion to satisfy casual viewers, more dedicated fans will want to hang onto one of the older special editions for all those exclusive extras that didn't get preserved.

The Incomparable Altered States

Here's another Ken Russell oddity.  In fact, it may go down in the history books as Ken Russell's most famously weird film, but I don't think it's quite that.  It's certainly trippy, literally, and filled with strange science fiction notions.  But it's based on a novel by Paddy Chayefsky, and this material takes great pains to convince you that the sci-fi you see in this film is entirely possible, if not the author's genuine beliefs.  Sure, it's an excuse for the director of the far-out imagery of Tommy to depict drug-induced hallucinations and other craziness, bur at the end of the day, it doesn't feel as unpredictably crazy and unhinged as Lisztomania or The Fall of the Louse of Usher.  Russell's actually quite grounded here.  But still, if you want some heady, serious yet mind-bending science fiction, this one still holds up better than most of what we get today.

Update 5/9/17 - 11/30/25: This update has been long-awaited!  A Criterion release of Altered States has been rumored since a Criterion branded image leaked onto the net in 2018.  I even mentioned it to them in an email exchange, but of course they just replied with a coy, "As far as ALTERED STATES, I haven't heard of a planned release but that would be awesome!"  Well, it's here now and it is awesome.  The fact that they waited until 2025 means we get a proper 4k restoration on UHD, which is definitely worth it.
William Hurt, in his film debut, lends a lot of credibility to his role as a university researcher determined to pierce the mysteries of the human consciousness.  In classic Hollywood fashion, he experiments on himself, with sensory deprivation tanks and hallucinogenic drugs, attempting to unlock the hidden chambers of the brain and access a collective memory or an "original self."  It's all well and good, until he finds it's not something one can just pop in and out of, and he starts to become a danger to his family and coworkers (Drew Barrymore, the great Bob Balaban, Molly Dodd's Blair Brown and John Larroquette) as his body begins to follow his mind and he physically devolves. 
Did I mention that Hurt lends a lot of credibility to this film?  Because boy does he.  There's a lot of weight on his shoulders.  I enjoy this film because it's smart, and it's a treat when Russell finally gets to cut loose with his visual depictions of drug-induced visions.  But it never really crosses the line for me into becoming a great film, because it fails to pay off it's heady set-up.  You feel like you're being led to some kind of ingenious, thrilling spectacle, but instead just wind up in typical, B-movie mad-scientist-on-the-loose territory, a la Bela Lugosi's The Ape Man or Kevin Bacon's Hollow Man.  It's got terrific production values, some strong moments and the actors keeps your eyes on the screen the entire time.  But the conclusion's pretty pedestrian.
Still, for being such a highly regarded and famous science fiction film, it sure has an underwhelming history on home video.  Warner Bros originally released it on DVD in 2000 as a flipper disc in a crapper snapper case.  And then they released it as a barebones blu in 2012.  You know, when Warner Bros doesn't want to prioritize something, they can keep a film's home video life pretty bland.  But thankfully, Criterion has rescued it in 2025, giving it a fancy new special edition 4k BD/ UHD combopack.
1) 2000 WB DVD widescreen side; 2) 2000 WB DVD fullscreen side;
3) 2012 WB BD; 4) 2025 Criterion BD; 5) 2025 Criterion UHD.




Well, the DVD looks pretty good for being so old.  It's anamorphic widescreen, not interlaced.  Both widescreen versions are 1.78:1, because of course they chose "no black bars" over a more accurate 1.85:1.  And the fullscreen version is naturally 1.33:1, opening up some of the top and bottom while chopping off some of the left and right.  Obviously that version's for curiosity seekers only.  At least the BD cleaned up some of the damage from the DVD's footage (look at the scratches and dirt on the mushroom cloud), but they seem to have scrubbed away fine detail in the process.  At first I thought the DVD might actually be more detailed than the blu, but no.  Taking a closer look (check out the grate on the top left of the inner chamber in the second set of shots), the blu pulls out a little more, and it's certainly safe from the compression smudges and edge enhancement of an old standard def transfer. 

But now we get an all new 4k restoration taken from the original camera negative, and starting with the most obvious, yeah, we finally get a correct 1.85:1, which is essentially the same framing as the 2012 with the extra matting.  Film grain actually looks soft, like they applied a little DNR to the image, but it's still obviously a better capture than what came before.  And the colors are the most improved, even on the BD, but especially on the Dolby Vision HDR UHD.  And this is a movie where the spectacle of color really counts, including the separation.  Like, that mushroom cloud is a much more robust red on the 2025 release, but then when you look at the ground, it's less red and more natural.  So could this look even better?  Probably, but it's a big, very welcome, step forward.
So the DVD gave us a 5.1 audio track, plus a French dub, with English and French subtitles.  The 2012 blu replaces the French dub with a Spanish one and gives us the 5.1 English in DTS-HD, plus English, French and Spanish subs.  So not bad, but Criterion is the first to finally give us the original 2.0 surround audio.  There are no foreign options, but we get that 2.0 plus the same 5.1 remix (both in DTS-HD) from the old blu, and optional English HoH subs.  So it's another easy decision.
And that goes for special features, too, because, everything up to now's been pretty barebones.  The DVD has a trailer and 2 TV spots, plus some bonus trailers.  What's fun, at least, is that even the trailers are wide on the widescreen side and fullscreen on the reverse.  The blu-ray doesn't even keep the TV spots, having just the trailer.  It's a shame Criterion waited so long to tackle this, since we missed out chance to bring in Ken Russell while he was still alive.  For a long time there, Russell was recording commentaries for everything from Lair Of the White Worm to Salome's Last Dance, but Warner Bros couldn't get him for Altered frikken' States?  That's just neglect.

But Criterion tries their best to make up for lost time.  There's an expert commentary by Samm Deighan, which is pretty good.  She starts to run out of steam in the last act, and she falls into the "reading everybody's imdb page" trap; but for the most part, she's got a lot of great info to share and adds a lot of value.  Even better, we get two vintage interviews.  The first is with Russell himself.  It's an entire TV program, but it is focused on him promoting Altered States and he answers some questions fans will have.  Then there's a great interview with William Hurt from 2019 - the only complaint I have about this one is I wish it went on longer, because he's got some stories!  And finally, there's a brand new interview with Bran Ferren who did all the crazy optical effects - essentially everything except the direct make-up effects Dick Smith had created.  They also have the trailer, plus a fold out insert with an essay by critic Jessica Kiang.
So I'm so glad we have something better than Warner's blu of Altered States.  Sure, it did in lieu of anything else.  But now we've finally got an exciting reason to upgrade from the DVD.  Because this movie is too big, in every respect, to languish in barebones budget discs.

Twin Peaks: Going Beyond the Entire Mystery

Okay, CBS and Paramount have an amazing Twin Peaks boxed set out there, called Twin Peaks: The Entire Mystery, which happens to be going through a couple changes.  More on that in a bit.  But now, even putting aside the fact that Showtime has recently reunited David Lynch, Mark Frost and pretty much the entire cast to film two new seasons of the series, and those have yet to be released, so obviously they're not in this set, sure.  Even forgetting that, is the definitive 10-blu-ray disc set really 100% complete?  Or are there exclusive reasons to hang onto the previous DVD releases of Twin Peaks? Well, just the fact that this post exists should tell you the answer that question.  However, it's going to take some serious delving to untangle all of the enigmatic little details...
Update 8/13/18: Twin Peaks certainly wouldn't be complete without its new third season, The Return!  So we'll look at the DVD and blu-ray editions of that.  And we've got Criterion's new blu-ray edition of Fire Walk With Me as well.

Update 6/16/20: I suppose we'll never truly get to the bottom of the mystery, but CBS and Paramount are taking us substantially deeper with their massive, 21-disc Z To A box set.  It rounds up everything from The Entire Mystery set (yes, the full ten disc version) and The Return set, plus adds two more blus worth of extras, and presents the pilot and episode 8 of The Return in 4k on a genuine UHD disc. Wow.

Update 11/3/22: It's Update Week, so I'm slipping in one one of the few discs still left out: Criterion's 2018 DVD. We already had their 2017 BD, so this is just their SD version of that.

Update 11/27/25: I've never really been satisfied with any of Fire Walk With Me's HD transfers.  But now we've got it in 4k, so hopefully that does the trick.
Twin Peaks began as the ultimate television experience, combining the talents of the man behind Hill Streets Blue with the mad genius behind Blue Velvet. It was a dark, layered and strange mystery mini-series about the secret double-lives we all lead getting uncovered when an the FBI is brought in to solve the murder of the home-coming queen in an idyllic small town. Just about everything you can imagine is dug out of peoples' closets from affairs and prostitution to drugs and abuse to an alternate dream reality and afterlife that really no one could have imagined. It blew away everyone's expectations in both ratings and critical reviews, and the dubious decision was made to delay the resolution of the mystery and ride wave of success just a little bit longer.

Due to fan pressure, they finally had to solve the mystery, but the series went on for a second season anyway, with Lynch and Frost focusing on other projects and leaving the series in the hands of others, and the quality dropped like a stone.  It wasn't a total loss, you still had a fantastic cast playing the characters you loved, but everybody was treading water at best as bad decisions and plot points continued to pull the series apart until it was quickly cancelled. Lynch returned to direct the final episode, which showed a clear bump up in quality, but it was too little and much too late. Even at the show's lowest point, however, it was determined that if everyone who watched the series would pay to see a movie, it would be a predetermined success, so Lynch returned to the town of Twin Peaks once more for the feature-film Fire Walk With Me, which was a little patchy at points, but mostly a very engrossing and vindicating prequel.
Now, Twin Peaks history on home video is a little convoluted, so bear with me. At the very beginning, before people know what a cultural phenomenon Twin Peaks was to become, the studios decided to release just the Twin Peaks pilot, with the ending of the first season tacked on as an awkward resolution, as a stand-alone movie overseas. What this did is leave the pilot in the hands of Warner Bros, and the rest of the series with Paramount. So when season 1 was first released on VHS, and again on DVD, in nice boxed sets, it was missing the first episode... which, you know, is hugely essential to the series. So Warner Bros wound up releasing it separately on VHS, and there was a common import PAL DVD from Republic Pictures everybody copped in 2001, which thankfully excluded the false "European ending."  Other regions didn't have this problem, though, so you could get season 1 including the pilot episode as a full set if you imported from almost any other country. You'll see the German DVD set in this comparison.

So, okay, anyway, Artisan put out special edition boxed sets of season 1 (sans pilot) in 2002. That same year, New Line released Fire Walk With Me as a semi-special edition DVD.  Paramount initially released season 2 by itself in 2007 (as season 1 was already out).  But then later that year, the entire series was remastered, and CBS re-acquired the rights to the pilot episode, putting them all together in their Definitive Gold Box Set.  How "definitive?" Well, it had the pilot reunited with the series (which you can watch with or without the international ending), both seasons, and some all new extras, but it was lacking some features from the Artisan sets and still, didn't have Fire Walk With Me. Then, in 2014, we got The Entire Mystery set, which included both seasons, the pilot, and Fire Walk With Me, all in HD on blu-ray for the first time, and with all new extras, including the 90 minutes of highly sought-after deleted scenes from Fire.  But it still doesn't have everything from the Artisan sets, and it even lost a few things from the Gold Box.  Yeah, it's all pretty confusing.  But don't worry, we're going to nail it all down.  But first let's look at the restorations.
2002 Paramount DVD top; 2007 Gold Box DVD mid;
2014 Paramount blu bottom.
So yes, looking back, the restoration between the two DVDs is quite clear.  The older discs really look pale and fuzzy compared to the Gold Box.  The blu-rays, naturally, are clearer still.  They're all framed at the normal 1.33:1 television ratio, although the Gold Box and blu-rays have slightly more information along the edges, with the old discs zoomed in just a sliver.  So I'm happy to report at no time were we being sold a bill of goods; there is an appreciable uptick in quality with each re-release.  Look at the waitress close-ups full size and you'll really see the benefit of the HD.

For the record, I used to own the original Artisan boxed set and the Republic DVD.  I no longer have them for the comparison, but the as I recall the Artisan set was a direct match of German set seen here, and the pilot DVD was about the same (FTR, the fingernail examination shots above are taken from the pilot episode), if not even a little worse.  The fundamental fact is that, image quality-wise, there's really nothing to go back for.
2019 Paramount UHD.
And now we have the pilot (with the proper or theatrical ending) in 4k on an Ultra HD disc.  It's the same framing and everything as the previous blu (which, yes, is still included in the Z To A box, too), but the colors are more natural.  It doesn't look darker because this is a non-HDR UHD.  We're getting the benefit of the 4k resolution, but that's it.  Getting in close, the grain still looks a little funky, digitally speaking (I feel like every Twin Peaks encode ever could be better, honestly), but the UHD does resolve more fine detail than the blu.  Looking at the equipment behind Sheriff Truman there, it's definitely more defined on the UHD.  And overall, this pilot is a more vibrant, film-like experience than ever.

Audio-wise, the original sets and Gold Box all gave you DTS 5.1 mixes of the episodes, Dolby 2.0 on the pilot (excluding the Artisan set, of course, which doesn't have the pilot), a couple mono dubs, and multiple subtitle options. The blu-box gives you DTS-HD 7.1 and 2.0 mixes, plus foreign dubs and multiple sub options.  Meanwhile, the UHD strips your options down a bit to just the 7.1 in DTS-HD, plus all the subtitles.
But we can't leave the audio discussion behind without talking about perhaps the most controversial aspect of the Entire Mystery and Z To A sets... audio sync issues.  At a few points, in episodes 3, 9 and on some of the Fire Walk With Me deleted scenes, the sound goes out of sync.  Maybe.  On some players.  Some players will sync up if you adjust a frame-rate setting on them, and testing them just now on my PC, they seem perfectly in sync (and I'm looking at the specific scenes very closely).  So people have been asking for a recall for years, Amazon has pulled the set from their store multiple times, but it doesn't seem like anything has been done.  I guess it's sort of a player-specific issue, but a somewhat common one, in that it will only work with certain brands or firmware... or maybe a quiet replacement was done, and newer editions are corrected, but I've seen no evidence of this besides wishful thinking.  The accounts I've read say the sync isn't too far out of whack, so casual viewers might not even notice if they're not paying attention.  But yeah, it's unfortunate, and something CBS really should have definitively resolved, especially considering the prices they charged for the set. But there it is.  Fingers cross, and it will play correctly for you, too!
New Line 2002 DVD first; Paramount 2014 blu second;
Criterion 2017 DVD third; Criterion 2017 blu fourth;
Criterion 2025 blu fifth; Criterion 2025 UHD sixth.






Can't forget about Fire Walk With Me! Now, even the old DVD was anamorphic widescreen, but the second thing you'll probably notice on this comparison is that both are nicely matted to 1.85, but the new blus (and Criterion's DVD) have a decent amount of additional picture on all four sides.  You shouldn't need me to even say what the first thing is: they've really done some changes with the color timing.  Some scenes are more subtle than others (i.e. the first set compared to the second set), but it's throughout the whole film.  I'll assume the later discs are more accurate and what Lynch wanted, but I couldn't say for sure without cornering him in a room.  What I can say, though, is the image is much clearer in HD.  Grain honestly is a little patchy, but it's a sure step forward without all the smudgy compression issues or edge enhancement the old DVD has.  And between the two blus?  Well, they're clearly using the same master, but Criterion's encode seems a bit more even.  In motion, it's unlikely anybody would be able to spot the difference, but in close-up comparisons, I'd give Criterion's blu the edge.  But again, practically speaking, they're essentially identical.

And now in 2025?  Criterion has upgraded us to a new UHD/ BD combopack.  The BDs are exactly the same; the transfer is identical to their 2017 edition.  They're the same disc.  And the new UHD is clearly using the same master.  Honestly, the grain is still patchy.  I'm not thrilled with this UHD at all; I really think they should've given it a fresh scan.  It is a bit of an improvement on the blu-rays, but barely.  and there's no HDR on this or anything, since they're just using an older restoration.  I am disappointed.
Again, the old DVD gave us a 5.1 mix, 2.0, English subs, plus a French dub and some foreign subtitle options.  And the blus give us another DTS-HD 7.1 mix, plus 2.0 and English subs.  The Criterion DVD gives us the 5.1 and 2.0 with English subs.  The difference between the four blus is just that CBS's discs also throws in many additional foreign dub (French, German, Italian, Japanese, Castilian and Latin) and sub (Danish, Dutch, Finnish, French, German, Italian, Japanese, Norwegian, Portuguese, Castilian, Latin and Swedish) options.

And the audio and subtitles on the UHD are exactly the same as the 217 blu.
Now let's get into the really complicated stuff.  The special features.  It doesn't help that plenty of the extras are presented almost like easter eggs, where you have to click on unmarked symbols to discover what will play, but let's do this.  First of all, the old Republic pilot DVD was barebones (except for some bonus trailers), and the German set doesn't give us any more or less than the English Artisan set in terms of extras.  They're identical.

So what did the original season 1 sets give us?  Firstly, the "Log Lady" intros to each episode (except the pilot), which feature the same actress from the series giving enigmatic intros to each episode and that were recorded for the Bravo channel when they reran the series back in the late 90s.  Secondly, and more importantly, every episode (again, except the pilot... basically, there are no extras for the pilot ever) has audio commentary by various crew members (directors when it wasn't Lynch, writers, DOPs and a production designer).  There are also on-screen trivia track notes and hidden interview clips with the people doing the commentaries for each episode. Then the set rounds out with a collection of interviews including: an interview with Mark Frost, a featurette on the Red Room's backwards talk, a 22 minute featurette on Lynch, a featurette on the Twin Peaks diner and on-camera "Postcards From the Cast" interviews with most of the cast.  All told, the postcards are a full hour's worth of interviews, and they're quite interesting, so it's worth clicking through them all.  There are a couple other easter eggs, but they're just DVD credits and special thanks stuff.  The old sets also include a booklet with notes and a text interview with Sheryl Lee (but if you import, remember your booklet may not be in English).

Paramount's initial season 2 set is a lot like Artisan's season 1 set, minus commentaries: Log Lady intros, a short interview on each disc, and about 40-minutes worth of additional interviews at the end.
Now we come to the Gold Box.  Interestingly, it loses almost all of the episode-specific stuff.  It has the Log Lady Intros, but none of the audio commentaries, trivia tracks, or easter egg interviews from the Artisan discs.  I've read it suggested online that Lynch didn't approve of commentaries and such, and requested they not be included, but I suspect it's more an issue of licensing from Artisan, as it also doesn't include the Postcards and other interviews and featurettes from their set.  Then again, it doesn't have the interviews from Paramount's early season 2 set either, which really seems strange to me.  But it does have a large collection of its own special features.

Disc 9 has a few deleted scenes and a stills gallery on it.  And then all the rest is on disc 10, including a feature-length making of documentary called Secrets From Another Place and a half-hour featurette called "A Slice of Lynch." Then there are two Twin Peaks sketches from Saturday Night Live with Kyle MacLachlan, a collection of featurettes about a Twin Peaks festival (some very short, but about a half hour total).  There's a music video for the theme song '"Falling," several galleries, and a huge collection of Twin Peaks commercials.  There are ads for the show when it was airing, but also amusing ads for other products that used Twin Peaks' IP including a series hosted by the character Lucy, and a long collection of spots for their 1-900 hotline. They also have the alternate ending for the pilot viewable separately, some unrelated bonus trailers, and it comes with an insert for David Lynch's coffee brand he was (is?) selling.
Finally, we come to The Entire Mystery. They also have both versions of the pilot and the Log Lady intros, plus they have the recaps and previews for each episode as options, which is a nice touch. A few of the episode discs have promos and galleries on them, but most of the special features is saved for the later discs.  Secrets From Another Place is here, the 900 number stuff, the festival material and other promos, etc.

One interesting change off the bat is the "A Slice Of Lynch" featurette from the Gold Box is here, but re-edited and about twenty minutes longer! They call it "A Slice of Lynch: Uncut."The deleted scenes are carried over, but there's also more of them, which is great. And there's a new collection of outtakes.  There's a new featurette on the filming locations and thankfully, all the interviews from the Paramount season 2 set are here. Even better, a lot of the Artisan stuff has now been carried over, including the diner featurette, the Mark Frost interview, and the hour's worth of "Postcard" interviews.

BUT... the Entire Mystery doesn't recover the entire Artisan ball that the Gold Box fumbled.  It doesn't have any of the audio commentaries.  Maybe the bit about Lynch objecting to them was right after all.  It's also missing the corresponding interview snippets with the commentary participants. And some of the fun stuff from the Gold Box is missing, like the Saturday Night Live clips, the music video, and a bunch of the funny commercials. Very frustrating.
CBS's Fire Walk With Me is completely frustration free, however. The original DVD had a nice half-hour featurette called "Reflections On the Phenomenon Of Twin Peaks" and the original trailer. Both of those have been carried over to the blu.  Also included, as I've already mentioned, are over 90 minutes of deleted scenes.  What's interesting is we see here that a lot more of the original television actors had minor parts and cameos that ultimately got dropped from the film.  I think the final film is better for it, but fans will definitely get a big kick out of seeing these scenes. Then there's a weird, almost 40-minute featurette called Between Two Worlds where Lynch talks to a bunch of the actors in character (a bit of a weird "where are you now" feature, with Mrs. Palmer especially perhaps giving us a little insight into what to expect in seasons 3 and 4), and they discuss aspects of their fictitious lives. There are two more half-hour featurettes where the cast and crew talk about the how the show got cancelled and became a movie, a brief collection of vintage EPK interviews, a couple extra trailers, a stills gallery and a collection of "atmospherics," which are like little video loops from the film.

As for Criterion's pass at the film (in both their 2017 and 2025 edition, the latter of which neither adds nor subtracts), they include some of the extras, including the entire run of deleted scenes, a shorter version of Between Two Worlds, and the trailers.  All the vintage featurettes and interviews got dropped.  But in their stead, Criterion created two new, nice and in depth on-camera interviews with Cheryl Lee and composer Angelo Badalamenti.  One can't fault The Entire Mystery for not including these, since Criterion's stuff came out afterwards.  But essentially, fans who already have the box have to ask themselves if they need those two interviews enough to spring for the Criterion.
And speaking of stuff you can't fault The Entire Mystery for not including since it was released afterwards, there's a whole new season of Twin Peaks now!  It aired on Showtime between May and September of 2017, and came out on DVD and blu-ray just before Christmas.  Entirely directed by David Lynch this time, and co-written between him and Frost, I'm happy to report that this season doesn't go off the rails like season 2 did.  Nearly the entire cast and crew return for this outing, with a whole bunch of new, impressive actors added to the roster (like, oh say, Laura Dern, Naomi Watts, Matthew Lillard, Jane Adams, Jennifer Jason Leigh, Tim Roth and Jim Belushi to name just a few), the series rejoins our characters 25 years later, still dealing with Cooper's dark doppelganger, who split from him and escaped the ledge at the very end of season 2.  Eschewing the conventions of the Dynasty-style television of the original seasons' era that it was in some ways sending up, or at least subverting, season 3 flies even further out into space and the idiosyncrasies of Lynch's artistry.  There were a few moments where I feel the tone slipped from their grasp momentarily (the green gardening glove was a bit too silly for my tastes), and it doesn't have the driving focus of solving Laura Palmer's murder like season 1 did.  But overall, it's as engrossing as Twin Peaks has ever been, and in a way, it's even more exciting for being one of the few cinematic journeys with a properly arcing narrative where you still cannot predict where it'll go next.  I know some viewers have criticized it for being too esoteric, or even nonsensical, but to them I'd say, give it a second watch, think about it, and I don't think it's any more indecipherable than, say, Mulholland Drive.
2017 CBS DVD top; 2017 CBS blu bottom.
The series is in 16x9 now, 1.78:1, and looks pretty great, settling in alongside its new "golden age of television" peers.  Unlike its predecessors, this season was shot digitally, so there's no point in trying to peck out film grain or anything.  I think it's safe to assume this is a more or less direct port of the DCP, with the blu-ray having a much crisper, more satisfying image than the noticeably softer DVD.  It was shot in 4k with an HDR-friendly camera, though, so it's a bit of a shame there wasn't any more available on UHD.  But it's hard not to be happy with the blu-rays, which still manage to look even a bit better than how it originally aired.
2017 CBS/ Paramount blu top; 2019 CBS/ Paramount UHD bottom.
And yes, all The Return discs are exactly the same in the Z To A box... except for that UHD with episode 8!  Though, to be clear, the previous blu that includes episode 8 is in this set, too.  Now, as with the pilot, this does not feature HDR.  But unlike the pilot, this was material was shot and made for 4k, so it looks especially authentic here.  Where edges turn into blocks on the blu when you get in close, they still hold firm as smooth, natural curves on the UHD.  The only question is if you have a television large enough to appreciate the upgrade.  Also, even without HDR, the colors are richer on the - see how that globe has a stronger, deeper yellow glow?

The series is presented in Dolby 5.1, bumped up to DTS-HD for the blu and UHD, with optional English subtitles across the board.  And one neat thing about the DVDs and blu-rays is that, well, you remember when the series first aired, they showed the first couple of episodes together in two hour chunks, right?  And those eps were actually edited together into one seamless double-episode, with one only series of credits each and all.  Well, these boxes give you those episodes both ways.  So you can watch each episode as an individual hour with full credits, or the pairs edited together as they first aired.  Not a big deal, but just like the previous seasons giving you the ability to watch the episodes with the bumpers and all, it's nice that they gave us all the options here as well.
Behind the Red Curtain
Fans should be delighted with its over 6 hours of special features.  Most of it consists of a series of behind-the-scenes documentaries called Impressions, which give you a wonderfully candid look at the making of the series as Lynch and company travel all around the country filming its various scenes.  Seriously, this is one of the best 'making of's I've ever seen on any disc.  It does have some cornball narration which I could've just as well done without; but the substance of the content is so great, at the end of the day, who cares?  Then there's an hour-long comic-con panel, hosted by the creator of Lost, with some of the series biggest stars.  It's alright, but nowhere near as interesting as those docs.  It's also nice that they kept the small series brief promo featurettes that were previously available when the series was airing On Demand.  And there's a stills gallery and a reel of company logos, for the one weirdo who cares about that.

So, all of the above are included in both the DVD and blu-ray sets.  But the blu-ray has almost another hour and a half of exclusive special features that were left off the DVDs.  There are two more half-hour docs by Richard Beymer (yes, the actor who plays Ben Horne), which are essentially just like the other 'making of's, but without that narration.  In other words, they're great.  Then there's another more traditional, but still quite good half hour featurette by the guy who directed some of the features for The Entire Mystery.

And Z To A?  Yeah, here come those extra two blu-rays worth of new stuff.  The biggest feature, taking up one and a half of the discs, which are essentially more half-hour Impressions-like documentaries, minus the narration.  There's one for every single episode of The Return, so that's about nine more hours peaking behind the curtain right there.  There's also a great, 90-minute interview with MacLachlan and Lee, with a good interviewer who knows how to press for fresh new details.  And there's a new brief but engaging chat with Harry Goaz and Kimmy Robertson, a.k.a. Deputy Andy and Lucy.  Fan of the music of The Return?  Good news, we also get every Roadhouse performance, adding up to another 72 minutes of stuff.  And Z To A comes in a very stylish box, which also houses a box of 24 art cards, a magnet of Cooper & Laura Palmer, and an individually numbered certificate of authenticity (mine's #17,479 of 25,000).
So ultimately, of course The Entire Mystery Collection is the way to go. It looks the best in HD... there's that unfortunate sync issue, but even if you get it on your player, it's probably better to live with that than the standard definition episodes. Plus, it has the largest collection of extras.  Just not all of the extras.  In fact, it's missing enough from the old set that I'd actually recommend picking up the Artisan season 1 set (or a foreign version with the same extras, like I did) for the commentaries.  You can find them used pretty cheap nowadays, and they're substantial enough extras to make it worthwhile. It's frustrating that they dropped some Gold Box stuff, too; but I wouldn't recommend getting that unless you're super rich or a Twin Peaks mega-fan, in which case I'm sure you've already collected every Twin Peaks VHS, laserdisc, DVD and blu-ray there is to have anyway just for the different covers.  And then you might as well spring for the Criterion Fire Walk With Me, too.

So, to be clear, all other previous editions, like the Paramount season 2 set, the New Line Fire Walk With Me DVD, and any screwy old pilot-only discs you have are totally obsolete.  Unless you're just collecting them as objects, you can go ahead and chuck those.  The Gold Box and Criterion Fire Walk With Me disc have some exclusive extras, but not a lot.  And the 4k upgrade isn't really worth it unless you're a real zealot about having everything in maximum quality.  What I seriously recommend is The Entire Mystery 10-disc version, the season 3 blu-ray set, and Artisan's season 1.
Buyers beware if you're still looking to buy The Entire Mystery set rather than the Z To A.  The Entire Mystery set was originally comprised on 10 blu-ray discs in a stylish box, but has been quietly replaced in the US market with a lower budget 9-disc set in a more standard plastic case.  As of September 20th, this new set's discs 1-9 are all exactly the same, but the 10th disc of extras has been dropped.  But the good news is Z To A includes that tenth disc, as well as all the previous nine, the eight from The Return and the three new discs (2 blus of extras and the UHD).  There is no single thing from The Entire Mystery and Return sets absent from Z To A.  The only things it's missing are the commentaries and clips from the season 1 DVDs, the tiny bits from the Gold Box, and the two exclusive interviews on Criterion's Fire Walk With Me.  If you're a super-mega fan, you probably already have every single one of those sets, but for most of us, Z To A is so thorough, you won't be aching for those additional odds and ends.  Except possibly for the commentaries, they offered a lot of unique value.