Admittedly, seeing it as an adult, its flaws are a bit more obvious. Hokey writing, atrocious acting. It's not kind of movie I could ever recommend to "normal" people. haha Only if I knew they were deeply entrenched horror fans who were familiar with early 80s, low budget video fare. But if you are, I have to say, a lot of the film's effectiveness remains. It sounds like they're using stock library Indian drums, but it's still atmospheric as the characters hear the sound off in the distance around the lone campfire in the middle of the night. The special effects are cool, the pacing is strong, and the fact that the film pushes the line in terms of brutal mean-spiritedness. I haven't seen this film with a theatrical audience, but I imagine the girl hysterically insisting from very early on that, "we're all gonna DIE," gets a lot of laughs. But by the fourth or fifth vicious death, they've probably stopped laughing. Add to all that some ambitious animatronic visions and an inflated cameo by Forrest J. Ackerman, walking around with a copy of his Mr. Monsters book in-hand, and you've got a pretty neat little horror flick if you dig that sort of thing.
We're gonna diiiiiiie!!! |
2004 DVD on top; 2016 blu-ray beneath. |
The aspect ratio is also improved upon. The DVD has a 1.74:1 image floating in its giant, non-anamorphic windowbox. The blu-ray, meanwhile, slightly letterboxes its widescreen image to 1.85:1, giving the film a little more picture on both sides and along the top. It doesn't look like this has been DNR'd or otherwise adversely tampered with. You're not going to play this blu-ray on the showroom floor of your high-end fancy television storefront, but it's still leagues ahead of the DVD.
2004 DVD on top; 2016 blu-ray beneath. |
Another big improvement from the DVD to blu are the extras. Not that the DVD was too shabby. It's main feature was a very open and honest audio commentary by Fred Olen Ray and producer Lee Lankford. It's full of great info about the film, even if the filmmakers seem rather ashamed of their own film. But they're funny, have lots of memories and behind-the-scenes anecdotes, and answer some of the questions you've probably been wondering since you first saw the film. But besides the commentary, there's not much else: just the trailer and a still gallery.
By the way, on the old commentary, Ray talks about how the distributors took the film after he sold it to them and re-edited it using their outtakes and extra footage. He mentioned he was thinking of recutting it the way it should be, but didn't have the original audio tracks to properly restore it. Well, just in case you were wondering (since I was), the blu-ray is the same cut with the extra lion-man footage and other stuff the director didn't like. I actually like that footage, so I don't mind; but yeah, it's the same version of the film. I guess you could call it the distributors' cut with restored gore.
Anyway, onto the blu, the first thing I noticed is the case says "New audio commentary track by Fred Olen Ray." And yes, this is an all new, completely different audio commentary from what was on the DVD. Certainly a lot of facts are repeated on both, but Ray has taken a whole new pass on the commentary, this time on his own. But then the blu-ray goes much further, starting with a great 20+ minute featurette called Remembering Scalps, featuring interviews with Richard Hench, Frank McDonald, his son Chris Olen Ray and of course Fred himself. Ray repeats a lot of anecdotes from the commentary verbatim, but once it gets to the actors, things pick up considerably and it's a pretty fun little retrospective.
Scalps II: non-anamorphic, just like the original DVD. |
The only other extra on here is the trailer. The stills gallery stayed with the DVD, I guess.
This blu is limited to 2000 copies, and it's all region; so if you're interested, probably don't wait too long. Of course, the film's got another release pending in the UK from 88 Films. That's due sometime in April, and while I'd guess it's using the same transfer, extras haven't been finalized apart from a director's commentary, a booklet and the trailer. So that's a question mark on the horizon still. But regardless of what happens with that, this blu is a huge, very welcome improvement over the old DVD. If you've got it, double-dip, though maybe hang onto it still anyway just for the exclusive commentary track. At the moment, however, there's no question that Retromedia's blu-ray is the definitive version to own.
Retromedia's original SCALPS DVD was a major chore to sit through and watch,with one of the worst transfer to the DVD formast and a majority of the film being drowned out in purple coloring. By the looks of those pics from the Blu ray,it looks like SCALPS has been somewhat properly restored(despite he blurry looking re-installed censored footage) and without the purple coloring that plagued the previous DVD.
ReplyDeleteYeah, having the gore scenes from tape is a little disappointed, but I guess if no one's got the film elements, no one's got 'em. What can ya do? I've read that some people are holding out for the 88 release, and I can't blame 'em; but my guess is it will use the same master and look about the same. But we'll see. Overall, I was happy with this, especially given, as you say, how bad the DVD was.
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