Werner Herzog has made so many films in his lifetime, that I think even serious fans let a lot of them slip away unseen. For instance, here's one you won't find in any BFI, Shout Factory or Anchor Bay collection: 2000's Christ and Demons in New Spain, a.k.a. Lord and the Laden, God and the Burdened, or as it's titled in this set, New Worlds. This is a 45 minute documentary that somehow found its way incongruously packed into a History Channel-style television series called 2000 Years of Christianity. But this isn't really a case of him being hired to direct an episode of some TV show; this is a stand-alone film that just managed to get itself shoe-horned into the series, probably in a deal for funding not unlike how Port of Call wound up being released as the sequel to Abel Ferrara's Bad Lieutenant.
So I guess I'll start off by explaining the rest of the series first, since Herzog's is technically episode #9. 2000 Years of Christianity is actually a German series, and its on-screen titles remain untranslated: 2000 Jahre Christentum. If you're only interested in Herzog's work, you definitely don't have to watch the rest of the series, though, as the connections are all superficial. The overall series is a very dry documentary telling us the chronological history of the Christian religion from its origins to the present day. And I chose the word "telling" because that's really what it's doing. A narrator gives you a 13 episode lecture. Visually, they clearly sprung for some production values, capturing footage in locations all around the world, lavish historical recreations, colorful graphics... But it's all in service of the narration droning on in a frankly boring way. The end of the series gets a bit more interesting, as it involves more first person interviews with various clergy and theologians about their beliefs and the religion's place in the modern world; but even then, I'm not sure anybody comes up with anything particularly original or surprising.
So Herzog's film, then, is about Christianity, but rather than a history; it's an exploration of the way it's been adopted and evolved into something quite unique in Antigua, Guatemala. Well, there is a couple of minutes worth of history at the start, looking at ancient documents and explaining how the people were pressed into Christianity centuries ago; but that's really just to set up all the strange compromises that have been built into the religion there. For example, one of their key saint figures is a modern Spanish ranchero holding rolls of cash. It's suggested that the local natives may have converted the incoming missionaries almost as much as they brought their religion to them. This film is all about exploring the people as they are now, watching pilgrims and capturing rituals, unlike the rest of the series, which pontificates about a single, historical narrative. This episode is vitally alive, while the rest of the series is just barely exhaling.
There are superficial connections made to tie this film to the overall show... It has the same opening and closing credits speeches tacked on, and Herzog's voice has been replaced by the narrator of the rest of the series. A website called NoFilmSchool has a nice little interview with editor Joe Bini, where he briefly refers to this film, saying how, "the German broadcaster replaced Herzog’s trademark, esoteric voice-over with another narration track... It’s completely bizarre. The narrator is saying this Discovery Channel stuff but you’re looking at weird, Herzogian visuals."
2012 US Image/ Madacy DVD. |
So, look, I really don't think it matters which set you get. 5 discs, 6 discs or 8 discs, it doesn't even matter if they're compressed down to less than 2 GB per episode anyway. The 8 disc set looks most impressive in its large box, I suppose. The book and poster don't tell you much; they're basically just timelines of Christian history, nothing about Herzog or the filmmaking at all. But they're full color and glossy. You can get any and all of these sets super cheap if you just poke around a bit. The movie itself is pretty great, though; better than many other Herzog films, in fact, and not one you should just let slip past you.
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