Clive Barker's Lord of Illusions

For our second Scream Factory pairing, well, I just couldn't leave out this essential Clive Barker film any longer.  Not that it's his only other worthwhile picture... I was pleasantly surprised with that Midnight Meat Train movie.  But this completes the trilogy of the only films he's actually directed, plus nipping at the heels of Hellraiser and Candyman, the trilogy of his best work on film.  So let's see what Scream Factory did with it.

Update 2/16/19 - 8/14/25: Scream Factory's done more with it this summer, with their 4k Ultra HD upgrade.  Let's get into it.

The premise feels a little self-indulgent, but Barker manages to pull all the elements together to work more effectively than they really should.  Scott Bakula plays an archetypal NY private eye. straight out of a 40's noir, hired by a mysterious and wealthy love interest (Famke Jannsen) to come to Hollywood and "help me help my husband... I know he's in some kind of trouble."  Said husband's a celebrity magician (the comic relief guy from The Mummy and Deep Rising, here for once in a convincing serious role) who's somehow mixed up with an evil cult in league with actual magical forces.  It gets pretty convoluted, with misleading illusions, classic noir plot twists and a huge cast of characters; but Barker manages to keep it all straight.

It's actually based on one of his Books of Blood stories, called The Last Illusion, but the story here goes in completely different directions.  It's full of eye candy, traveling from one exotic location to another, including the real Magic Castle in LA.  There's an army of vicious killers, an elaborate Vegas-style magic show, overt hetero- and homo-eroticism, secret doors, a killer monkey, flying monsters, gory special effects... clearly, Barker aimed to give audiences they could possibly want and mostly succeeds.  Not that it's a perfect film.  It's a detective story where we're introduced to all the villains before the hero, so the audience is mostly just waiting for the protagonist to get caught up and figure out what we already know.  And while most of the special effects are beautifully crafted by KNB, it also suffers from a terrible case of the Bad CGIs, being one of horror's earliest adapters and throwing some awful animation in our faces for what should be the film's biggest money shots.

a frame only in the theatrical cut

a scene only in the director's cut

And I suppose I should also talk about the two cuts of the film.  There's the original, R-rated theatrical cut, and then an extended director's cut that largely replaced it on home video.  It's a solid eight or so minutes longer, and movie-censorship gives a nice scene-specific breakdown of the distinctions.  But in short, the film was clearly cut for two different reasons at the same time: length for the studio and violence for the MPA.  So the extended cut gives us a nice dose of extra bits of nastiness as well as dry "regular" scenes that enrich the story and characters.  Barker's stated, and I strongly agree, that it's the preferable cut of the film.  The theatrical cut has very little unique footage, just a few trims and frames as specific edits are different - it's mostly just missing stuff.  Frankly, I see very little reason to ever revisit the theatrical cut; but hey, if labels want to give us the option, I'll take it.

MGM first issued Lord of Illusions on their DVD, which contains the director's cut, way back in 1998.  And except for them occasionally porting that disc over to another region, that's been all we've had right up until 101 Films commissioned it for blu-ray in 2014.  They put out a new HD transfer with a separate blu for each cut, and that's also what Scream Factory released State-side the same year, but with their reliably more fleshed out special features package.  Recently, the BD rights wound up in the hands of Sandpiper, who licensed a bunch of the MGM titles, and in 2024, they put out a barebones theatrical cut-only disc, which I guess is okay for a budget alternative?  But now in 2025, Scream's gone the opposite direction, releasing the director's cut on UHD, with all of their previous extras plus a little something more.  Yes, this is yet another instance of Scream releasing only one cut in 4k when they'd previously released two, but in this case they chose the right one, so it's all good.

1) 1998 MGM DVD; 2) 2014 SF theatrical BD;
3) 2014 SF director's BD; 4) 2025 SF UHD.

Unlike our last post, the difference between MGM's DVD and Scream's BD is huge.  That might be just as much about how surprisingly poor MGM's DVD is, though, considering it's a major studio disc of a modern film ...though it is a pretty old disc.  Anyway, it has a real murky look to it, almost like a tape source (but not) except with a bunch of artifacting, too, just in case you thought details weren't obscured enough.  Possibly they just up-res'ed the laserdisc?  It's at least anamorphic widescreen, and free of interlacing, but the DVD is distinctly below par, giving Scream an easy win.  For their part, the box just refers to their version as an "all-new, high definition transfer," and considering how light the grain is, this clearly isn't a fancy 2k scan or anything, but it's a pretty solid HD transfer that, again, stomps all over what came before it.  Besides the obvious boost in clarity and fine detail, and cleaner digitization, it also smartens up the color, which felt a little washed in a heavy red hue.  And they tighten up the aspect ratio from 1.77 to 1.84:1 (despite claiming 1.78:1 on the case).  Oh, and for the record, the theatrical and director's cut transfers are for all intents and purposes identical, though I did spot a little more film dirt/ damage on the few moments unique to the TC than the rest of either cut,  But even there, it's just a few sporadic moments, like the black spots you can see on the upper right of that TC screenshot I posted above.

That's all academic now, anyway, as Scream has struck an all new 4k master from the original camera negative, and issued it on a proper 4k disc in Dolby Vision HDR.  Grain is finally represented, so the image looks far more filmic, and more actual picture detail is discernible for the first time.  Look at dude's eyes in the first set of shots, for example.  Everything's just softer and less finely captured.  And the aspect ratio is now exactly 1.85:1, showing a little, but not unnoticeable, more picture along the left-hand side.  The color scheme for this movie is surprisingly muted, full of browns and gray shadows.  But the colors on the UHD still come off as more vivid and lifelike than ever before.

All the MGM and Scream discs feature a robust 5.1 mix, boosted to DTS-HD on the blus and UHD, with optional English subtitles.  But Scream has also gone back and recovered the original stereo mix, also in DTS-HD on the BD and UHD, which is a very nice touch.

And in terms of extras, Scream Factory certainly topped the 101 blu-ray, which only included the old commentary.  But they still came up surprisingly light in the special features department for this movie.  Almost all of the extras are legacy, which certainly doesn't mean that they're bad or anything, but I think we're just used to SF cooking up more goodies, especially on their "Collector's Edition," like this one. So yeah, the MGM has the commentary by Barker, plus a handful of deleted scenes, also with optional commentary by Barker.  He's a little stiff, but as the man so clearly behind all aspects of this production all the way back to the original short story, he has a lot of great insight to share.  They also have a text intro by Barker (definitely a laserdisc-era thing), an isolated music track, the trailer and an 8-page booklet.  And speaking of laserdiscs, as a former owner of the original 1996 one, I didn't notice until making this comparison that MGM dropped the 17-minute 'making of' featurette.

So one nice plus of the Scream disc is that they not only hold onto all the DVD stuff (except the isolated score... they dropped that for some reason), they bring back that little 'making of.'  And they dug up a substantial, hour long collection of behind-the-scenes footage, which is completely engrossing.  But in terms of newly produced features, there's just one thing: a 12 minute on-camera interview with the storyboard artist.  It's a good interview - even if you think storyboard artist doesn't rank high enough to pique your interests, I recommend giving it a watch - but that's it.  Well, that and a photo gallery, reversible cover art and a slipcover.  But for a Collector's Edition of such a high profile title, it kinda felt like the budget got somewhat slashed.

I suppose that's the case with the UHD, too, especially since we're down to a single disc.  But it's got everything from the 2014 edition plus a new interview with composer Simon Boswell, bringing us at least a little closer to a fully flush feeling special edition.  It's basically audio-only though (there's about 10 total seconds of black and white webcam they barely show), which is disappointing, but it's the first time we've heard from him regarding this film, so I'm glad to have it.  This 2025 comes in a slipcover, too, but no reversible artwork this time.  You do get an 18"x24" poster, though, if you order direct from Shout's site.

Scream's BD was already the best edition going, and an absolute must-upgrade over the DVD, unlike some of its peers (again, see how their Bubba Ho-Tep blu stacked up against MGM's initial DVD).  For such a widely released Barker film, you'd expect this film to have gotten more lavish treatment every step of the way.  But this upgrade to 4k levitates Lord of Illusions to a higher plane and feels more worthy of a permanent spot in our collections.

The Latester and Greatester Night Of the Creeps

Night Of the Creeps came out right on the cusp of me getting a blu-ray player. So it's one of those last titles I bought the DVD of instead, and then quietly regretted it for years. I'd keep looking up online blu-ray prices online every so often, hoping it would suddenly go on sale for some bargain basement price... Who wants to double-dip on a DVD they just bought new for a simultaneous release with no new features or anything? But it was also annoying being stuck with the standard def version of a favorite horror film I'd grown up on since I was a kid. Well, finally, Umbrella Entertainment has come along with a brand new blu-ray edition, which isn't all that far beyond the Sony's 2009 blu-ray. But it is an improvement, the best edition yet, and that was enough for me to shake loose the old DVD.

Update 5/1/16 - 8/19/19: Another new edition??  Yes, Scream Factory has picked up Night Of the Creeps so they could release it this summer with a giant action figure or whatever.  Or you can also just buy their new 2-disc set by itself... but would you want to?  It's Update Week, so there's literally no better time to find out!

Update 4/2/25: Scream Factory circles back around to bring us Creeps in 4k.  It's a proper UHD release, with a couple new extras to boot, but they dropped something significant.

Night Of the Creeps is pure crazy, 80's fun. Slugs from outer space turn a bunch of college students into homicidal zombies. It's full of fun set pieces and shifting tones, but it never loses sight of its characters, or stepping too far into the comedy that it stops being effective as a horror film. Tom Atkins steals the show as a Mike Hammer-esque detective who's finally gone off the deep end, but the three young leads, including European Vacation's Jason Lively, are all charming and well-rounded enough to carry the heart of the picture. Round that off with a great supporting cast, including Dick Miller and David Paymer, a catchy soundtrack, clever script and the special effects work of KNB, and you've got yourself a genuinely great movie.

It's a delicate balancing act that takes some serious talent to pull off, but first time director Fred Dekker rises to the challenge. He went on to create another masterful blend of humor, heart and horror with Monster Squad, but that one's a little too kiddie for me. It's like a well made Disney film; I can appreciate how well made it is on all these different levels, and even laugh at some of the jokes; but give me something a little edgier and more adult. And in fact he already had given it in Night Of the Creeps. Unfortunately his third film, Robocop 3, was a colossal misfire and he hasn't directed since.  It's such a shame, because the world could've used a string of similar, smart and atmospheric cult films over the past two decades.

And he has started making a bit of a comeback working with Shane Black, co-writing a TV movie called Edge and the latest Predator sequel/ reboot, The Predator.  Okay, that one didn't turn out quite as many of us had hoped, but most recently he's done a short film called Dent that's fun and weird in the best way.  Somebody give this man another shot at a feature!

Night Of the Creeps took forever to come out on DVD; especially for such a beloved cult title. This was one of those titles where the laserdisc kept going for good money, because it was still the best release there was, well into the 2000s. I remember being really excited to find a bootleg of a high quality TV rip that also included the original ending, which was different than the one that had played on cable and VHS for all these years. So when the special edition DVD/ blu-ray was finally announced for 2009, with a heap of extras and the original ending restored, I was through the moon. And even more so when it turned out to be the official debut of Dekker's Director's Cut, with the original ending (and that's the only difference, by the way, between it and the regular theatrical cut). So I've got that DVD for us today. Then even better, I've got Umbrella's 2016 region B blu-ray special edition (which is also of the Director's Cut), with a little something extra over the US Sony blu.  Still not enough?  Okay, how about Scream Factory's latest 2019 2-disc BD set?  It's two discs because they include the director's cut and the theatrical cut, which includes the other ending most of us grew up on.  And finally, we've got Scream Factory's (mostly) upgraded 4k restoration on UHD.  One thing, though, Scream's done what they've been making a habit of lately, and dropping the additional cut that they'd originally included on their 4k upgrade.  So now we get the director's cut, but that's it.  No more theatrical.

Well, at least this time they picked the right cut.

1) 2009 Sony DVD; 2) 2009 Sony BD; 3) 2016 Umbrella BD;
4) 2019 Scream Factory theatrical BD; 5) 2019 Scream Factory director's BD;
6) 2025 Scream Factory BD; 7) 2025 Scream Factory UHD.

So we see that these subsequent Umbrella and Scream Factory blu-rays, at least until 2025, are essentially the same as the Sony.  Same framing (slightly matted to 1.85:1), same colors... same original master. And that's alright, because Sony made a pretty high quality release the first go around, so we weren't exactly gasping for an improvement.  Of course, they both trump the DVD, as there's naturally a compression difference. Detail is much clearer and more accurate here, with visible film grain as opposed to the digital mushiness on the DVD.  There's a bit more of a shift on Scream Factory than there was between Sony and Umbrella, but it's hard to declare one objectively better or worse than the others, and it's the kind of distinction you'll only see in zoomed-in screenshots anyway.

But in 2025, Scream Factory went back to the OCN for an all new 4k scan, and... even then it's not hugely different.  While still 1.85:1, you can see that the framing has shifted slightly in some shots.  Above, for instance, you'll notice the tops of the Ts are now visible in that "BETAS ARE BETTER" sign in the second set of shots.  And the colors have been adjusted.  In the first set of shots, you can watch that middle guy's sweatshirt turn more orange, and in general a purplish hue has been pulled to give more natural whites and greys.  That's a subtle improvement.  And the resolution is smarter.  Even just comparing the two BDs, edges are cleaner and grain goes from mushy to sharp.  And on the UHD, every speck of grain is fully accounted for, something you couldn't say for the earlier transfer, as impressive as it was for its time.  The upgrade may not be enough to make casual fans feel the spring for a new edition, but it is unquestionably an upgrade, so purists should be pleased.

There's an important distinction in the audio department, as well.  Sony's DVD, Sony's BD and Umbrellas BD, all feature a remixed 5.1 track, with the latter two in lossless DTS-HD.  Scream Factory (on their 2019 and 2025 editions) has the same track, too, but they're also the first to restore the original stereo track, in DTS-HD as well.  So that's pretty sweet.  All five sets also have optional English subtitles.

And now it's time to talk extras! Sony's release (both their DVD and blu have all the same bonus content) is pretty packed. There are two audio commentaries, one by Fred Dekker and one by the four lead actors, the latter of which is fun but pretty light on content. Every time Steve Marshall starts to an anecdote or bit of information, the rest of the cast interrupts him to keep laughing and kidding around. Then there's a great hour-long documentary, which is broken up into five sections and winds up interviewing pretty much everybody involved including Dekker, producer Charles Gordon, stars Jason Lively, Jill Whitlow, Tom Atkins & Steve Marshall, editor Michael Knue, effects artists Howard Berger, Robert Kurtzman & David Miller, and composer Barry De Vorzon. Then there's a featurette just dedicated to talking with Tom Atkins about his entire filmography, film by film. Then there are several deleted scenes used in the extended television version, plus the alternate ending most of us were familiar with before the director's cut. Plus there's a subtitle trivia track and the original theatrical trailer.

A shot from Dekker's incomplete film, Baton.

All of that, right down to the trivia track, has been carried over to the Umbrella release. All it's missing are a couple of autoplay bonus trailers and an annoying commercial for blu-rays. But it has one really nice new addition. It's a 32 minute HD featurette called Creator Of the Creeps, and it's primarily a sit-down interview with Dekker. This was made more recently than the other extras, but yes, he does cover a lot of the same ground he does on his commentary and in the documentary. But he has some new stuff, too, including his script for House. And one of the best parts is that, in both his previous commentary and interview on the doc, he talks about how a lot of the ideas and a couple of the lead characters for Night came from an independent science fiction film he started shooting but never finished called Baton. He only shot about five minutes of it, he says, but we get to see some of it for the first time here in this feature. So it's a little redundant, but still a pretty great new feature, and it's exclusive to this release. Umbrella's blu also has reversible cover art, with the original art shown above and this crazy original piece [right] on the reverse. Both of Sony's covers suck, so Umbrella gets an extra point there, too.

Horror's Hallowed Ground rocks!

But then a new contender came to town.  Scream Factory has everything from the Sony release, except technically for bonus trailers and the alternate ending, because of course, they have the entire second disc with that ending attached to their theatrical cut.  Then, they've also come up with a whole bunch of new stuff.  Mostly what they've added is a series of upbeat HD on-camera interviews, with Jason Lively, Alan Kayser who played The Bradster, Ken Heron who played the 50's kid who becomes the first zombie, Vic Polizos who played the coroner, Killer Klowns' star Suzanne Snyder, who played a bit part as a sorority sister, and editor Michael Knue.  They're all tightly edited and include many people left out of the documentary, so these are very rewarding additions.  Then there's a brand new episode of Horror's Hallowed Grounds, where they revisit almost all of the film locations, with Dekker and Lively showing up to add some additional backstory.  This version also includes reversible artwork and a slipcover that finally uses the classic cover art.  Kudos to Scream for not sticking us with more cheap comic book art.  If you look at all the covers up top of this page, you can watch the artwork slowly evolve from terrible to excellent.

Oh, and of course, you could've sprung for the deluxe limited edition version with the 8" action figure, plus a (rolled, not folded) poster and second slip cover.  About the only thing it doesn't have is Umbrella's still-exclusive Creator Of the Creeps.

And in 2025, yes, Scream carries over everything from before and adds even more, though honestly, it feels like they're stretching now.  First up is an audio commentary, which is almost more of a fan commentary than an expert one, by two younger filmmakers.  They engage in a lot of casual small talk and delve into some cliche commentary sand-traps like debating physical special effects versus CGI.  A lot of the info they provide is taken directly from the preexisting special features, and they get some things wrong in the transition.  But on the plus side, they have Suzanne Snyder along with them.  As you can imagine, she can't carry a whole commentary by herself, seeing as how she only has roughly 20 seconds of screentime in this.  But she has some good memories and a good attitude, so the three of them provide an easy listening experience, even if we're not learning anything new at this point.

And while they still don't have Umbrella's Creator Of the Creeps, they've conducted their own exclusive interview with Dekker called A New Breed of Terror, which runs just about as long.  And while they've ditched the theatrical cut, they did throw in that ending as a deleted scene.  This new release comes in a slipcover, too, which is better than those old ugly covers, but as good as the classic artwork from their last slip.  You could get a second, alternate slipcover (but it's worse) if you ordered it direct from Shout, which also would've netted you two posters and yes, another 8" Detective Cameron action figure, this time decked out in his white formal-wear dance attire from the famous dream sequence.

So yeah, we can no longer complain that Night Of the Creeps isn't well represented on home video.  I didn't recommend replacing your Sony blu for the Umbrella just for their one featurette, but now in 2025, there's no question which is the definitive version, and I think we've progressed enough now that it's worth upgrading to the UHD.  Getting both cuts in 4k would've been ideal, but this is the next best thing, with the preferable cut in 4k, the alternate ending as an extra, the most features and both audio tracks.

The Faculty's First A-List Disc

Let's follow up one new Scream Factory 4k Ultra HD Collector's Edition with another.  But this time, instead of them revisiting a past Collector's Edition and bumping it up to UHD, this is their first crack at the title.  And specifically, that title is The Faculty, Robert Rodriguez's zany high school space invasion horror movie that's (mostly... we'll come back to this) been relegated to barebones DVD and blu-ray releases that've seen more time in bargain bins than prime shelf space or end caps.  This promises to be the film's first A-list disc, so let's see.

I called The Faculty Robert Rodriguez's movie, but really I associate this much more with its writer, Kevin Williamson.  Fresh off two big Hollywood horror hits - Scream and I Know What You Did Last Summer, the creative hierarchy of which should've already let us know his material needs a strong director - Williamson gave us what I actually consider to be his greatest work.  Afterwards, he decided to direct himself and helmed the massive stink-bomb Teaching Mrs. Tingle and then slunk off into sequels and television (did you know he created Dawson's Creek?) leaving behind a reputation of a one-hit wunderkind.  Like he had one clever idea to briefly revitalize slashers and that was the extent of what he had to offer.  But I'd argue this at-the-time box office flop proves he has more magic in him and that this deserves a serious re-appraisal.

...Of course, it should also be noted that this was made by his second strongest director.  Williamson is clearly in his element with another high school setting, and the cast is a constant barrage of, "oh wow, they're in this, too?"  Elijah Wood, Salma Hayek, Famke Janssen, Josh Hartnett, T-1000 Robert Patrick, Usher, Bebe "Lilith" Neuwirth, Clea DuVall, Shooter McGavin himself Christopher McDonald, Piper Laurie and a surprisingly good performance by Jon Stewart.  There's also a now unfortunate cameo by Harry Knowles, as if to remind us we're still in skeevy Weinstein territory.  And sure, big studio teenage horror can be pretty corny, especially in this period, but a big part of what puts this high school Invasion Of the Body Snatchers (a film regularly referred to within this movie, a la Scream's meta-text) is how it mashes together the stereotypes with the stuff Hollywood usually tries to traipse around, from a more realistically depressing depiction of life in the teacher's lounge to the envelope pushing notion that our heroes have to keep snorting a harmful, heroin-like homebrew drug to stave off the evil adults.  The Faculty is clever and keeps reaching more outrageous heights its peers didn't dare for.  Unlike most of its peers, it holds up surprisingly well.

The Faculty was originally released on DVD by Buena Vista all the way back in 1999.  Not only was it barebones, as I mentioned earlier, it was non-anamorphic, so it's completely useless today.  And you know you're in trouble when Echo Bridge is the one to escort this film into HD, via their BD in 2012.  It's a Miramax title; you know how sketchy their home video history has been.  It's been passed around to Lions Gate and Paramount, but their discs have been generic barebones, too.  That's why I imported Paramount's Japanese blu, which actually includes some special features.  But now I can put it behind me (or should I?) because Scream Factory has just restored the film in 4k for their fancy, new Collector's Edition.

1) 1999 BV DVD; 2) 2012 Paramount BD; 3) 2024 SF BD; 4) 2024 SF UHD.

Starting with the aspect ratio, every release is 1.85:1 except the DVD, which is 1.82:1.  Every disc has basically the same framing, except the DVD cuts a little bit off along both sides.  It's also, again, non-anamorphic, though, so it's really just here for some historical perspective.  The initial blu is a general improvement beyond just fixing that.  It clears up a lot of ugly compression and removes what looks like an old master's edge enhancement, though maybe it still shows some much more subtle hints of tinkering.  At least we've move into HD.  But grain is just faintly hinted at and the colors are super pale.  You could make an argument for some of the color timing - the sky in the first set of shots being genuinely blue, for example - but Mr. Hartnett looks downright sickly in the second set of shots.

And the fact that the new, Rodriguez-approved (for what that's worth) color timing brings it back to the DVD's suggests it was always supposed to look like that.  I guess they shot that first scene at golden hour or something.  Anyway, the colors are much more attractive on the new blu, even before looking at the triple-layer UHD, then the faded old blu.  Now all tinkering is definitely 100% gone and the fine grain is here, especially on the UHD (it doesn't pick up so well on the included BD).  This is easily the best The Faculty's ever looked.

The DVD had optional English subtitles, which the BD dropped in favor of Japanese ones.  I checked, though, and the US blu-ray didn't have any subs at all, so they were dropped for every American BD.  Well, until Scream Factory brought them back, that is.  The DVD also gave us a choice between 2.0 and 5.1 mixes, which the initial BDs dropped down to just the 5.1, albeit now in lossless DTS-HD.  The Japanese blu also a lossless Japanese stereo mix.  And Scream Factory has happily given us the choice again, both the English 2.0 and 5.1, both in lossless DTS-HD.  So they've hit us up with everything we could've hope for.

Except, maybe, in the very light extras department.  The DVD had a fullscreen trailer, and that's it.  That's more than the US blus had, though, which is the whole reason I imported.  They have the fullscreen trailer and a crazy widescreen trailer under the title Parasite, but far more importantly, they have over twenty minutes of on-set interviews with the cast and crew.  This is clearly EPK stuff, so it doesn't go that deep, but it isn't padded out with clips from the film, and they include a lot of people, from Rodriguez and Williamson to most of the stars.  Japanese subs are burnt in, but hey, it's good stuff.  I'm glad I went to the trouble of importing - it even comes in Parasite obi strip.

Rodriguez in one of the Japanese-exclusive interviews.

And Scream Factory?  Surprisingly for something billed as a Collector's Edition, it just has two new interviews.  One is a brief chat with the production designer, which is mostly played over clips from the film because they seem to only have low quality webcam footage.  And the second is with effects artist Greg Nicotero, who always does great interviews.  I'm very pleased to receive both, don't get me wrong, but I'm surprised that's all there is.  Maybe Rodriguez's asking price was too high to get him to jump on here, but they didn't even include the old interviews from the Japanese blu.  Heck, they didn't even throw in the trailer.  It does at least come in a slipcover and include reversible artwork, though; and it came with a poster if you pre-ordered it direct from Shout.

So it's a pretty light Collector's Edition, but it is an excellent presentation of a film that was in real need of some additional love on home video.  In short, a good addition to any collection, but it'll leave you wanting more.