Showing posts with label Dragon Entertainment. Show all posts
Showing posts with label Dragon Entertainment. Show all posts

H.P. Lovecraft's From Beyond: Dragon to Vinegar Syndrome

We may've completed the Re-Animator trilogy, but we haven't run out of Brian Yuzna/ Charles Band co-productions of H.P. Lovecraft stories by Stuart Gordon and Dennis Paoli, scored by Richard Band and starring Jeffrey Combs and Barbara Crampton yet. And while From Beyond might not be quite the film the original Re-Animator was, it's pretty damn close. And it's got just as interesting a history on disc as the rest of 'em.

Update 9/27/15 - 2/11/23: And that history just got more interesting, as Vinegar Syndrome has upgraded From Beyond to 4k UHD, in a packed 3-disc set.
A fun fact about From Beyond: the original Lovecraft story is so short, that it's pretty much adapted in this film's pre-credits sequence. Everything after that, then, is extrapolation and invention. And inventive it is. It's a wild and imaginative story that stays true to pretty much everything that was great about Re-Animator in terms of tone, style, performance, etc. The only thing that holds it back, maybe, is that it's so much further out there. Re-Animator obviously had a supernatural element to it: you can't just inject dead people with green goo and have them sit up and start walking around again. But this film has a whole other dimension, shape shifting monsters and all kinds of craziness. It's still got a sci-fi, and of course Lovecraftian base, but it's really over the top, including the characters. So that's what keeps this film from being quite as top shelf as their first endeavor - Jeffrey Combs becoming a brain-eating monster isn't quite as intellectually satisfying as his coldly intellectual portrayal of Herbert West. But on the other hand, in terms of crowd-pleasing over the top effects and general B-movie shenanigans, this movie manages to take it even further, which is saying something!
The story, uh, well let's see. Two scientists discover that sonic vibrations can stimulate a gland the human brain to see another dimension. So they create a machine to do so, and find out it's full of nasty creatures and quickly shut it down. That's pretty much where Lovecraft ends. It's pretty much a "could you imagine?" scenario. But in the film, one of the scientists is changed by the experience and goes back, turning into a shape-shifting creature that wants to absorb more people. The other scientist, Combs, winds up in a mental institution because they think he killed scientist #1. But his doctor, Crampton, wants to take him back to the scene and discover the truth. Of course, she has no idea just how bonkers the truth is, and soon the three of them (including Dawn of the Dead's Ken Foree as Bubba, the cop who's there to supervise) are also changed by the machine and can't stop summoning back the original, sadistic doctor. In short, the whole movie's delightfully crazy and backed by a ton of talent.
So, for a long time, this film wasn't available on DVD, despite having a very strong reputation. Part of that may've been due to the fact that this film was known to be a cut down version of an even more extreme director's cut that had never been released, and included scenes like an infamous eyeball sucking. The German label Dragon put it out in 2003, though, and even made a bit of a special edition out of it. And despite it being full screen, that was pretty much the one to own until 2007 when MGM amazingly stumbled upon cans of the lost film and Gordon was able to restore it. Apparently, it's not 100% - there are still bits of his director's cut missing; but he was able to restore a bunch of it including, yes, the eyeball suck. That was quite a happy release, I must say, featuring a bunch of new exciting extras as well. Finally a definitive DVD release! And when it became blu-ray time, who else but Scream Factory had the connection to MGM's catalog to make create an even larger special edition? But now in 2023, that MGM master is looking a bit dated. So now Vinegar Syndrome is here to usher us into the latest format, newly restored in HDR from the original camera negative on 4k Ultra HD.
1) Dragon DVD; 2) MGM DVD; 3) Scream Factory DVD; 4) Scream Factory BD;
5) Vinegar Syndrome BD; 6) Vinegar Syndrome UHD.




So, there's six shots per because the Scream Factory release is a DVD/ BD combo pack, and VS is a BD/ UHD pack. It's a pretty natural progression down the whole line. Dragon's disc is fullscreen at about 1.30:1, but it's not entirely an open/ closed matte situation, since it does have extra info on the top and bottoms but is missing quite a lot more on the sides. Once MGM gets it, though, it's properly matted to 1.85(or technically, more like 1.83ish):1 with much more vivid colors. But then it drops the letterboxing and opens back up to 1.78:1 again once Scream Factory gets their hands on it for their DVD. Otherwise the images are fairly identical. Obviously I prefer the OAR of MGM's disc, but it's a literally slim distinction, and the upgrade to HD is much more important.

Not that it's a huge boost, to be honest. I'm pretty sure Scream's just used MGM's high def master that they created back in 2007, so it's not floor show-level impressive. But it does sharpen things up and clear away compression lumps, giving the film a cleaner and more realistic look on blu. So it's a genuine step up to HD, but the minimum distance that step could take.  But now we've got VS's all new 4k scan - and hey, look, film grain magically appears!  Also, VS has re-framed the film to its proper 1.85:1 AR, and pulled out to reveal more picture along all four sides in the process.  Now it really looks like film; and only holds even truer on the UHD.  The HDR colors look more natural (or more unnatural, when it comes to the crazy pink and blue dimension crossing scenes), and aspects of the image that are blown out, like the papers on the desk behind them in the second set of shots, have all of their visual information restored.  This is a super satisfying upgrade.

1) Scream Factory BD; 2) Vinegar Syndrome UHD.
Oh, but I should talk about this, too: VS's new release comes with a disclaimer about the composited footage, which comes from a 35mm workprint, and how they went to extra lengths to retain its original qualities as best they could.  But that's obvious just from looking at it.  Grain is reasonably hinted at in these shots on the SF, but it's a stronger scan now, and all that much clearer on the UHD.  You can see that SF cleaned up some film damage, which is back on VS's presentation (notice the black marks around Jeffrey's upper hand), but I'll take that trade any day.  Oh, and VS has also matted theirs to 1.85:1 to match with the rest of their transfer.

The Dragon DVD just offered a standard stereo track (plus a 5.1 mix of the German dub), which MGM upgraded to a Dolby 4.0 mix. Scream gives both a 2.0 and 5.1 mix, in DTS-HD on the blu, both of which VS keeps. MGM, Scream and VS also include optional English subtitles.
There's plenty of extras on hand, too. Dragon started us off with two interviews: Stuart Gordon and Brian Yuzna. They're pretty good, but clearly recorded at some convention with omnidirectional mics, so the background sound really overcrowds the speakers. It also had a little booklet, but the text is all in German. MGM scrapped those and instead assembled a kick-ass commentary with Gordon, Yuzna, Combs, and Barbara Crampton, plus a short featurette on the restoration of the found footage and brief on-camera interviews with Gordon and Richard Band.  They also had some storyboard comparisons and a photo gallery.

Scream has all the MGM extras, plus a second audio commentary with Dennis Paoli. Writers are usually skipped over for commentaries, so that was a really nice surprise. They also created a 23+ minute featurette on the special effects, and on-camera interviews with Crampton, Combs and Charles Band. Plus they finally added the long conspicuously absent trailer. It adds up to a very satisfying, well-rounded special edition fans should love.
Re-Resonator: Looking Back at From Beyond
But Vinegar Syndrome must really want us to double-dip, because they came loaded for bear.  First of all, they have almost all of the special features from the MGM/ Scream Factory releases.  They're just missing the short featurette where Gordon (plus the telecine artist and a guy from Sony) speaks about how they found the lost footage ("this film had been castrated, and now it's got its balls back") and restored.  This is a shame because it answers a lot of fans' questions about these releases and isn't redundant, unlike many of the other extras we'll talk about.

Because VS also has a whole bunch of new material, most significantly, an all-new, feature length documentary on the history of From Beyond.  That's right, it's a whole new movie in itself, that talks to pretty much all the surviving major players, from the stars to Yuzna and Paoli, plus some people we never got to hear from before, like the editor even the foley artist.  It's enough that many fans might not even feel compelled to put in the third disc and explore the rest of the interviews.  But there's plenty, because VS has also ported over all of the interviews from Second Sight's UK edition.  So there's another interview with Gordon, another interview with Paoli and another interview with Crampton.  So I love how thorough it is, but it's also redundant and overkill.  Unsurprisingly, these guys mostly have the same memories to share about the film no matter which home video company was interviewing them.  I would advise just picking and choosing what you're most intrigued by rather than plowing through it all.  VS's release also includes reversible artwork and the first 7000 copies come in a limited edition slipcover.
We've wound up with a pretty ideal special edition. It's nice to hold out hope for the rest of the cut footage to be found, but realistically, this is surely as good as it's going to get, and better than I ever would've dared to imagine us getting twenty years ago when Dragon's DVD felt like a godsend.

Lions Gate Just Got Serious About Waxwork 1 and 2! (DVD/ Blu-ray Comparison)

So, I've had some stuff up on Anthony Hickox's Waxwork for a while, as part of my coverage of Lions Gate's Horror Collection 8 Movie Pack DVDs, but I've been meaning to expand it. I wanted to bring in the common US disc from Artisan, look more closely at the differences between the import and the domestic releases, and I wanted to cover the sequel, Waxwork 2: Lost In Time, as well. That one's an even wilder ride.

Update 10/13/16: And speaking of expanding on the Waxwork movies, Lionsgate has done just that with their new 2-disc blu-ray set of both films in their new Vestron line! That's right, special editions, in HD and, finally, in widescreen!
Professional villain David Warner owns a waxwork museum, where each of its tableaus are taken from classic monster movies: a vampires' castle, graveyard full of zombies or a mummy's tomb. But when a bunch of high school students, including Gremlins star Zach Galligan and Twin Peaks' Dana Ashbrook, pay a nighttime visit, they discover its darkly magical secret. When you cross the velvet ropes, you're teleported into the world depicted in the exhibit. Look too closely at the wax werewolf and you find yourself in its cabin with a real life werewolf and no way to escape.

A great cast of supporting character actors bring these scenes to life, including Patrick Macnee, Miles O'Keeffe and John Rhys Davies as the aforementioned werewolf. It's a fun romp, with the film changing its style to match the world they're in (the zombie scene is in black and white a la George Romero's classic Night Of the Living Dead), but without ever getting too serious. At one point, Galligan breaks into an impromptu Maurice Chevalier impression, a la the Marx Bros. But it doesn't play it too safe either, with some gruesome deaths (the film opens with an impressive murder by fireplace) and an appearance by the Marquis de Sade himself. I can't say I'm a fan of all of Hickox's output, but his early work is always a good time. And for his first attempt at directing, the production values, effects and execution are all impressive.
Of course, Waxwork was included in the aforementioned 2012 8 Movie Pack from Lions Gate, but it was also previously released as a double-bill with Waxwork 2 from Artisan in 2003. That same year, though, I was buying the German import from Dragon Film Entertainment, because it was the only version with extras. I say "was" because of course that's no longer the case, thanks to the new Vestron blu-rays, which are fully loaded. So let's stack all four editions up against each other and find out exactly how much better this new one is.
2003 Artisan DVD 1st; 2003 Dragon DVD 2nd; 2012 Lions Gate DVD 3rd; 2016 Vestron blu 4th.
Whoa! The Dragon and Artisan DVDs are pretty close. I mean, the color timing's a bit different (Dragon's a bit lighter; Artisan's a bit redder), but they're both so soft and video tape-ish, it's hard to pick out a clear winner. It's easy to pick out a clear loser, though! Lionsgate's Horror Collection disc is way too dark, black crushing a lot of information away, including the mummy's face. And the kids sitting on the couch look like a couple of heads and limbs sticking out of a giant blob of oil.

And it only gets worse for owners of the Lions Gate set - their disc is cut! Yes, ever since the VHS days, Waxwork has existed in two different cuts, the R and Unrated versions. Well, Artisan and Dragon have both wisely selected the unrated version of the film to release, but Lions Gate, probably out of sheer lazy ignorance, have included the softer R-rated cut in their disc, losing several shots of blood during the vampire sequence.
A shot only seen in the Unrated versions.
But thankfully, they were paying full attention for the blu-ray, which is the proper uncut Unrated version. And visually, of course, it leaves every past edition behind by a mile. It's no small thing that Waxwork is finally being presented here in widescreen. And in actual 1.85, not 1.78 with "1.85:1" on its packaging like some other recent releases, including a previous Vestron blu. Admittedly, the previous fullscreen DVDs were at least open matte, but it's still important to preserve a film's proper framing.  Plus, we are actually gaining a little information on both sides.  And just look how much cleaner and clearer the image is: fine grain, nothing's too black or murky. This is really the first respectable transfer we've had of Waxwork.

Audio-wise, all the old DVDs just have your basic stereo 2.0 track, and no subtitles. Vestron has that same stereo mix but in DTS-HD, and is the first release to offer an English subtitle track as well.
Which brings us to Waxwork 2: Lost In Time. The sequel came out in 1992 and thankfully, it's still written and directed by Hickox, as it's all his crazy, undiluted vision. Zach Galligan returns as well, with Monika Schnarre replacing Deborah Foreman as his girlfriend Sarah. They thought they'd escaped the terrors of the waxwork, but something followed them out; and now they've got to get proactive and fight the evil directly. And they do this by hoping through worlds based on classic horror set-pieces - just like the first one, of course. It's got another wonderful cast of cult actors, including Bruce Campbell, David Carradine, Juliet Mills, George "Buck" Flowers, John Ireland as King Arthur and the return of Patrick Macnee. The tone has shifted a bit further from horror to fantastic adventure, and maybe it drags a little in the third act; but if you liked the first one, I can't imagine not enjoying Lost In Time.
So of course, Waxwork 2 is available as the second half of that Artisan double bill with the first one (they're both on one single-sided disc, but two relatively short films with no extras isn't such a strain). But again I've got an import version: this time a 2004 DVD from the Netherlands, courtesy of Dutch Film Works. This time, though, importing may not have been such an improvement (but dig that From Beyond-style DVD cover). Not that it matters anymore; they're all piddling compared to the brand new, 2016 Vestron blu. Let's have a look.
2003 Artisan DVD on top; 2004 DFW DVD middle; 2016 Vestron blu below.
Once again, the DVDs are just soft, crappy VHS-like fullscreen transfers. There's no important distinctions to be made in terms of detail, framing or colors. It's all a dead tie except for one thing, the DFW disc is horribly interlaced. Like, not even every sixth or so frame like a pull-down conversion problem like most interlaced disc. This one's interlaced all over.  So both discs are disappointing, but the win goes to Artisan this time around.

It's an entirely academic win though, naturally, as we now have the far superior blu-ray edition. Again, it's an actual 1.85:1 transfer, and while the DVDs were pretty much open matte, like the first one, we do get a little more along the sides. Not that the HD image wouldn't blow the old DVDs away in any aspect ratio. 

The Artisan DVD and Vestron blu both feature the original stereo mix as the sole audio option, though on the blu it's in DTS-HD. Again, the Vestron blu is the first release with English subtitles. The DFW disc did have optional Dutch subtitles if you need those, and a 5.1 mix, which is interesting; but I can't imagine anyone bothering to track that disc down now over the Vestron blu.
 
Special features are easy to talk about on the old DVDs, since there really isn't much. The Dragon Special Edition of the first film is really the only blip on the radar. It's got something, which is a lot more than I can say for Artisan, Lions Gate or Dutch Filmworks discs, which don't even offer a trailer. Dragon does offer the trailer, and far more importantly, it has a vintage 25-minute 'making of' featurette. It's rather heavy on clips from the film, but it's still more substantial than your average 7-9 minute promo. There's lots of behind-the-scenes footage, on and off set interviews, and an amusing wrap-around hosted by Macnee. There's also a silly but not terribly relevant featurette called The Real Waxwork, made up of footage of an actual waxwork someplace, presumably in Germany. It's not connected to the film, apart from being another waxwork, but it's amusing if you like that sort of thing. There's also a collection of six bonus trailers. It comes in a slipcover and includes a cool little 16-page booklet, though the text is all in German.
That was at least kind of a big deal until Vestron came along and crushed everything with a fully-loaded special edition.  First of all, that 25-minute featurette from the Dragon disc?  That's here, as well as the trailer.  Plus, part 2 also finally gets a trailer.  But that's nothin', because then there's also a full-length documentary by Red Shirt Pictures.  It's credited on the case as six featurettes; but also viewable as one 90-minute documentary feature, which covers all aspects of production.  And if you're looking at the case disappointed that Lost In Time didn't get any documentaries, don't worry, they spend more time on the first, but actually cover both films in the one on disc 1. Both films also have great audio commentaries with Hickox and Galligan.  And, a really nice surprise, each film also have second, hidden/ uncredited audio commentaries with the film's composers - Roger Bellon on the first one and Steve Schiff on the second - where they're interviewed for the first half, and then the second half is the full, unedited and score tracks.  The Lost In Time disc also includes the full LA Posse (an actual, credible rap group who produced some big hits including LL Cool J's "I Need Love") music video from the film's closing credits, in 1.78:1, with Zach and the rest of the cast dancing together with the posse on the film's sets, without the credits and junk running over it.  Both films also include stills galleries, and the set comes in another slick Vestron slipcover. For the first time (for Vestron), they've included reversible interior artwork, too, with part 1 on one side and part 2 on the other.
So there's really no question which version of both films come out ahead... by a country mile. Admittedly, there is actually an anamorphic widescreen DVD in the UK, put out by Lions Gate, that I don't have and so didn't include in my comparisons. But it's the censored version; so it's really not worth our time to consider. And there's no way it would look as good as the new, HD presentations, let alone their impressive stack of features.

It's funny.  I first posted about the Waxwork movies being very critical about how Lions Gate had been sitting on their catalog for so many years.  After all, these are such fun, well made and fairly popular horror films, it was hard to believe we were still looking at such grubby, decades-old DVDs.  But as we now see, Lions Gate have come around in a big way, and with this killer 2-disc set, Vestron just hit their biggest home run yet.  The most infamous studio is becoming the best.  It's like when Dr. Doom became the new Captain America... or something.  I don't read comic books anymore; that might never have happened, but you get the idea.  Villain to hero, super awesome.

Night Of the Intruder: The Raimi Bros Vs Supermarket Slasher

The whole gang that made the Evil Dead movies actually made a bunch of fun horror movies together. They switched roles around, so sometimes Sam Raimi acted, sometimes Bruce Campbell did sound design, etc. Admittedly, none of them are operating on quite the level of the Evil Dead films that Raimi directed (especially the larger budgeted sequel), but they're all good times: Thou Shalt Not Kill... Except, The Carrier, Lunatics: A Love Story, and perhaps the best example of all: (Night Of the) Intruder.
In this instance, Scott Spiegel takes the writing and directing helms, with the Raimi brothers are both acting and special effects by the full KNB triumvirate. And the plot is simple enough: a bunch of employees are trapped in a supermarket over night with a mysterious killer. A lot of the writing and acting feels beginner level, but the real supermarket location adds a lot of production value to a well paced slasher film that doesn't take itself too seriously. It also some clever, inventive camerawork and of course some great kills. What more do you want? Bruce Campbell cameo as a cop? Okay, that's in here, too.
So Intruder's one of those home video staples that's kinda been available in some capacity since the days of VHS. On DVD, it was released first by Germany's Dragon Entertainment in 2002, and then re-released that same year by Dragon as an upgraded special edition. Then Screen Entertainment put it on in the UK in 2004 and USA's Wizard Entertainment released it in 2005. I've hung onto that Dragon special edition over the years for a couple unique features we'll come to later. But finally in 2011, Synapse created the definitive release in HD with their special edition blu-ray release, the first 500 copies of which also included a limited, hand-numbered bonus disc of Intruder's longer workprint. Oh, and it's a combo-pack, so I'm including Synapse's SD DVD in the comparison, too.
Dragon's 2002 special edition DVD top; Synapse's 2011 blu-ray 2nd,
Synapse's 2011 DVD 3rd and Synapse's 2011 workprint DVD 4th.
So Dragon's disc looks pretty poor; but we were actually happy to get it in 2002. They did improve the picture quality (and sound) over their earlier non-special edition, and none of the other country's DVD releases were much better. It was always put out in fullscreen until Synapse got their hands on it. The earlier DVDs are open matte, so at least they have a little curiosity value; but Synapse's new widescreen transfer is correct (or close to it... their 1.78 is probably a bit more open than the originally envisioned 1.85 theatrical ratio) and makes the image look more refined and less clunky. And as you can see, if you get a copy with the workprint, that gives you an opportunity to see the film with all the extra picture anyway, so no need to track down and old DVD just for that.

The Dragon disc is still clearly over-saturated, but that's still probably preferable to the super faded workprint, which almost looks black and white. But the colors, clarity of image (you can finally read the headline on those TV Guides - yay!) and really everything about the Synapse's new 2k transfer is so superior, it really invalidates everything that came before it. Plus, as you can see in the second set of shots, Dragon's DVD had interlacing problems.
So none of the Intruder DVDs had any extras except for Dragon's special edition. They included two short deleted scenes of more gruesome special effects shots taken from the workprint, two trailers for the film, and a photo gallery. And most interestingly of all, and why I still own this disc, it features two early Scott Spiegel short films. There's Torro. Torro. Torro!, co-written and directed by Josh Becker, about a killer lawnmower. It features all of the old crew again: both Raimi's, Bruce Campbell, John Cameron and Rob Tapert. And then there's Attack Of the Helping Hand, where the Hamburger Helper mascot goes on a killing rampage, starring Sam Raimi and shot by Campbell. They're both just silly little home-made films, mostly of interest for fans of the guys. Dragon also included a booklet, but the text is all in German.

Synapse has produced a more traditional and fully loaded special edition. It has an audio commentary with Spiegel and producer Lawrence Bender, which is quite good. Spiegel has mastered the art of commentaries by working as a moderator on other director's horror films, so this one moves along at a brisk and informative click. There's then a substantial, 40 minute 'making of' featurette which interviews everybody from Bruce Campbell to Renée Estevez, a brief interview with Vincent Pereira about the censored cut originally released on VHS, audition footage, outtakes from the now lost film Night Crew, the short Spiegel shot to raise funding for Intruder, trailers and a photo gallery. And if you missed out on one of the limited editions with the workprint, don't feel too bad, because there's also a selection of the most important unique scenes from that included as an extra on the main disc.
This isn't an objectively great film, but if you're looking for an enjoyable 80s slasher flick, this delivers in all departments. And Synapse has given it top of the line presentation. Now we just need them to tackle Lunatics: A Love Story (it's in seriously dire need) - oh, and Code Red to create a blu-ray of The Carrier - and that's this whole line of films pretty much covered with excellent home video releases. And if you're a huge fan, you can track down the Dragon disc for those two shorts. And you can get many of the gang's other shorts on DV-R direct from Josh Becker's website.