Showing posts with label Mubi. Show all posts
Showing posts with label Mubi. Show all posts

Import Week 2025, Day 1: Return To Seoul

Okay, gang, it's time for a new "Week:" Update Week 2025!  For starters, as you can see, we've got 2022's Return To Seoul, where the import blu is superior to the domestic release.  Every Day hereafter will go another step even further: each release is DVD-only here in the states, and only available on blu via import.  Of course, as always, this is written from my local US-centric point of view in regards to what constitutes an "import."  Depending on where you live, dear reader, you may instead be learning some ways you're better off than your American compatriots.  Either way, you're going to be looking at some lesser known, yet higher quality, releases of some great films, so let's get started.
Return To Seoul is the second, but really the international break-out, feature by Korean writer/ director Davy ChouPark Ji-min is a French citizen whose holiday gets diverted to her birth country of Korea, where she gets unexpectedly gets put on the path to finding the parents who put her up for adoption/ emigration as a baby.  What's great about this film, besides its luscious photography and incredible lead performance, is how militantly unsentimental it is.  This is the polar opposite of some sappy, Hallmark family drama, and the plot goes in some directions I can guarantee you won't predict unless you've had it spoiled for you.  Is it dark?  Yeah, but more to the point, it just stubbornly refuses to replace honesty with your typical Hollywood romanticism.  This is the rare movie with an ending that hits because it cut no emotional corners along the way.
So Sony Pictures Classics released this on DVD and blu in 2023.  I've just got the DVD for us today, because it was barebones and so undesirable.  I mean, I would've gotten the BD if that was all there was, but in the UK, Mubi released it just a couple months later as a nice, little special edition.  There's also a French 2-disc set, which looks enticing as it also includes Chou's debut, 2016's Diamond Island, but neither blu is English-friendly at all, so that's off the table.  But Mubi's in the UK, so it's perfectly English, right down to the packaging (I don't know why, but I see some people online get really hung up on that).
2023 US Sony DVD top; 2023 UK Mubi BD bottom.
This is a new release, so it was safe to expect the same DCP to be used as a master on every release of this, as we can see is the case between Sony and Mubi.  It was also shot digitally, so there's no questions of film scanning or grain hunting.  But you can definitely see the quality jump between SD and HD.  First of all, Sony is slightly horizontally pinched to 1.83:1, while Mubi has the exactly correct 1.85:1 aspect ratio.  But more critically is just the jump in resolution.  Chou's imagery is full of fine detail, which gets soft and distilled on the DVD.  Furthermore, the many underlit club and night scenes get hazy, where it's harder to discern facial expressions on the Sony.  So it's really worth spending that little bit extra for a blu.

Of course, it helps that both blus have the original 5.1 audio in DTS-HD.  The DVD is obviously lossy.  Mubi also throws in a 2.0 mix, also in DTS-HD.  Both discs include optional English subtitles, parsed out into three separate versions on the Mubi: full, HoH and only for the non-English dialogue.   Sony drops the third, but throws in French and Spanish subtitles for international viewers.  So all in all, I'd say that makes the Mubi slightly preferable for English-language viewers.
Cambodia 2099
But of course where it really shines is in the extras.  All Sony has is the trailer, and a collection of bonus trailers.  Though, to be fair, the trailer is curiously absent from the UK release.  But that's hardly competitive to what Mubi's got, starting with an on-camera interview with Chou.  He speaks in English, though there are still optional English subtitles as well.  Then there's his 2014 short film, Cambodia 2099.  Presented in 1.86:1 HD with removable subs, it's not as powerful a work as Return, but it's still rather good.  Finally, there's a behind-the-scenes look at the rehearsal for Ji-min's famous dance scene.  Interestingly, here her friends are also dancing, which they do not do in the final film.  Mubi also springs for the fancier packaging, including six art cards and a slipcover.
So sure, if you just want to watch the film, the US release will do just as well.  But fans who care will definitely want to spring for the Mubi. And if you're thinking of getting any of these international releases this Import Week, I'll just throw in a gentle reminder that you might want to do so before our president locks us ever deeper into our tariffed off fortress nation.

Lars von Trier's Kingdom: A Complicated History

Oh, boy. If you weren't collecting DVDs back in the early 2000s, you missed a lot of headache and over complication. Lars von Trier's The Kingdom (or Riget, originally) was and is one of the greatest, craziest television mini-series ever produced. It was released on a ton of different DVD editions in a ton of different countries, and they all had different things wrong with them, with each release fixing one or two issues, sometimes introducing another, and slowly inching our way to a respectable home edition. Forget double-dipping, we were quintuple-dipping! But we finally got there in the end.

Update 5/1/24: It's a big update for The Kingdom.  Trier has finally completed the trilogy, and now all three series have been compiled on blu from Mubi in one comprehensive set.
Until recently, there have really been two Kingdoms, Kingdom I and Kingdom II, a trilogy that went unfinished... due in large part to the passing of lead actor Ernst-Hugo Jaregard. The Kingdom was full of wild and wonderful characterizations, but Jaregard still managed to stand out as the greatest performance. But even without a perfectly satisfactory conclusion, The Kingdom is a hell of a ride. The "kingdom" of this story is a high-end Denmark hospital, which is not only haunted but staffed with such a colorful cast of characters, they manage to make the ghosts look pale by comparison. Captivating and endlessly entertaining, each Kingdom consisted of four, hour-long episodes... mostly.
Occasionally, the series was broken up into five episodes, depending on what country you ordered this from. And that's just one of the many screwy quirks that made the various DVD editions as almost as eccentric as the show itself. Unfortunately, I sold off a lot of my older copies as I upgraded them, so I can't present the ultimate library screenshot comparison. But it's really not that important, because so many of the older discs were so flawed and without lasting, redeeming qualities (meaning unique extras or something), there's really no reason to go back to them. Still, I did own them at one point, so I can briefly run down the deals for some of the important .

The first set of DVDs came from China. They were NTSC and had English subtitles, so they were the original go-to DVDs. Unfortunately, the subtitles were terrible. They had constant spelling errors, mis-translations, and would sometimes just go away, leaving entire monologues untranslated. They also cut two of Trier's closing monologues, where he would speak directly to the audience during the closing credits.

Then the PAL DVD came out from ICA Projects in the UK. That one I've actually still got, so we'll take a second look at it a little further down. But the basic story with this one is that it had better picture quality and subtitled Trier's monologues, plus it included Tranceformer, an excellent, hour-long documentary on Trier. BUT - and this is a big but - it's cut. Some sites report it as missing only a few seconds of graphic violence, but that's not true. It's missing a bunch of stuff, often completely innocuous material, which was probably just shaved for more commercial time. It's also the first release to edit the series into five episodes instead of four. And they only released The first Kingdom, so it left you hanging for Kingdom II anyway.

Seville released it next, in Canada. They still broke the show up into five episodes, but weren't missing all the footage the ICA Projects disc was. For a while, this was the best release. It had forced subtitles, no extras, and never got to Kingdom II. But at the time, you couldn't do better. Oh, and are you wondering how the show could have special monologues at the end of every episode, then be re-cut to include an extra episode and still somehow have a monologue for the end of each episode? They just repeated the closing from episode three on episode four and hoped nobody would notice it was the same thing twice. :/

Then, in 2003, Triers' own company, Zentropa Films, did it right. And that's the main DVD edition we're going to focus on here. There have been subsequent releases: Koch in the USA and Madman in Australia, which essentially mirror the Zentropa release. And in 2011, Second Sight reissued it in the UK, with all of the features and qualities of the Zentropa disc, plus Tranceformer.

And finally, Mubi has brought the series to HD, with a brand new, 7-disc set (four discs for The Kingdom I & II, and three for Kingdom: Exodus, which I'll swing back to later), in both the US and UK.  For years, I've known to be Mubi just a streaming platform that held a couple of interesting titles, like the new Kingdom, hostage behind their paywall.  But lately they've branched into physical media, and I'm excited to welcome them to the fold.  They've got all the episodes, uncut, with improved translations, and all the extras from the Zentropa set (except the music video).  One potentially controversial detail, though, they're re-framed everything to widescreen.
1) 2002 ICA Projects DVD; 2) 2003 Zentropa DVD; 3) 2024 Mubi BD.
So starting with the DVDs, the first thing you might notice is that even though ICA fixed the horrendous subtitles of the old Chinese discs, Zentropa still wound up producing still alternate translations. Both discs are slightly windowboxed, non-anamorphic 1.41:1 transfers (specifically, they're non-anamorphic full-frame 3:4 with slight letterboxing to matting them further down). The Kingdom II, which is only available in the Zentropa set, is given a slightly taller 1:34.1 frame. The Kingdom was intentionally given a funky, grainy look, so it's never going to look anywhere near pristine, but improved picture of the ICA disc has been pretty well duplicated on the Zentropa disc. Image quality-wise, they're about the same, except ICA's has a lower contrast, less saturated and more washed out look.

So, I had the opportunity to ask the head of remastering the first two seasons about the new framing on blu-ray.com, and he had this to say, "The original seasons were shot on super 16mm celluloid film which is closer to the 16:9 AR with 1.66:1. It was then cropped to fit the 4:3 AR of TVs. The remastered has more footage on the sides and a slight crop in top and bottom." And yup, that bears out.  In the shots above, we can see a bit more on the sides, with a little less along the top in the first set, and less along the bottom in the second.  It's nice that they took time to carefully re-frame things.  I still wish they hadn't taken the liberty to get all revisionist and change the AR, but I can't honestly say it bothers me that much.  And it's worth noting that the restoration was done by Zentropa, not Mubi themselves, which at least adds a little legitimacy to any creative adjustments made for these new transfers.

What will jump out at you much more distinctly than the aspect ratio when you first fire up one of the blu-rays is the grain.  Wow, is this grainy!  Makes sense for 16mm, and it's safe to assume the DVDs smoothed it all away just by virtue of being unable to render it all.  But when you zoom in close, there is a very pixelated look to the grain, suggesting some sharpening or other tinkering, which could be the result of the new remastering or something Trier did to the footage in the 90s.  I don't know, but it's not just natural film grain.  Looks like some edge enhancement, too, or the unsharpen tool; like they worked a lot to "fix" this footage.  But they also appear to have recovered actual, additional detail (look way down the hall), so for the most part you could call it a success.

Apart from that, the saturation looks more like the Zentropa than the faded ICA, with some of the original colors popping back up (i.e. the garbage bag in the second set of shots appearing the most visibly blue).  A welcome fix is to the video tape-y color separation.  Note the green haloing in the lights (and other spots) in the second set of shots.  That's been cleaned up.  In brief, I think most viewers will find it a much less soft, frustrating viewing on their modern sets, but they'll be saying, "WOW, is this grainy!"
And now, 25 years after The Kingdom II ended, we have the final chapter: Kingdom: Exodus - a move likely inspired at least somewhat by Twin Peaks: The Return.  Fans will be happy that this gives a satisfying conclusion, presumably close to what we would've gotten in the 90s, but with some accommodations for the leap forward in time.  Sadly, of course, some actors couldn't return, but many do, and we get some newer, younger doctors added to the mix.  Alexander Skarsgård drops by to play the son of his father's character, while the most exciting new cast member is surely Willem Dafoe.  I don't want to spoil any of the many surprises, so I'll just quickly say that this really is the third and final chapter, not just some new material tacked on.  And aside from Trier taking a few grumpy/ easy jabs at wokeism and a couple corny little comic misfires, it's great and everything fans have been hoping for.
2024 Mubi BD.
Exodus maintains the color-drained sepia look of the original series, as well as 1.78:1 aspect ratio if you're going with the blu-rays all the way through the run.  In fact, the new episodes start with the same bleach pit opening as the 90s episodes.  That's probably part of why they re-framed the old series to 1.78, to make all the Kingdoms feel of a piece.  Still, you'll immediately notice that Exodus isn't nearly as grainy as the previous series, and what grain is here looks like actual film grain.  Detail is now much clearer, so the new shows still have a distinct look.  You can tell they're starting with a much higher def image.

The audio situation is the same across all three Kingdoms.  ICA's subtitles are burnt in, but Zentropa's are optional, and they offer a plethora of language choice, including: Danish, Finnish, Norwegian, Portuguese, Romanian, Serbian, Swedish and the English.  Mubi has the original audio in both 2.0 and 5.1 DTS-HD, with removable English subtitles.
Extras-wise, the ICA disc just has the Tranceformer documentary, but it's pretty darn good, and it's not on the Zentropa disc. That's actually the reason I've held on my ICA DVDs while I sold my other old sets. The doc was also included on Criterion's DVD of Elements of Crime, however; so if you've got that there's no reason to bother with the ICA anymore. And, as I said, Second Sight included it on their 2011 release.

But Zentropa introduced a bevy of Kingdom-specific extras. First, Trier provides an audio commentary, along with co-writer Niels Vorsel and editor Molly Stensgard. They don't tackle the entire 8+ hours, but they do sections of each episode, which can be directly accessed from the Special Features menu. It's not in English, but there are English subtitles for the commentary audio. There's also a 25 minute Behind the Scenes featurette, a second 40 minute one entitled In Lars von Trier's Kingdom, a collection of "outrageous" television commercials directed by Trier and starring Jaregard, a music video for the show's main theme, bloopers from that music video, and a collection of trailers for Trier's other films.
Mubi basically retains all the Zentropa extras, except for the music video and its bloopers, without adding anything new.  It's disappointing they couldn't have gotten any interviews or anything for Exodus.  But at least they include a full-color 24-page booklet with a new Trier interview talking about the new series.  You should definitely read it; as it answers a lot of questions (not in-story but about the thinking behind everything), and it's as satisfying as you could hope for outside of a proper video piece on disc.  They also throw in six art cards of Exodus images, and the whole thing is packaged in an impressive, fold-out digipack and outer slipbox.
The Kingdom is a fantastic series, and fortunately, the horrible state it was in on DVD has been corrected. The missing footage, broken subtitles, screwy-five episode format, etc were cleaned up in Zentropa's 4-disc set, and all subsequent DVDs have used their improved set-up, down to the extras. And then Mubi gave us HD remasters and, of course, Exodus, which is of course absolutely essential. You might, if you're a real stickler, want to hang onto one of the DVD sets (but nothing from before 2002!) for the sake of the original 4:3 aspect ratio.  But I'm completely happy with the new set and think the upsides more than make up for the arguable downsides.