The Great Woody Allen Anamorphic Project, Part 1

Naturally, Pretty much every Woody Allen movie is available in America on DVD.  I say "pretty much," because where is Harvey Wallinger?  Come on, WNET!  But what I'm really getting to is that, while we've got 'em all, many are so old, they're non-anamorphic.  Yuck.  That was the case with the original Annie Hall DVD, which I already covered.  Even the 2012 reissue was non-anamorphic, and who ever heard of a non-anamorphic blu in the 2010s?  But that's a celebrated enough film that MGM eventually put it out on blu.  Of course, now we've got Twilight Time and Arrow putting out all these great Woody Allen HD editions.  But there's one big problem area in his filmography.  A middle period around the late 90s where his films weren't with MGM (who learned their lesson after Annie Hall complaints), famous enough to get an updated blu-ray, or or new enough to debut with HD masters.  Yeah, in America we're stuck, but fortunately there are some relatively obscure import options that have us covered.  In fact, there's one DVD boxed set from Germany that seems almost specifically designed to replace all our old problem discs.  And there are other options, too, including a couple blu-rays I've got for us to look at, all of which put our American selection to shame.

Update 8/9/17 - 10/1/19: Well, gee, what's happened since I first wrote this post?  Well, the #MeToo movement pretty efficiently pulled the brakes on Arrow and Twilight Time's HD restorations.  And a new blu-ray boxed set came out in Germany from a label called Concorde Entertainment.  What does that mean?  More overlooked Woody Allens in HD, so let's take a look!

So let us begin with 1994's Bullets Over Broadway.  It's the first film chronologically, and it's one I have a blu-ray edition of as well.  So we get a fuller comparison; and once you see this one, you'll get an idea for how the cases of all these films are going to go ...at least until we get to the last one, which is all kinds of messed up.  But let's not get ahead of ourselves.

Bullets Over Broadway is a period piece that was nominated for a half a dozen or so Oscars in its year.  John Cusack stars as a young, starving artist playwright in 1920's New York City who finally manages to get one of his plays produced... by throwing in with the mafia. Theatrical troupes and the mob are both rife for comedy, but the fun really comes from meshing these two worlds together and the unexpected results.  This is less of a heady piece for Allen, and more of a straight-forward display of light character humor, with a truly star-studded cast, including Jennifer Tilly, Chazz Palminteri who steals the picture, Jack Warden, Dianne Wiest (winning her second Oscar), the always underrated Jim Broadbent, Mary-Louise Parker, Harvey Fierstein, Rob Reiner and Debi Mazar.  Wow.  This is just one of those movies that will play for any audience.

Bullets Over Broadway was released in America on a non-anamorphic, barebones DVD by Buena Vista/ Miramax back in 1999.  And that's it forever.  The 2002 UK DVD didn't fare any better.  But thank goodness for countries that wouldn't stand for such shabby product on their more modern releases.  I've got the anamorphic DVD in the aforementioned 2013 German box set called The Woody Allen Collection (not a very helpful title in regards to separating it from all the other Woody Allen box sets out there, I know) from Planet Media.  In fact, there was also a 5-disc blu-ray set from Art Haus that was released at the same time as the DVD set with matching artwork, just leaving out a couple of key films.  And this 2018 Concorde box seems to just be a repackaging of that set - I presume due to rights changing hands.  Honestly, there are also blu-rays from France, Spain, Norway, Sweden, Japan... I've got one here from Finland put out by Atlantic in 2011.  This film's on blu just about everywhere in the world but here; it's almost like we're a giant pack of philistines.  But anyway:

1) Buena Vista US 1999 DVD; 2) Planet Media 2013 German DVD;
3) Atlantic 2011 Finnish BD; 4) Concorde 2018 German BD.

Since being anamorphic (anamorphia?) is today's topic, I left the borders around the first set of images to demonstrate how the non-anamorphic Buena Vista DVD compares to the others.  Framing-wise, they're all basically the same aspect ratio.  The original DVD is floating at 1.85, and tall three newer discs are slightly matted to 1.88:1, gaining a tiny bit around all four sides.  The colors are very similar, too, with the US DVD being just a little flatter than the others.  The German DVD and the two blus clearly share the same master, with the DVD just naturally a little softer and more compressed for being SD instead of HD.  The blus are virtually indistinguishable from each other, from compression to brightness levels, while the older DVD is even more compressed by virtue of being a smaller image, and thus with less resolution.  When you compare the latter set of images in full size (click 'em!), you can see the murkiness of the older disc more, and what looks like a little edge enhancement or similar tampering to try and further define the lines.

Both DVDs give us the mono track in Dolby 2.0, though the German DVD also throws in a German dub.  The US DVD has optional English subtitles, while the German has optional German ones.  The Finnish blu-ray has just the English audio track, which is also Dolby 2.0 with optional Swedish, Finnish, Danish and Norwegian subtitles, while the German blu English stereo track in DTS-HD, as well as a German dub and optional German subs.

But now here's the neat thing about these German box sets... both the US DVD and Finnish blu are completely barebones, not even the the trailer or unrelated bonus trailers.  But the German Woody Allen Collections (yes, both of them) actually cooks up some special features.  Not a lot, but for Woody Allen films, even a tiny bit is a watershed moment.  So, for Bullets, it's simply titled "Woody Allen Featurette," and the narration is in German with no English subtitles.  But once it gets going, we see it's an audience Q&A with Allen addressing the audience in English interspersed with clips from his films.  But then the German translator starts to speak over him, making Woody very hard to hear.  This is one of the least English-friendly extras in the set - the rest are mostly in unobscured English with German subs - but if you work at it, you can make everything out, as he discusses his body of films and relationship to his work.  Besides that, the German DVD set just has bonus trailers for other Woody Allen films in this set, dubbed into German.  The German BD has several non-Allen bonus trailers dubbed into German, but also has the original English language Bullets Over Broadway trailer.

1999's Sweet and Lowdown wasn't quite as critically or commercially blessed as Bullets Over Broadway, but it still netted Acting noms for Sean Penn and Samantha Morton. I figured I'd follow the 1920s period piece with the 1930s one, this time focusing on struggling jazz musicians.  It's less of a comedy and more of a charming, actorly character study, also with Uma Thurman, John Waters and Anthony LaPlaglia.  It's presented as a drama with documentary-like reminisces by Woody Allen and others, essentially just like Reds.

It's also anamorphic.  That's right; the original 1999 US DVD from Columbia Tri-Star?  It's anamorphic, no problem.  I know what I wrote at the top and what this post is about, but hey, it's in Planet Media's Woody Allen Collection, too, so I figured I'd be thorough and cover it here, too.  I mean, it's still a great film to cover on this site; and it's also never been released on blu-ray in any country, not even Germany's corresponding blu-ray boxed set.  I think it's safe to say the reason why that is is that they've never made an HD master for it.  So, I think it's safe to assume, at least in terms of PQ, the US and German DVDs should be about the same, as they would be on pretty much any disc anywhere.  Oh, except the US DVD is a flipper disc with a fullscreen version on the other side.  So that'll be interesting to compare.

1) Columbia Tri-Star 1999 US DVD (wide);
2) Columbia Tri-Star 1999 US DVD (full); 3) Planet Media 2011 German DVD.

Columbia Tri-Star DVD left; Planet Media DVD right.

So yeah, basically as expected.  The US (widescreen) and German DVDs are pretty similar and likely taken from the same core master.  The colors are a bit different, though, with the US having brighter, bluer whites, while the German goes for a more naturalistic, warmer hue.  And when you get in close, the US DVD does seem to have more artifacting and digital noise (look around her hair and hat) than the smoother German disc.  I wouldn't go out of my way to double-dip for it, but I do see a credible improvement in the newer DVD.  Oh and the fullscreen version, yeah.  It looks like you're usual, compromised pan & scan deal adding some vertical information while losing some of its sides, and of course looking boxy and utterly misframed.

Both discs give us the original English in Dolby 2.0, though the US DVD has a French dub, while the German DVD naturally has German.  Columbia Tri-Star also includes optional English, French and Spanish subtitles, while Planet Media just has German and German HOH.

Again, the US DVD is barebones, apart from three unrelated bonus trailers (well, technically Sean Penn is in U Turn).  But the German disc comes through at least adequately.  First of all, it does have the trailer, in both English and German, plus the same German language Woody trailers as the other discs in the set.  Then there's a photo gallery.  But the big thing this time is a one hour long press conference with Allen and a very pregnant Morton.  It's mostly in English, though Woody tackles answering the French reporters in French, and it's all only subtitled in German. So we get more than half of it, but you'll have to fast forward a few pieces.  Of course I wish it had English subs, or just edited the French bits out, but it's still great to have, since Allen so rarely speaks on his releases.

So okay, guys, let's stop mucking around and get back to the anamorphically deficient titles, like Celebrity from 1998.  A movie crew looks up to see a sky-writing bi-plane spell out "HELP ME" above their city.  That's how Celebrity opens, a black and white satire of Hollywood culture.  Kenneth Branagh stars as Woody Allen, effectively, in the role of a reporter and aspiring screenwriter going through a divorce with Judy Davis.  It's a smart comedy with a lot of great lines and memorable moments from it's amazing cast of characters, including Leonardo DiCaprio (the one everybody remembers from this film), Winona Ryder, Charlize Theron, Joe Mantegna, Frasier's Bebe Nuewirth, Andre Gregory, Hank Azaria, Larry Pine and yes our one and only POTUS, Donald Trump.  I'm not sure this film is completely successful - a lot of the shots at the shallowness of celebrity culture are a little obvious, and while I'd say Branagh's performance is pretty great, I can't entirely disagree people who find his aping of Allen's mannerisms to be distracting from the drama at the core of this film either.  But it's still a great time at the movies.

Buena Vista's 1999 barebones, non-anamorphic DVD is once again still the only version ever released in this country to this day.  Meanwhile, thankfully, there is new remaster available around much of the rest of the world.  It's in the Planet Media and Concorde sets, and yes, there are additional blu-rays from Atlantic, as well as France and Japan.  So there are plenty of importing options.  It's just us being screw-ups.

1) Buena Vista US 1999 DVD; 2) Planet Media 2013 German DVD;
3) Concorde 2018 German BD.

The images here look pretty alike, apart from the obvious point of the 1999 DVD being non-anamorphic.  But the 1.85:1 framing (more like 1.82 on the old disc and 1.84 on the new ones) is slightly different, with a tiny bit of extra picture on the left hand side throughout Buena Vista's transfer.  I guess that's a tiny point in its favor, but it loses plenty to not being encoded for widescreen televisions, plus it's got softer focus because, again, it's a smaller, lower resolution image.  The German DVD and BD, on the other hand, are clearly sharing the same master, so the only difference is the increased resolution.  That does give the BD a distinct boost in clarity and sharpness however, giving us the most attractive image yet.

Buena Vista again gives us a mono mix in 2.0 with optional English subtitles, while Planet Media gives us the stereo with optional German subtitles, and of course an additional German dub.  Concorde gives us both English and German stereo tracks in DTS-HD, with optional German subs.

Now you don't need me to tell you that the US DVD has nothing, not even the trailer, right?  Well, the German DVD and BD do have the trailer and the bonus trailers, albeit all in German.  But far more importantly, they have a roughly 20 minute interview with Branagh and Allen together (and interestingly, Ken says early on that he didn't try to base his character on Woody in any way).  It's 100% in English, with no over dubbing or foreign reporters.  It has German subtitles, but even they're removable.  It's pretty great.

Okay, one more for Part 1, and then we'll swing back for the rest of Woody Allen's anamorphically challenged DVDs in Part 2.  We'll have all the original US DVDs, finish out the German box set, and even throw in a couple extra import versions to flesh it all out.  But for now, let's wind up with Woody Allen's musical, 1996's Everyone Says I Love You.  It takes its title from the great musical title of the same name in The Marx Bros' classic Horse Feathers.  Now, you may've noticed two of the previous films we've looked at already have relied on a cavalcade of stars.  All his films have terrific actors and some major star power, but Bullets Over Broadway and Celebrity, he's jam-packing them in.  And Everyone Says I Love You continues that tradition.  Woody Allen for the first time in this grouping takes a major role in this film, alongside Edward Norton, Drew Barrymore, Tim Roth, Goldie Hawn, Alan Alda, Natalie Portman, Natasha Lyonne, Billy Crudup and even Julia fuckin' Roberts.  It can certainly feel saccharine at times - though with its tributes to classical Hollywood musicals, that's at least partially intentional - but Roth's and Allen's characters manage to bring enough genuine humor to the screen to keep us from eye rolling too hard.

Anyway, it's the same old song: Buena Vista's DVD came out in 1999 completely barebones and non-anamorphic, and has never been updated in the states.  But again, a newer master was created and used to make the German DVD for Planet Media's box, and also multiple blu-rays from around the world, all of which are decidedly preferable to what we get here.  But we shouldn't just assume that, so let's look at the evidence.

1) Buena Vista US 1999 DVD; 2) Planet Media 2013 German DVD;
3) Concorde 2018 German BD.

Exhibit A: Buena Vista's DVD is non-anamorphic, and that's already enough to condemn it to the "must upgrade" bin.  Exhibit B: those colors!  I might almost believe that the walls of the apartment in the first set of shots were meant to be tan instead of pink (though the BD is slightly less pink than the German DVD, probably the most accurate of the three), but the fact that it's a hue overcasting the entire image says otherwise.  Also look at the flared out brights and ugly contrast on poor Drew. Exhibit C: the framing!  Actually, the German DVD is open matte at 1.78:1, as opposed to all the other discs they've been matting to 1.85:1, and I'm not really sure which would be correct here.  The Concorde blu even has a black bar on the left-hand side, pushing it to 1.77:1 and cropping a sliver of picture off the right, which surely shouldn't be happening.  The framing looks a bit tight in the first set of shots (cutting off the top of Woody's head), but you'd think the proper OAR would be 1.85, so I'll give Buena a pass on that one.

Buena Vista DVD left; Planet Media DVD mid; Concorde BD right.

Exhibit D: the tampering!  It looked like Alda was too soft in the original master, so someone drew in all his lines with a thick, black magic marker.  Sure, the Planet Media side looks a little soft, which is improved slightly with the BD's natural boost in resolution, but the 1999 DVD is one sorry looking excuse for a filmic or digital image.  I'd sentence that DVD to a mercy killing.

Anyway, the German discs also have no extras this time around, apart from the German-language bonus trailers, which I suppose is still more than Buena Vista gave us.  The Concorde BD at least has the Everyone Says I Love You trailer in German.

Both DVDs use the English track in Dolby 2.0, with the music sounding nice on either version.  Though this time around, the German dub is bumped up to a 5.1 mix.  The US DVD has optional English subtitles, and interestingly, since all their other discs have optional German ones, the Planet Media disc has none.  This is the worst film to do that to the German viewers on, too, because the dub only replaces the actors' speaking, reverting to the original English for the songs.  So the Germans would have no idea what's being sung.  D'oh!  Anyway, the German blu fixes that, giving the Germans subs for the songs, too, though their dub still reverts to English for the songs.  The BD has DTS-HD versions of both English and German stereo mixes, and said removable German subtitles.

Anyway, that's all for now.  Stay tuned for Part 2!

The Great Woody Allen Anamorphic Project, Part 2

...And we're back, finishing up the project started in Part 1 to replace every non-anamorphic Woody Allen DVD by importing our little hearts out.  Anyway, I explained all that to death already in the last post, so let's just jump right back into it with our next afflicted film, 1995's Mighty Aphrodite.

This is the film where Mira Sorvino controversially won her Academy Award.  Not that she isn't great in the picture, but this and Marisa Tomei's win for My Cousin Vinny are such silly, campy performances it's hard to place them alongside the greatest dramatic turns in cinema history.  Allen was also nominated for best original screenplay for this film, which makes a lot more objective sense.  It's one of his sillier comedies, although not quite to the degree of his early work, like Bananas, with Allen back in the leading role.

Update 8/10/17 - 10/1/19:  Adding the Concorde blu-rays to Part 2, too!

He plays a sports writer married to Helena Bonham Carter and they've adopted a son.  Peter Weller (Robocop, Naked Lunch) plays a wealthy socialite with an eye for Carter, threatening their marriage, and Allen begins to wonder about the true mother of their son.  She turns out to be a prostitute (Sorvino), but overcome by feelings of familial bond, Allen feels compelled to help her reorganize her life, which includes rescuing her from a violent pimp and setting her up with Michael Rapaport.  But can he really help, or is his meddling just going to bring everybody to ruin?  Oh, and by the way, keep your eyes open for a small, pre-fame role by Paul Giamatti.

If you don't catch the Greek tragedy elements of the plot as it develops, Allen makes it perfectly clear by including an authentic Greek chorus into the film... even going so far as to film them in the original outdoor theater of Syracuse.  Lead by F. Murray Abraham, the chorus comments on the story just as they would in their ancient theater, and they also serve to introduce multiple classic Greek characters into the film including Cassandra, Oedipus Rex and his parents (played by David Ogden Stiers and Olympia Dukakis), and Jack Warden as the oracle Tiresias.  You don't have to be familiar with the great tragedies to follow or appreciate this film, but you'll get more of the jokes if you are.  😉

Well, if you're with us since Part 1, you can already guess the entire situation.  Mighty Aphrodite has only been released once in America, all the way back in 1999, on a barebones, non-anamorphic DVD from Miramax/ Buena Vista.  even in 2017, that old disc is all we've got.  But thankfully, we've got options overseas.  The Planet Media 2013 Woody Allen Collection box set I've been leading us through provides a much nicer, anamorphic transfer from Germany, who've also included it in their blu-ray boxes.  And yes, it even has extras, too.  And several blu-rays have been released in different countries like Japan, France, and in the case of the one I've got, Sweden by way of Atlantic Film.

1) Buena Vista US 1999 DVD; 2) Planet Media 2013 German DVD;
3) Atlantic 2011 Finnish BD; 4) Concorde 2018 German BD.

Wow, what a difference!  The original DVD looks like literal garbage compared to the newer discs, as if the print had been scraped up out of the inside of a dumpster.  First of all, it's non-anamorphic: a tiny picture swimming in a sea of wasted space, which is what this pair of posts is all about, after all.  But it's not just that.  The picture is flat and dark, with muted colors.  Flipping between the shots of the chorus in Italy, there, it looks like someone's turning a light switch on and off.  Framing-wise, the three newer discs are open to 1.78:1, which is probably technically inaccurate, and in a perfect world would be slightly matted to 1.85:1.  But the 1999 DVD is just as off at 1.82:1, and missing not just vertical slivers, but along the sides as well.  Detail is missing on the old disc as well, but it's hard to tell if it's due to black crush or just low resolution.  I mean, the difference is so obvious in the pictures, it feels absurd spelling out all the ways the newer versions have improved upon it.  And while they all share the same master, with matching color timing etc; the BDs are naturally clearer than even the German DVD, with the German BD looking better compressed.

Audio-wise, the Buena Vista gives us a mono track in 2.0, while Planet Media gives us the stereo mix in Dolby Digital 2.0, and the Finnish blu is lossless but goes back to the mono.  Concorde nails it best with both the English and German stereo mixes in DTS-HD.  About the only thing the US disc has going for it is that it also includes optional, English subtitles, while Planet Media and Concorde just have German and Atlantic has Swedish, Danish, Finnish and Norwegian.

What I really enjoy about these Planet Media and Concorde boxes are the special features.  The US DVD has nothing, not even an unrelated bonus trailer.  And the same goes for the Atlantic blu-ray.  But the German discs have the trailer - albeit in German, other German-language bonus trailers, and most excitingly, an interview with Mira Sorvino.  And yes, it's entirely English-friendly.  In fact, strangely, it doesn't even have German subtitles on the Planet Media - it's not German-friendly!  (Concorde fixes that on their blu with optional German subs.)  But for us, it's a nicely edited interview that runs for just over twelve minutes, talking about her Oscar win, shooting with Allen, and even demonstrating how and why she created the character's infamous voice.

Now, these next two films are anamorphic on their original US DVDs.  But they're in the Planet Media box, I've got both discs to compare against each other, so I've decided to be thorough and cover everything.  1997's Deconstructing Harry, in fact, is basically in the same situation as Sweet and Lowdown.  There are no blus of it anywhere in the world (including the Concorde box), possibly because the old DVD master was anamorphic, so there was less pressure to strike up a new one that could then be released in HD.  And also in keeping with Sweet and Lowdown, New Line's 1998 DVD is still completely barebones, but a double-sided disc with a fullscreen side on the flip.

And for the record, Deconstructing Harry's great.  Allen plays a writer going through a midlife crisis.  His family life's been steadily apart, but suddenly made worse by the fact that his new novel airs everybody's dirty laundry.  During the course of this drama, we also sporadically cut to his writings brought to life as insight into his character.  It practically turns into an anthology, telling us one little story after another, each of which ultimately comment on the Harry, but could almost stand alone as short films.  And this gives Allen the opportunity to pack this film with movie stars, even moreso than Everyone Says I Love You, because the individual segments rate their own separate casts.  So for just a few minutes we have Robin Williams star as an actor who can no longer work because he's physically, personally gone out of focus, and he's married to Julie Kavner, and it's a whole film-within-a-film.  We wind up with an amazing cast including Tobey Maguire, Judy Davis, Richard Benjamin, Julia Louis-Dreyfus, Elisabeth Shue, Stanley Tucci, Eric Bogosian, Bob Balaban, Kirstie Alley, Mariel Hemingway, Demi Moore, Amy Irving, oh and Paul Giamatti again.  There's even a scene where Harry goes to Hell to confront the devil (played by Billy Crystal) with a depiction of the fiery underworld straight out of This Night I'll Possess Your Corpse.  It's delightful!

1) New Line 1998 US DVD (wide);
2) New Line 1998 US DVD (full); 3) 2013 Planet Media DVD.

Yup, unsurprisingly, the 1998 and 2013 DVDs look virtually identical.  There's not even a Sweet and Lowdown difference with the colors or anything.  And the fullscreen is interesting to look at, but it is the wrong aspect ratio, so nothing desirous.  It's pan and scan (see how the second set of shots crops both sides evenly, but the top set pans more of the left, to keep the kids on the right completely in shot), adding a little at the top and bottom but cropping a bunch off the sides, going from about 1.81:1 (you'll notice an odd window-boxing around the widescreen versions, common in really old DVDs, presumably to not waste the overscan areas of old TVs) to 1.32:1.  It's not a bad transfer, so you can see why they felt they could reuse it in 2013.  But you can also see why they couldn't just slap that onto a blu, which is why it's still a DVD-only title all around the world.

We haven't had a New Line DVD in this pair of posts yet, but they behave just like Buena Vista and Columbia Tri-Star.  In this case: English mono in 2.0 with a French dub, plus English, French and Spanish subs.  And again, Planet Media gives us both the English and German in 2.0 with optional English subs.  This time, unfortunately, Planet Media has no special features for us apart from the German language trailers... though, again, that's still more than we got in America.

Small Time Crooks is just a funny film.  It's definitely a crowd pleaser, in fact one that won him back some of his mainstream audience that he'd lost for a long time between his personal scandals and stretch of "artsier" films.  It takes it's starting premise from an old Edward G. Robinson film called Larceny, Inc, where a small group of criminals (in this case Woody Allen, Jon Lovitz, Michael Rapaport and Tony Darrow) buy a store next to a bank so they can tunnel into the vault, but are taken by surprise when their cover business becomes a huge success.  Soon they've got three quarters of a tunnel dug, but they're making more money through their store, which winds up becoming a chain!  But where Larceny focuses on this fun conflict for the entire film, Crooks just uses that to launch off into a whole second act where these low class criminals and their wives now try to fit into upscale society.  Allen's wife, Tracy Ullman hires Hugh Grant to teach them how to be aristocratic, and Allen becomes disillusioned with their new lives and wants to go back to thieving.  Larry Pine, Elaine Stritch and a particularly funny Elaine May also co-star.

The reason Small Times Crooks is anamorphic is probably because its the newest of these films, hitting DVD from Universal in 2000.  And that's still the only US release, but besides being in the Planet Media box, unlike Deconstructing Harry and Sweet and Lowdown, it's also available on blu in different parts of the world, including Japan, France, Norway and Germany.  But those blus can't be using a 2000 master, can they?  Surely, there must be a difference between the 2000 and 2013 DVDs, right?  Well, let's have a look-see.

1) Universal 2000 US DVD; 2) Planet Media 2013 German DVD;
3) Concorde 2018 German BD.

Universal DVD left; Planet Media DVD mid; Concorde BD right.

Ee-yup.  While the DVDs are not worlds apart - if you don't bother to click and view these shots fullscreen, you might not even notice the difference - there is a noticeable upgrade in the newer disc.  Both are framed at 1.78:1, but the Planet Media DVD includes a sliver more around all four sides.  The colors are reasonably similar, but when you get in close, you can see all that ugly artifacting all over the shop, which is cleaned up on the newer disc.  There's also some edge enhancement on the old transfer that the new one thankfully doesn't employ.  So the improvement is there, and it's even clearer and sharper still on the blu, which gets a very attractive bump in resolution.  Just look how much cleaner that close-up is.

Universal gives us a mono track with optional English subtitles, while Planet Media gives us the same audio, plus a German dub, and the optional German subtitles.  Concorde gives us DTS-HD of both stereo mixes, with optional German subs.

Where Germany really comes through, once again, is the extras.  Universal did give us the trailer this time, and both Planet Media and Concorde have it, too - in both English and German (plus a couple German bonus trailers).  But the much bigger deal is a 20-minute on-camera interview with Woody.  It's 100% in English, with removable German subtitles.  As you know, it's pretty rare to get an interview from him, and at twenty minutes, he gets to go pretty in-depth, telling us all sorts of interesting things, like how he'd first cast Tracy Ullman in Bullets Over Broadway, but then cut her out of it.

Finally, we come to Wild Man Blues.  This isn't a film by Woody Allen, but a documentary about him.  And was this not released anamorphically in the USA?  It sure wasn't - it's never been released here at all!  So yes, it's in the Planet Media Woody Allen Collection I've been featuring so prominently in these posts.  But I've also picked up another import version of it to compare it to.  And you'll see, it shows a pretty interesting distinction.

Admittedly, Wild Man Blues isn't the most compelling film.  Many mainstream viewers were probably hoping for a tawdry expose of the scandals in his personal life, or at least some kind of legal drama on the subject.  And fans would've just been happy with a look at his lifetime of work.  We eventually did get something like that with a much more recent documentary in 2011, but at the time, Allen wasn't interested in participating in a project of either type.  So all we could get was a documentary about his jazz music, following him around as he toured Europe with his clarinet.  It's not a bad doc as far as that goes, celebrity gossip fiends did at least get a dose of Soon-Yi, and there's a charming scene at the end with Allen and his parents.  But by and large it's a fairly standard tour documentary (every band and comic has one these days), where the main question of appeal will just lie in how interested you are in footage of him playing various jazz concerts.

So, like I said, this film's never been released on DVD in the USA at all.  But it did enjoy a brief run in Canada from Alliance Atlantis in 2005.  That disc's long out of print, though, and goes for over $200 on Amazon.  But I've got it for us today for our comparison.  And also I've got it in Planet Media's 2013 box set.  It's been released a couple of other times overseas, but never in HD (and it's not in the Concorde box).  There's a French blu-ray box set which includes it, but it's just standard def on there, too.  So you might assume, okay, all those import DVDs are probably identical, then, but no.  Have a look.

1) Alliance 2005 Canadian DVD; 2) Planet Media 2013 German DVD.

First of all, the Canadian DVD is non-anamorphic!  Thought I'd end this Anamorphic Project without a film that didn't have an anamorphic problem?  Not on your life; I'm a pro!  On top of that, the two discs are in completely different aspect ratios.  The Canadian disc is 1.66:1, and the US disc is 1.32:1.  Looking at them, I'd say the 1.66 is correct (or at least more correct) of the two, though it's essentially a trade between losing vertical or horizontal information.  Also, look, the German DVD is interlaced!  Boo.  This is the only disc in the set with an interlacing problem; in fact, it's the only disc we've looked at across this series of posts with an interlacing problem.  So that's disappointing.  So basically, the two discs are very different, and both suck, with a unique set of problems.  I guess I'd recommend the German disc as the lesser evil, unless you're still rocking an old school 4x3 TV.

Both discs feature the same audio track in Dolby Digital 2.0.  The Alliance Atlantis disc has optional English and French subtitles, while the Planet Media disc has German subs.  The German disc has no special features except for the German language trailers, and a trailer for Wild Man Blues is not among them.  The Canadian DVD is also completely barebones without even a trailer.  So pick your loser, pretty much.  Or maybe try rolling the dice on another international DVD.  The UK has a DVD box set with Wild Man Blues in it, and that French blu-ray set I mentioned.  Good luck.  It's probably not a film you'll revisit much anyway.

So there you go!  Follow along with the discs covered in this project, and you will have successfully expunged every non-anamorphic Woody Allen DVD from your collection.  You could track down that one German Woody Allen Collection like I did, and take care of it all in one quick and affordable swoop (I found that option tempting mainly for the extras, personally), or you can go hard and collect all the blu-rays from around the world.  But however you go about it, now every serious Woody Allen fan can finally stop foot out of the 20th century.  Every other film of Woody Allen's, from What's Up, Tiger Lily to Melinda and Melinda is already available here in the US at least anamorphically, if not in HD.  These were the hold-outs; and imports have finally rendered them obsolete.