Import Week 2025, Day 6: Cheri 2009

Sorry for the delay in Day 6, folks!  I had to fix the Latest Comments column, which went belly up on us and turned out to be a lot trickier to repair than it was to implement in the first place.  Anyway, it's pumpin' away, knock on wood.  So let's get into today's film, which is Cheri from 2009, a neglected little gem still relegated to DVD-only status here in the US.
I get it if you guys are looking at me a little askance for this pick.  I'd avoided this movie for a long time, too.  This came at a bad time in Michelle Pfeiffer's career: after her peak, but before audiences might've grown interested in seeing her make a comeback.  I only got around to it eventually because it's Stephen Frears, who I'd hardly consider consistent, but who always at least has potential; so it got stuck on my very long "one of these days" list.  To my surprise, it was great, and I had to have the blu-ray.  It's a smart adaptation of a pair of 1920s novels by the mononymous French author Collette.  Pfeiffer's on point here, but she's bolstered a lot by a killer supporting cast including the haunting Rupert Friend, sure thing Kathy Bates and a pre-Star Wars Felicity JonesCheri is its own thing, but you can definitely sense that this is by the same filmmaker as the great Dangerous Liaisons, which also starred Pfeiffer, of course.  And indeed, playwright Christopher Hampton adapted them both, so this is a bit of a reunion.  Unfortunately, there was no blu-ray.  At least here in the States, it was a DVD-only release. 
Miramax released it a new release in 2009.  But this film really deserves a blu, and sadly, Miramax holding the rights is a bad sign.  For a long time, I was trying to find an affordable copy of the Australian blu-ray from Icon, because Australia's the one naturally English-friendly country that released it in HD.  But it's been out of print for so long, all I could find were $100 copies or some beat up ex-library disc.  The only other edition is from a company called Lumiere in the Netherlands, and I couldn't find any reliable reports on it.  Does it have forced subs or even a dub?  Is it 1080i?  Does it have the extras from the DVD?  Well, eventually I gave up and rolled the dice.  Worst case scenario, it would make for a good post on my site to warn you guys against it.  So, is it any good?  Let's see.
2009 US Miramax DVD top; 2009 Icon NL BD bottom.
Miramax presents Cheri in 2.36:1, while Lumiere gives it to us in 2.35:1.  The shift in AR results in a tiny sliver extra picture along the top and bottom of the blu.  Otherwise, it's another standard case of the same master being used for both discs, which especially makes sense this time, as they're concurrent releases.  Same colors, contrast, brightness, etc.  But the HD boost is real.  To the people in that carriage have lips?  Only on the blu-ray.  Clicking back and forth between screenshots, you can see the film pop to life.  You can tell Pfeiffer's wearing earnings on the blu, but not the DVD.

The DVD gives us the English 5.1 mix in Dolby Digital with optional English, French and Spanish subtitles.  Lumiere bumps that mix up to DTS-HD, but drops the optional subs if you needed 'em, only offering Dutch ones.  That's one benefit the Australian disc would've had.
The DVD actually had a couple light special features.  There are two brief deleted scenes and a short but otherwise rather good 'making of' featurette that interviews the cast and crew on location.  There's no film clips, so there's not a lot, but it's all quality stuff.  Fortunately, the blu has 'em, too (and yes, so does that Icon BD), albeit still in SD.  It also has the theatrical trailer, which the DVD neglects, and a couple of bonus trailers.
So it turns out this Dutch disc is perfectly viable.  I've been burned before, but not this time.  And it's a lot easier to find that that Aussie disc.  So I'll conclude Import Week 2025 with this firm recommendation.  But don't worry, I've got a couple big boutique new releases for ya next.

Import Week 2025, Day 5: Costner's Home On the Open Range

2003's Open Range (a movie I mistakenly refer to as "Open Season" with embarrassing frequency) is the film that really taught me to appreciate Costner as a filmmaker and not just a Hollywood star.  Dances With Wolves was his break-out, but then you usually think of his goofy sci-fi disasters, Waterworld and The Postman, which everybody's right about.  But this proves he really has the touch for a classic, modern western that isn't as showy as Wolves, but thanks to the source material (The Open Range Men by Lauran Paine) is even more elegant.  It's the reason I'm really pulling for him to complete his Horizon saga (which I'm waiting to binge, fingers crossed, some day).  Unfortunately, it doesn't help that it's left to languish as a DVD-only title here in the states.  It'd be great if a US boutique could release it to help bolster his profile and reputation, but at least we Open Range fans already int he know can import.
So of course Costner doesn't just write/ produce and direct this; he takes the lead role for himself.  But he's up to the task, though it's Robert Duvall who really walks away with this picture.  Michael Gambon (The Singing Detective, Wives & Daughters) and Annette Benning are reliable as ever, and Kim Coates drops by to play another nasty villain, but you get the feeling these guys are kind of breezing through on autopilot, where Costner and Duvall are really giving their all to a labor of love.  Westerns are Costner's proficiency, and this man's absolutely here to give the genre's fans looking for scenic vistas, horses, an authentic western town and perfect costumes absolutely everything they want.  But there's also a rich, textured story at the heart of this that rises above the Western formula, even when they're taking it to a perfect 100%. 
Touchstone released a nice 2-disc anamorphic widescreen special edition DVD of Open Range as a new release in 2004.  At the time, you couldn't have really asked for more.  But in this day and age, 1080p HD is the bare minimum for home video.  And while they never released a blu-ray in the US, there are a number of import options.  My first instinct would be to pick up the relatively recent (2021) blu-ray from 101 Films in the UK, but it's completely barebones!  They drop the wealth of extras from the DVD set (more on that below).  But poking around, I found the German blu from Universum Film  is fully English-friendly and does have all the extras, plus a little bit more.
2004 US Touchstone DVD top; 2010 DE Universum BD bottom.

The DVD presents the film at 2.37:1, which the BD adjusts ever so slightly to 2.35:1.  Otherwise, this is another case of the same old master being used on both discs again.  There's no unfortunate noise reduction, interlacing or anything like that, but as old as this scan is, there's no sign of film grain or anything like that, either.  The boost in clarity is obvious, don't get me wrong.  It's a proper boost from SD to HD, but that's all it is.  It's a fine BD, but a disappointment when you think about what a modern, 4k scan could look like.  And actually, looking super close, maybe their is a subtle touch of edge enhancement in the master that made it to both discs.

The DVD gave us a (fairly arbitrary) choice between 5.1 Dolby Digital and 5.1 DTS audio, plus a 5.1 French dub and optional English and Spanish subtitles.  The BD bumps that up to lossless DTS-HD 6.1, swaps the French dub for a German one (also in 6.1 DTS-HD) and happily has both optional German and English subtitles.  You usually don't see English subs on their non-boutique imports, so that's a nice touch.
Like I said, Touchstone came up with a nicely packed special edition set here.  First of all, there's an audio commentary by Costner, who speaks a bit languidly, but is very thoughtful and open about every aspect of the film, from the book to post production.  Then there's an excellent, behind-the-scenes documentary, which is over an hour long and has full access, not just on location, but in Costner's home, etc.  Then there's an interesting historical featurette, narrated by Costner, using vintage photographs and letters to explore the reality of the period the film's set in.  There's also a collection of twelve deleted scenes, each with a video introduction by Costner, a featurette on the storyboards, with Costner and his artist, and a music video for the main theme song.  Finally, there's a bunch of bonus trailers, but not the actual trailer for Open Range itself.
The German disc has all of that, with optional/ removable German subs.  But they default to on, so I'd turn 'em off for the documentary, but when it came to short stuff like every individual deleted scene, I started to get tired of constantly going back to the subtitle menu to shut them off.  If your remote has a dedicated subtitle button (like my old player did, RIP) it would be less annoying.  Anyway, that's a minor annoyance, but it's counter-balanced by a minor benefit: Universum has come up with their own, original extra no other release has: a ten minute featurette on the film's German premiere.  So it's not exactly the most desirable piece, but it does include Costner's speech to the audience before the screening, so it's not entirely uninteresting.  It's nice to get a little something more while we're double-dipping at least.  Oh, and this time they also have the Open Range trailer.  In fact, they have the original theatrical trailer, two German trailers & eight TV spots, a photo gallery, plus their own collection of bonus trailers.  Also their release comes in reversible artwork, so you can hide their giant green ratings logo.
So it's not a super impressive disc, but it's an easy recommendation for an underrated film that's at least some degree of an upgrade in every department: picture quality, audio and special features.  Universum's the one to get.  And that's almost it for Import Week 2025, but not quite.  I've got one more for ya, a Dutch blu of an even more under-appreciated film by an important British filmmaker.  See you then!

Import Week 2025, Day 4: Sword of Honour, Or Is That Soldier?

This is one I've been planning to cover here for a long time, it's actually one of the discs that inspired me to make this site.  But as you'll see, it required a lot of extra work, so I kept putting it off.  Import Week 2025, Day 4's the day, though, so here we go!  I'm talking about 2001's Sword of Honour, an epic (in every sense of the word) television adaptation of Evelyn Waugh's trilogy of novels: Men at Arm, Officers and Gentlemen and Unconditional Surrender, published between 1952 and 1961.
It consists of two feature-length films made by Channel 4 in the UK, recreating Waugh's harrowing, and sometimes bizarrely ironic, experiences during WWII.  It's shot in various countries with a massive cast, exploding planes and tanks, etc.  This is not your traditional stage-bound Masterpiece Theater, though its intelligence and literary merits are just as strong.  It blends Waugh's famous humor - some scenes are truly wild - with a truly bleak examination of the cruelty of war.  It stars Daniel Craig, who I haven't historically been a huge fan of, but he's perfect here, as a sad, naive but never sentimental idealist whose ideals are steadily rebuked by an endless procession of absurd bureaucrats and an the desperate criminals who try to eke out a life under their thumb.
So Acorn released this as a 2-disc DVD set in 2006.  It came as two amary cases in a nice little slipcase.  But the content of the discs themselves was a little underwhelming, so I took to the internet to hunt for an international upgrade.  And it turns out this had been released on blu-ray in France!  It was put out by a smaller label called Fusion, which made the curious decision to change the title to Soldier of Honor (though it still says Sword on-screen).  And while, as you'll see, this may not be the grand HD experience one might be hoping for, it is an unqualified upgrade, and I'm glad I got it.
a scene only in the full-length French cut.
Especially since it turns out this is a longer cut!  It's a good nine to ten minutes longer, and no it's not a PAL vs. NTSC thing (both discs are NTSC).  I've synced them up and gone through them simultaneously, and the US version is definitely missing footage that appears on this French disc.  I can only guess, but presumably what we got here is a trimmed commercial television edit, cut down to accommodate broadcast schedules and ads, in the same way some Masterpiece Theater programs like the 2007 Northanger Abbey got mistreated.  Because I've itemized all the changes, and none of it is for censorship reasons or anything.  The bloodiest bits are all intact, and neither cut has any nudity.  Here's a full break-down of all the differences so you can see for yourself.

The following time codes are based on the US DVD:

0:00 The differences start right from the jump, with the blu-ray opening on Craig in a hotel room, looking at a framed photograph and then bagging it in a pre-credits scene excised from the DVD.

4:18 The DVD has on-screen text "Bellamy's Pall Mall" over the shot of a car pulling up.  The same shot is on the blu-ray but without this text (presumably cutting down on foreign ext for French audiences).  But then the blu-ray has a whole series of shots where Craig gets out and surveils the club, then goes inside and goes inside where he's stopped by the doorman ("excuse me, sir, but are you a member?").  They have a back and forth exchange, after which Craig goes upstairs, only then cutting to the shot of Craig writing a letter which is what the DVD cut to after the car.

4:47 Cuts out some of the dialogue with Craig and his father.  They both start with the father telling Craig "you're far too old" to join the army, but the blu-ray has a bit where he asks him, "can you seriously see yourself sprinting..." which the DVD clips out. 

6:30 The DVD snips out some establishing footage of Craig and his father crossing the street and into the bar parking lot

7:30 Cuts out part of the conversation about how the captain's regiment doesn't "do things in the ordinary army style," which is a pretty important precursor of things to come.  The DVD rejoins the blu when the captain says, "if you're really serious, I'll see if the thing can be managed."

16:40 Cuts out most of Virginia's reaction (i.e. putting her arm on the couch) when Craig leaves.

17:00 About half of the mugging rescue is cut, with the victim exclaiming "it's the second time I've been robbed this week" etc.

17:18 A shot of the military vehicle being let through the gate has been cut.  On the other hand, the blu is missing the on-screen text, "Southsand-On-Sea."

20:20 The blu opens with the troupe wandering up the road, lost.  The DVD only cuts in when the dialogue starts.  And it trims off the end of the shot, too.

23:17 The DVD removes shots of the soldiers in the room exchanging glances after the Captain leaves the room.

26:56 Cuts out Craig's line, "very good of the Brigadiere, I thought."

27:57 A quick cut of Craig walking up the hotel hallway.

28:36 Removes a whole scene of Craig first walking into Virginia's room, walking around, and exchanging dialogue.  "I didn't join the army just to become more attractive to women," etc.

30:27 Cuts out Apthorpe realizing Craig has hung up the phone on him.

34:34 Cuts out a the end of Craig on the train and beginning of him driving up to the house.  More noticeably, it also cuts out most of the conversation between Craig and the operator over the phone.  Then it trims a couple seconds of him and Apthorne running through the woods and walking up the road.

50:45 Another slug, this one reading "H.O.O. HQ London" is only on the DVD.

52:22 Cuts out Craig saluting after receiving his orders, and also trims a handful of frames off various shots of Craig exploring his new base.

56:30 Another title card: "Station Hotel Glasgow."

56:59
Cuts out a moment where Gustav teases the bartender about his tip.

1:01:20 Trims a second or two off the guests walking into the hotel.

1:03:35 Cuts out Craig's reaction before cutting to the troops in the stream.  Then cuts out a shot of the officers waving to the troops after the line, "I think plan B is called for, sir."

1:07:50 Cuts out two shots of Craig and McTavish after Craig's warning about him is ignored.

1:12:25 Cuts the opening couple of seconds off the shot of the boats paddling up to shore and then a lot more at the end, with the soldier trying to get his flashlight to work.  And then a few more frames are trimmed off them walking through the field.

1:15:15 Cuts the one soldier helping the other get up off the tracks.

1:16:44 Cuts out some of the article being read aloud about the soldiers' bungled operation being misreported, and some of the dialogue that follows (for example, "well, hairdresser's assistant" and "carried out one of the most daring exploits in military history).

1:17:13 Another DVD-only title card: "Ford Sidi Bishir HQ Egypt."

1:24:00 Cuts two seconds or so from the shot of the battleship.

1:25:45 Several of the orders being given after the commander has broken his leg have been cut.

1.27:00 The "Crete" title card is missing from the blu.

1:30:00 The DVD's closing credits play at double time.


Surprisingly, after all those edit in the first film, there are none in the second, despite the fact that the second is the longer of the two.  The closing credits even play at the same speed.  The only difference is that the DVD is missing another label: "Croatia" at the 1:05:21 mark.  All told, most of the cuts are minor, and you can tell someone was trying to cut for time while doing as little damage as possible.  But a few of the bigger cuts are detractions, sometimes cutting the humor or emotion out of a scene, even if it leaves all the necessary story points intact.  As for the on-screen titles, I have to say, after living with the BD version for years now, and watching it with family, we had no trouble following the story without them.  The ideal version would be the fuller BD cut with these labels intact, sure, but since we have to choose, this international cut is hands down the way to go.  Especially since the BD has other advantages.
US Acorn DVD top; FR Fusion BD bottom.
I wanted to get at least one post into this Import Week that wasn't just comparing the same master appearing on a standard and high definition disc, and here we go.  The DVD is 1.81:1, while the BD is 1.83:1, but you can see the framing has been shifted a little bit more than that.  For example, in the first set of shots, the DVD has a little more on the right side of the picture, and the BD has a bit more on the left.  It's hard to say which looks better, is more technically correct, but it is the first of several distinctions.  The color-timing is similar on both releases, but the DVD has that reddish orange hue that tends to plague older DVDs, which the blu-ray cleans up.  They're both anamorphic, but in terms of resolution and general image quality, while the BD is technically in true 1080p (and a proper BD50), it looks like a soft-ass, edge enhanced upconvert.  There's no real gains in that regard, disappointingly.

But there is a substantial benefit in the interlacing.  As you can see in the first set of shots, both discs suffer from it (for an older TV broadcast, you'd have to expect it, unless someone were to go back to the original film elements and conduct a full-blown restoration).  But it's so much worse on the DVD.  It almost looks like Acorn acquired an interlaced master and then introduced worse interlacing when converting it to NTSC.  Or that's just a very extreme example of the benefits of HD on interlacing.  Either way, it looks decidedly better on the blu.  It's like those Llamentol / Mapetac blu-rays from Spain I covered before: they look like DVD transfers.  But superior DVD transfers compared to the original DVDs, so still a reasonable upgrade, just not terribly impressive looking.
Both discs just feature the original lossy Dolby stereo audio track.  The French blu also includes a stereo French dub, and the US DVD has one thing going for it: optional English subtitles.  The French disc doesn't have any subtitles at all, so at least you don't have to worry about any forced foreign ones.   neither release has any kind of special feature at all, not even a bonus trailer.

Sword of Honour is brilliant, and you should definitely see it if you haven't already.  And the French blu is the way to go, especially since I really don't hold out any hope for a future upgrade for this title, sadly.  There's a sort of adult, high-brow market that contemporary home video seems afraid to touch anymore.  If it's some "pure cinema" Ozu, sure, Criterion and them will swoop it up.  But who's going to tackle legends like Elizabeth R and I, Claudius?  Come on, you cowards!  If Terror Vision can put out Nail Gun Massacre in 4k, somebody can give us The Six Wives of Henry VIII on BD.

Import Week 2025, Day 3: Bright Star

Angel At My Table and The Piano may be her most famous films, but Bright Star is probably my favorite Jane Campion (to really call it, I'd have to go back and rewatch Portrait Of a Lady).  At the most basic level could be described as a John Keats biopic, but it's so much deeper than that.  It's also actually the story of Keats' fiancee rather than the poet himself.  It's also a rich exploration of Keats' work, poetry in general and a tragic romance, while still being quite sharp and witty.  There's a debate in-film about whether poetry should spark the head or the heart, this film does both.  I wasn't particularly familiar with any of the cast, but they're all pitch perfect, even the kids.  And as beautifully shot as this movie is, it's really the strikingly original soundtrack, which has some nice strings and stuff, but most notably features a full vocal choir performing these gently lyrical pieces of Mozart.
So like yesterday's post, this is another DVD-only release from Sony, who released this as a new release in 2010, and at least it's not entirely featureless (more on that below).  But it did come out on blu that same year in different parts of the world, including Australia, Germany and Norway.  I went with the Pathe disc from France because they gave it the fullest special edition.  They released it as both a BD and BD/ DVD combo-pack, plus a stand-alone DVD version and a single disc BD reissue in 2015.  I went with the combo-pack, so we can look at three versions today.
1) 2010 US Sony DVD; 2) 2010 FR Pathe DVD; 3) 2010 FR Pathe BD.
As is the norm for Import Week, these discs are using the same master for their transfers, so the biggest distinction between the two DVDs is just that the French one is PAL.  It's not the only distinction, though, as the Sony disc is 1.84:1, which Pathe corrects to 1.85:1 (the Sony has a basically imperceptible vertical stretch, which you'd only catch in a direct screenshot comparison like this).  But PQ-wise, the only real pertinent difference is the BD bumping the image up to HD.  It sharpens the picture and gives the edges cleaner lines.  This film sometimes has a softer look, which can disguise the benefits, but there are also a number of gorgeous, richly detailed wide shots that significantly benefit from the additional clarity.

The blu also bumps the 5.1 track up to DTS-HD, and the French discs both include a French dub in 5.1, also in DTS-HD on the blu.  The one downside is that Sony included optional English and English HoH subtitles, while the Pathe only has optional French ones.  French discs often have a bad (and deserved) rep for forced subs, but they're perfectly removable here; they don't even default to on.
Working With Jane
So again, the Sony isn't entirely bereft.  It has one deleted scene and three very short featurettes (ranging from two to three minutes each) which interview Campion.  Stitched together, that's a 7-minute interview with the director, which is better than nothing.  It also has a whole bunch of bonus trailers, but none for Bright Star itself.

Pathe, on the other hand, has a whole bunch more.  It has the same deleted scene as the Sony, plus another one.  And it has a really nicely-crafted half hour behind-the-scenes documentary entitled Working With Jane.  And it has three of Campion's early short films: A Girl's Own Story (1984), Passionless Moments (1983) and An Exercise in Discipline (1982), making this a bit of a treasure trove for Campion fans.  It also includes a photo gallery and the film's French-language trailer.  Plus it comes in a cool, purple case.  I think some also came in a slipcover, but AmazonFR didn't send one with mine.
Pathe doesn't include the three featurettes from the Sony, though.  So if you want to be a hardcore completist, you can pick up the US disc and pair 'em together for a fuller special edition.  But honestly, they're awfully short, so I'd only consider it if it was a cheap used copy.  Or if, like me, you already had the DVD and are just double-dipping to the blu as an upgrade.

Import Week 2025, Day 2: The Painted Veil

Today for Import Week, we turn our attentions to GermanyAnd as promised, it's a title that's DVD-only here in the US, so if you want this film at all in HD, you have to import it.  I'm talking about Der Bunte Schleier, better known as 2006's The Painted Veil.
The Painted Veil is, of course, an adaptation of W. Somerset Maugham's 1925 novel of the same name.  This is actually the third time it's been brought to the silver screen, after 1957's The Seventh Sin starring George Sanders, and probably the most famous Painted Veil, the 1937 version starring Greta Garbo.  Both of those films took a bunch of liberties though, especially The Seventh Sin, which changes the period, setting and everything; while the '37 totally cops out on the novel's poignant ending.  So this latest adaptation is the go-to choice for a vibrant, fleshed-out telling of the original story.
It's also the only one not studio bound, shot on exotic - both beautiful and disturbing - location rather than flat Hollywood sets.  With its fluid camera and naturalistic performances, this is the first to marry some reality to the author's vision.  When a young London doctor finds his high society wife cheating on him, he decides to drag her along with him into an expedition into a small Chinese village suffering from a deadly Cholera epidemic, out of spite.  So if you're expecting your usual breathy period melodrama, be prepared for how bleak and hard this story goes.  They definitely do not dial down the cruelty and smallness that run through Ed Norton's character like most movies would.  Besides him and Naomi Watts, who you see on the cover there, this stars Liev Schreiber, Toby Jones and The Avengers' Diana Rigg, all of whom are bringing their A game to this project.  Also, fun fact: Sally Hawkins (Bring Her Back, The Shape of Water) appears in the closing credits, but not the film itself.  She must've gotten cut.  If we ever do get a US blu-ray release of this film, let's hope it includes deleted scenes.
But I'm not holding my breath.  So until such a time, let's look at the options we actually do have.  Warner Bros released this as a barebones new release DVD in 2007 and... that's the whole story, at least here in the US.  But Germany came to the rescue in 2009 with a proper blu-ray release from Ascot Elite Home Entertainment.  It even has a little something by way of special features.
2007 US Warner Bros DVD top; 2009 DE Ascot Elite BD bottom.

2007 US Warner Bros DVD left; 2009 DE Ascot Elite BD right.
Warner presents The Painted Veil in 2.39:1, which Ascot tweaks to 2.41:1.  There's no extra picture either way; the image is just a pinch wider on the BD.  Honestly, I'm not sure which is correct, and wouldn't be surprised if the ideal is actually 2.40:1.  And unsurprisingly, this appears to be the same master used for both transfers.  The color timing, framing, contrast levels etc are all identical.  But the jump from SD to HD alone counts for a lot of clarity, as you can see in our 600% close-ups above.  It's like removing a sheet of wax paper off the picture to see the clear image underneath.  Of course, the difference is a lot more subtle when you're not zoomed in, but it's still enough to notice on a good sized set.  Obviously, a fresh scan would be ideal; we really don't see any film grain on either disc.  But the Ascot is still a worthwhile upgrade.

Another benefit of the blu, naturally is the lossless audio.  Warner Bros and Ascot Elite share the same 5.1 mix, but it's in DTS-HD on the blu.  The blu also includes a 5.1 German dub in DTS-HD, which is pretty immaterial, but it does lead to its one shortcoming.  The DVD includes optional English subtitles, as well as Spanish and French.  But the BD only has German subs.  Fortunately, the film does have burnt-in English subtitles for the rare bits of Chinese dialogue on both discs.
And did I mention extras?  Yes, Warner Bros has nothing but the trailer and some bonus trailers.  Ascot also has the trailer, albeit dubbed into German, and some bonus trailers.  But it also has a collection of cast and crew interviews. The four leads and the director all provide your typical EPK Q&As on location, and then there's another brief chat with Norton and Watts together at a press junket.  It's all brief, somewhere between ten and fifteen minutes total; but it's a lot nicer to have than nothing.  But that's it, though.  Ascot's release also comes with reversible artwork so you can hide the big, mandated ratings logo, which is appreciated.
So there you have it: a maybe not spectacular, but still essential foreign release of an under-appreciated American film.  Settle in for several more of those as Import Week continues...

Import Week 2025, Day 1: Return To Seoul

Okay, gang, it's time for a new "Week:" Update Week 2025!  For starters, as you can see, we've got 2022's Return To Seoul, where the import blu is superior to the domestic release.  Every Day hereafter will go another step even further: each release is DVD-only here in the states, and only available on blu via import.  Of course, as always, this is written from my local US-centric point of view in regards to what constitutes an "import."  Depending on where you live, dear reader, you may instead be learning some ways you're better off than your American compatriots.  Either way, you're going to be looking at some lesser known, yet higher quality, releases of some great films, so let's get started.
Return To Seoul is the second, but really the international break-out, feature by Korean writer/ director Davy ChouPark Ji-min is a French citizen whose holiday gets diverted to her birth country of Korea, where she gets unexpectedly gets put on the path to finding the parents who put her up for adoption/ emigration as a baby.  What's great about this film, besides its luscious photography and incredible lead performance, is how militantly unsentimental it is.  This is the polar opposite of some sappy, Hallmark family drama, and the plot goes in some directions I can guarantee you won't predict unless you've had it spoiled for you.  Is it dark?  Yeah, but more to the point, it just stubbornly refuses to replace honesty with your typical Hollywood romanticism.  This is the rare movie with an ending that hits because it cut no emotional corners along the way.
So Sony Pictures Classics released this on DVD and blu in 2023.  I've just got the DVD for us today, because it was barebones and so undesirable.  I mean, I would've gotten the BD if that was all there was, but in the UK, Mubi released it just a couple months later as a nice, little special edition.  There's also a French 2-disc set, which looks enticing as it also includes Chou's debut, 2016's Diamond Island, but neither blu is English-friendly at all, so that's off the table.  But Mubi's in the UK, so it's perfectly English, right down to the packaging (I don't know why, but I see some people online get really hung up on that).
2023 US Sony DVD top; 2023 UK Mubi BD bottom.
This is a new release, so it was safe to expect the same DCP to be used as a master on every release of this, as we can see is the case between Sony and Mubi.  It was also shot digitally, so there's no questions of film scanning or grain hunting.  But you can definitely see the quality jump between SD and HD.  First of all, Sony is slightly horizontally pinched to 1.83:1, while Mubi has the exactly correct 1.85:1 aspect ratio.  But more critically is just the jump in resolution.  Chou's imagery is full of fine detail, which gets soft and distilled on the DVD.  Furthermore, the many underlit club and night scenes get hazy, where it's harder to discern facial expressions on the Sony.  So it's really worth spending that little bit extra for a blu.

Of course, it helps that both blus have the original 5.1 audio in DTS-HD.  The DVD is obviously lossy.  Mubi also throws in a 2.0 mix, also in DTS-HD.  Both discs include optional English subtitles, parsed out into three separate versions on the Mubi: full, HoH and only for the non-English dialogue.   Sony drops the third, but throws in French and Spanish subtitles for international viewers.  So all in all, I'd say that makes the Mubi slightly preferable for English-language viewers.
Cambodia 2099
But of course where it really shines is in the extras.  All Sony has is the trailer, and a collection of bonus trailers.  Though, to be fair, the trailer is curiously absent from the UK release.  But that's hardly competitive to what Mubi's got, starting with an on-camera interview with Chou.  He speaks in English, though there are still optional English subtitles as well.  Then there's his 2014 short film, Cambodia 2099.  Presented in 1.86:1 HD with removable subs, it's not as powerful a work as Return, but it's still rather good.  Finally, there's a behind-the-scenes look at the rehearsal for Ji-min's famous dance scene.  Interestingly, here her friends are also dancing, which they do not do in the final film.  Mubi also springs for the fancier packaging, including six art cards and a slipcover.
So sure, if you just want to watch the film, the US release will do just as well.  But fans who care will definitely want to spring for the Mubi. And if you're thinking of getting any of these international releases this Import Week, I'll just throw in a gentle reminder that you might want to do so before our president locks us ever deeper into our tariffed off fortress nation.